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"Think Twice" is a song recorded by Canadian singer Celine Dion, released as the third single from her third English-language album, The Colour of My Love (1993) in North America in July 1994, in the United Kingdom, Australia and Japan in October 1994, and in other European countries in 1995. It was written by Andy Hill and Peter Sinfield, and produced by Christopher Neil and Aldo Nova. In this rock-influenced song with a guitar solo, the protagonist is telling her lover to "think twice" before leaving her. The song became one of Dion's most successful hits in Europe and Australia, topping multiple charts, including those of Flemish Belgium, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom. Remaining at the top of the UK Singles Chart for seven weeks, it eventually became the fourth single by a female artist to sell in excess of one million copies in the UK.[1]

With the holidays upon us, it's easy to default to giving the tech gifts that retailers tend to push on us this time of year: smart speakers, video doorbells, bluetooth trackers, fitness trackers, and other connected gadgets are all very popular gifts. But before you give one, think twice about what you're opting that person into.

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shopping bag. Being forced to pay a nickel at checkout counters in Washington DC resulted in a whopping 60% decrease in bag use. (Source: Washington Post). This got me thinking about the power of #ThinkingTwice before buying the things that we put into those shopping bags.

I think that #thinkingtwice while shopping puts more responsibility in the hands of the consumer. Consumers should not just mindlessly buy things without considering the impacts. Inside the store is where all of the important decisions are made and so it is necessary to teach smart and sustainable shopping. In an effort to eat healthier, I have found it much easier to resist eating junk food when I make the decision in the store. If I choose not to buy it, it will not be sitting in my kitchen cabinets taunting me. To help consumers shop smartly, it would be interesting to have labels on everything, estimating what resources were needed to produce it. I wonder if this would help people #thinktwice about buying items if this label gave them a visual idea of the waste involved. Would everyone in the process of producing an object think more about how sustainably the objects were produced if they had to disclose this information?

Lately, #thinktwice is exactly what I do while deciding on an item to purchase. Before impulsive shopping was a no-brainer, but after a bit of research on how a simple shirt is produced, and realizing the amount of labor and natural resources a simple shirt needs, I quickly reconsidered my habits. Your post eloquently dissects the truth behind our current industries, such as apparel. Thankfully, thrifting has always been a second nature of mine, but not for many. However, I do enjoy your alternative, lending and borrowing with your neighbors. This is a perfect opportunity to get to know them, while building a sense of community.

Ms. Ottman, thank you for such a thoughtful post that makes #thinktwice feel so achievable! While impulse purchases and spending less money for a low product good can be tempting, I know that in the long run I will only feel guilty about buying such a resource-intensive and useless product. I hope we can get the word out about thinking twice! It scares me how disconnected I feel from the extraction of resource and production process that goes into goods that I use in every day life.

Okay, first, I don't want your chair. And why are you telling me you can't see us going anywhere? After that line, like I'm supposed to care about anything else you say? Are you kidding me? And by the way, if I want to get to the open place a thousand miles away, what makes you think I need you to take me there, boy? I got legs. I got a car.

We\u2019re listening to the song, and suddenly I hear it differently. When the narrator says to the woman, \u201CDon\u2019t think twice,\u201D he doesn\u2019t mean it. He\u2019s saying the opposite of what he\u2019s feeling. He\u2019s actually asking her to think twice, and now the song has gotten me to think twice, and I love it. Few things serve a writer better than being wrong, and often I\u2019m wrong because\u2014very much in the style of pissed-off Bobby Zimmerman\u2014I\u2019m a stubborn little prick.

And it ain't no use in turning on your light, babe

That light I never knowed

And it ain't no use in turning on your light, babe

I'm on the dark side of the road

But I wish there was somethin' you would do or say

To try and make me change my mind and stay

But we never did too much talking anyway

But don't think twice, it's all right

When the singer says, \u201CI ain\u2019t a-saying you treated me unkind/You could\u2019ve done better but I don\u2019t mind,\u201D he\u2019s feeling vulnerable, although the schmendrick can\u2019t come right out and say it. When he says, \u201CBut I wish there was somethin\u2019 you could do or say/To try and make me change my mind and stay/But we never did too much talking anyway/But don\u2019t think twice it\u2019s all right,\u201D he\u2019s wanting her to pull him toward her. What he would do after that, we don\u2019t know, but in that moment, he doesn\u2019t want to be let go of so easily.

