I know we've only known each other four weeks and three days, but to me it seems like nine weeks and five days. The first day seemed like a week and the second day seemed like five days. And the third day seemed like a week again and the fourth day seemed like eight days. And the fifth day you went to see your mother and that seemed just like a day, and then you came back and later on the sixth day, in the evening, when we saw each other, that started seeming like two days, so in the evening it seemed like two days spilling over into the next day and that started seeming like four days, so at the end of the sixth day on into the seventh day, it seemed like a total of five days. And the sixth day seemed like a week and a half. I have it written down, but I can show it to you tomorrow if you want to see it.

What stands out in your mind about fashion from the past year? Maybe Zendaya\u2019s \u201Cwet look\u201D Balmain gown at that Dune premiere? Perhaps Lady Gaga on the red carpet waving around a big purple Gucci dress like a flag girl in marching band? House of Gucci came out pretty recently so if you saw it you probably still remember that, too, despite what may be your best efforts to forget that you did. Or maybe you just sigh in contentment when you recall that, after two and a half years, Anna Wintour got to finally put on her plant-based Met Gala. This is where Alexandria Ocasio-Cortez wore one of the most memorable red-carpet dresses of the year, designed by Aurora James, emblazoned with the words \u201Ctax the rich.\u201D


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This year started with President Joe Biden\u2019s inauguration, to which First Lady Jill Biden wore Markarian, which was the hottest name in fashion for like a week. I was surprised I forgot about that (and nearly also Michelle Obama at the inauguration wearing a gorgeous look by Sergio Hudson in a beautiful shade of plum \u2014 and not because of bipartisan symbolism or whatever we fashion writers like to project onto the people we obsess over, but because she and her stylist Meredith Koop just liked the color). Maybe these nice moments aren\u2019t at the forefront of our reflections because in our Omicron-induced rage/haze/depression, time feels the way Steve Martin\u2019s character described it in The Jerk:

In between those extremes of dressing way up and dressing way down: jeans (they\u2019re everywhere), jewelry (the major story of the year, tbh) and, not unsurprisingly, an ever greater emphasis on where a brand sits in the world, and what it says to us when we choose to wear it.

Fendi and Versace also joined forces for the Fendace show, which basically slapped some big Fendi logos on signature Versace looks. Many fashion people will tell you in private the show was on the whole just ridiculous. The tackiness was also confusing for a more significant reason: these collections came not long after all that justified ballyhooing about how the pandemic revealed the fashion system was deeply broken. The Council of Fashion Designers of America and the British Fashion Council jointly issued a statement in May of 2020 encouraging \u201Cbrands, designers and retailers, who are used to fashion\u2019s fast, unforgiving pace, to slow down,\u201D in part by producing fewer collections (because do brands really need to do cruise and pre-fall?). Yet in September of 2021, in addition to Fendi putting on its own spring 2022 show and Versace putting on its own spring 2022 show, they joined together to put on an Italian Frankenshow. Like, does anyone need this?

Fashion is an incredibly difficult business, and each year brands fall. During the early stages of the pandemic in 2020, they fell like dominoes, prompting the New York Times Magazine to publish a nearly 7,400-word story about it on August 6 of that year. The focal point was designer Scott Sternberg\u2019s new brand of pastel, athleisure-y clothes called Entireworld. I bought a few Entireworld pieces and loved them because they were perfectly cut, but also the kind of stuff you want to wear every day \u2014 but Sternberg was forced to announce its closure in October. From that 2020 Times story:

The industry is likely to attempt a return to pre-pandemic form as soon as possible because that was a more comfortable time, when people shopped and members were seldom asked about things like sustainability or efforts to be equitable and diverse. Back then, we could go to gimmicky parties and fashion shows and air kiss and post Instagrams like everything was just great even though it wasn\u2019t.

Talk of slowing down or having fewer shows or making less stuff is too narrow a framework for thinking about fashion\u2019s post-pandemic iteration. The fashion world should be thinking about how to be less full of bullshit in the face of outspoken, savvy, exhausted consumers. People whose lives have been completely upturned by this pandemic have no time for any more phoniness. If they do, it\u2019s to call it out, go viral, and enjoy what may be just a brief amount of fame. And if fashion people can understand the appeal of anything, surely it\u2019s that.

Hey guys, first of all im sorry for my low english skills, but i just sign up to discuss with you, what is the point of Nells speech, when all the siblings were in the red room in the last episode, after every char gets his story and the reanimation of Luke.. Nell is gonna tell them, that everyone was in the red room before. She said: "i thought for so long that time was like a line, that that our moments were laid out like dominoes and that they fell one into another.." Did she just mentioned it to explain the different appearences of the red room? That it was sometimes a tree house, gaming room..?

First i expected a brainfuck like in Interstellar, but was surprised how the red room was always open before and i.forgot about that "time-line". But now its the only thing i dont get at all.. does it just mean, that the people which die in the house, "live" forever in it? Does it mean, that the ghosts of people died in there can time travel? Like Nell saw herself as the woman with the bend neck? Is it just that? Im confused cuz i guess i just dont get it and nobody in all these threads wonder themselfes about this. Can someone help me please?

At mine, I almost passed out until I realized my rented tux pants were adjustable and they were cutting off my circulation. I walked right into a candle and spilled wax on my jacket. We found out our marriage license was for the wrong county, so we had to reconvene with our officiant over county lines so he could make the marriage legal without perjuring himself.

The foiled potlucks, fainted friends and flaccid butterflies I wrote about above all wound up the same way. At every one of those events, the wedding couple knew their job and nailed it. They just laughed. They kissed. They recognized that flaws are part of beauty, too, and they let the weirdness humanize their wedding days. Then they swigged beer, got out on the dance floor and belted silly songs as loud as possible.

"I feel a bit clearer now. Everything's been out of order, Time, I mean. I thought for so long that time was like a line, that... that our moments were laid out like dominoes, and that they fell one into another, and on it went. Just days tipping, one into the next, into the next, in a long line between the beginning... and the end. But I was wrong. It's not like that at all. Our moments fall around us like rain, or... snow, or confetti.

Has anyone who is in Rhode Island seen the crumpled pile of trusses that recently collapsed in the Cranston Area? This was new construction, looked like the roof trusses had just been installed, but no roof sheathing had been put on.

Picture in your mind two lines of dominoes that are falling. And at the end of the line of dominoes is not another domino, but there is actually a human being, a person standing there right next to a cliff. What happens when the last domino falls and lands on our poor unsuspecting person at the end of the line of dominoes? Well, low and behold, just as every domino has fallen up until then, the last domino strikes the human being and he falls too, right over the cliff. Now, here is my question. Given that scenario, did that person jump off the cliff? The answer is no, of course not. He was pushed. What was he pushed by? A falling domino, a big one, adequate to shove him over the cliff.

Now, what if the person who fell over the cliff actually thought he jumped on his own. Would he have done just as he thought? The answer is, of course no. The guy thought he jumped over the precipice but it was really a domino that pushed him.

Well, sometimes the dominoes are not visible. Sometimes they are invisible. Sometimes they are not external. Sometimes the dominoes are internal. Just as external physical forces can cause us to do things. Certainly internal physical forces, like genetics, can cause us to do something, as well.

On the physicalist view of the universe, everything is dominoes, whether you see them or not. Whether they are outside or inside, everything is dominoes. Sometimes we think we are jumping, but the fact is we are not. Instead, he fell because of prior physical conditions that were sufficient to cause the effect of us jumping one way or another. We are always pushed if there are only physical causes in the universe. ff782bc1db

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