As a Palestinian and a designer-artist I constantly examine my surroundings and try hard to project my understanding of it in the form of art. I look deep at the different tools which became symbols of the Palestinian strife for human rights. The cement blocks, the barricades, barbed wires, and the wall, are met with alternative routes, active and passive forms of disobedience that espouse hope and inspire creativity. The structure is there to distort space and tamper with time, the Palestinians has no option but to challenge it by performing the most basic task, such as going to school, or maybe even breathing. Understanding the relationship between an occupied Palestinian and the visual tools of oppression is a crucial subject that I intend to research for future projects and endeavors. I aim at giving an alternative narrative to the conflict, one that tells the story of a day in the life of a native. As a Palestinian, I lived 22 years of my life in the Gaza Strip, I survived, the first Intifada 1987-1993, the second intifada, 2000-2004. the Palestinian civil war, 2005-2007, the deadliest Israeli military campaign, December 2008 - 15 January 2009, countless military incursions, and the worst of all for me personally, was how our collective freedom of movement was systemically curbed or restricted mainly in times of war and confrontation. Visually, it translated to buffer zones, giant roadblocks, cement barricades, and turnstile gates actively keeping the landscape under perpetual surveillance. A city like Gaza with a population of two million has been under unlawful Israeli air, sea, and land siege since 2007 (Pappe & Chomsky 2010). The design manifested in Israeli cement barriers, military checkpoints, and most of all armed settlers, strongly suggest an apartheid ethnostate thriving on the drainage of Palestinian resources. In my opinion, every oppressive regime is guilty of using public space to highlight disproportionality. In the case of Palestine, settler colonialism thrives on discrimination, i.e social classifications which deem some cultures, identities, more acceptable. You find social and political supremacy conveyed in isolated and militarized rich concentrations of wealth leaching off the back of the Other in this case, the indigenous Palestinian. To the uninformed, misinformed eye, it may be unimportant. For the oppressed, every aspect of it, the landscape that is, works to serve and maintain supremacy and oppression. The moral question should have a bigger influence to ensure a humane, just world. To be specific, looking at the different settlements in Hebron, and Bethlehem, one notices the vast inequality in terms of access to space resources and infrastructure. The military is there to protect the settler- only population from any encroachment when in reality, settlement construction is an ongoing scheme to strip Palestinians from their land and livelihoods. The military is there to ensure that the settlers have the upper hand to ransack any farm and steal more land from the Palestinian.