Richard said, \u201CThe singer is not only asking the woman to think twice. The whole song is about thinking twice. He\u2019s asking himself what happened in the relationship and what he really feels in the moment of setting off.\u201D I said, \u201CI can see that. I can see he\u2019s hurt and defensive, although he still has to sound like he\u2019s telling her off. The song is still all about the boy\u2019s thoughts. The girl is a ghost. That\u2019s the part that sucks out any possible compassion for him.\u201D Richard said, \u201CHe may not want compassion from anyone.\u201D

A few years ago, I jotted down notes after watching several docs about Dylan: Trouble No More\u2013A Musical Film (2017) and Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese. I was trying to think about what women could learn from Bobby rather than sit next to him in a bar.

Dylan\u2019s music laughs. If you want to hear it that way, it can laugh at the irritability and pomposity of the lyrics. The music is jazzy, jangly, bluesy, rough hewn, electric, and stirring. He became a master of melody\u2014think \u201CTangled up in Blue,\u201D \u201CAll Along the Watchtower,\u201D \u201CForever Young,\u201D \u201CIf Not for You,\u201D and \u201CKnocking on Heaven\u2019s Door.\u201D The voice is a snarl and a whine. It\u2019s twangy and davening\u2014insistent, ferrety, seeping\u2014the not-beautiful thing we can connect to. When Bob first heard the music that would point him away from where he came from, it made him feel like maybe he was born to the wrong parents, that he was someplace far from his real home and the errand of his life was to get himself back to that place.

My grandfather built his own house on a farm in Saskatchewan. The house is now 75 years old and is home to a new family. I am tremendously fortunate to have had him share this skill with me. I built a bookshelf, can hang doors, and build decks. As with most carpenters, the cardinal rule was to measure twice and cut once.

The coronavirus pandemic represents a serious threat to the entire world, but that threat takes on a different shape in each country. Furthermore, the capacity of societies to respond and to endure the disruption and costs of social distancing vary greatly. The benefits of each policy must be carefully weighed against the economic costs and risks imposed on a particular society. While policymakers must think carefully about these differences, they must also act quickly, as both the disease and the measures imposed to contain it are already causing suffering throughout the world.

"And I think that that tug-of-war over time, along with all the other ways he was trying to navigate being in the brightest spotlight anyone's ever been in, I think you see that reverberate through his life in so many ways," he says.

Over the years, Smooth says, he came to see Jackson as "this sort of heartbreaking, tragic figure and someone who may well have done awful things to others." And he's still not sure what to think now.

"I think it's important to always question how successfully we can compartmentalize," Smooth says. "But realistically, that compartmentalization is always going to be a part of our relationship with art."

I'm sorry about the long quotation, but I think it's necessary to highlight that the Feds found that the Board had a number of bases for founding motivation-to-combine, only one of which was (paraphrased), "the applicant didn't even bother to assert non-combinability during prosecution."

1. As with ride-sharing, Amazon and other online ventures, the first step for the dominant online provider is to put brick-and-mortar companies out of business by making prices very low. This doesn't just give them greater leverage over the consumer, but it also shifts the workforce from an organized one to a diffuse, un-unionized, screwable population. If you join Airbnb you will be as valued and cherished as an Uber driver. Don't think 'Airbnb gets a cut of my take, so surely the more money I make the more money they make.' Think 'Airbnb is in the phase of crushing hotels, and to do that they need to crush their hosts, too.' In every way they can, Airbnb will try to push your prices down. (You can say 'I won't rely on their suggested price,' --don't!--but in the leaner times their suggested prices become a self-fulfilling prophecy.) 2351a5e196