The Woman in Black is a 2012 gothic supernatural horror film directed by James Watkins from a screenplay by Jane Goldman. It is the second adaptation of Susan Hill's 1983 novel of the same name, which was previously filmed in 1989. The film stars Daniel Radcliffe, Ciarn Hinds, Janet McTeer, Sophie Stuckey, and Liz White. The plot, set in early 20th-century England, follows a young recently widowed lawyer who travels to a remote village where he discovers that the vengeful ghost of a scorned woman is terrorising the locals.
The film was produced by Hammer Film Productions, Alliance Films, Cross Creek Pictures and the UK Film Council. A film adaptation of Hill's novel was announced in 2009, with Goldman and Watkins attached to the project. During July 2010, Radcliffe was cast in the lead role of Arthur Kipps. The film was meant to be shot in 3D before those plans were scrapped. Principal photography took place from September to December 2010 across England. Post-production lasted until June 2011. It attracted controversy after receiving a 12A certificate from the British Board of Film Classification, despite several cuts being made.
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The Woman in Black premiered at the Royal Festival Hall in London before being theatrically released in North America on 3 February 2012 by CBS Films and Alliance Films and in the United Kingdom on 10 February 2012 by Momentum Pictures.[7] The film received generally positive reviews with critics praising Radcliffe's performance, cinematography, direction, atmosphere and homages to Hammer's gothic horror films, calling it a "solid ghost story".[8] It was also commercially successful, grossing $130 million worldwide.
In 1906, in Edwardian London, lawyer Arthur Kipps's son Joseph is born, but his wife, Stella, dies after childbirth. Four years later, Arthur is instructed to visit Crythin Gifford to retrieve any documents left by Alice Drablow, the deceased owner of Eel Marsh House, an isolated and desolate marshland estate, before the sale of the house. Upon arrival, Arthur finds the villagers cold and local solicitor Jerome unwelcoming but he finds sympathy in wealthy landowner Samuel Daily.
At Eel Marsh House Arthur is distracted by odd noises, a bolted nursery, and a spectral entity in black funerary garb. He hears sounds on the marshes of a carriage and a screaming child but sees no one on the causeway. The village constable dismisses his concerns. Two children enter the station with their sister Victoria, who has ingested lye, but she dies in Arthur's arms. The townspeople blame Arthur.
Back at the house, Arthur uncovers correspondence between Alice and her sister Jennet Humfrye. In this, Jennet demands to see her son Nathaniel, whom the Drablows had formally adopted after having Jennet declared mentally unfit, to avoid the shame of Jennet being an unmarried mother. Nathaniel later drowned in a carriage accident on the marsh and Jennet blamed Alice for saving only herself and leaving the boy. Jennet hanged herself in the nursery, vowing never to forgive Alice. Arthur finds the nursery now unlocked. From the window, he watches in horror as a boy crawls out of the mud in the rain. Outside, he sees numerous dead children in the marshes, Victoria among them. Inside, he sees an apparition of a woman hanging herself.
In town the next day, Jerome's house catches fire. When Arthur attempts to save Jerome's daughter, he sees the Woman in Black goading the girl into burning herself. Elisabeth explains that the Woman in Black is Jennet, who claims the village children by having them take their own lives in penance for her own son being taken from her. Arthur realises that his son, who is coming to Crythin Gifford that night, is next.
In an attempt to lift the curse, Arthur and Sam find Nathaniel's body in the marsh and place it in his nursery, into which Arthur lures Jennet. They bury Nathaniel with Jennet, though her voice echoes that she will never forgive the wrongs she suffered. Assuming that she has been pacified, Arthur meets Joseph and his nanny at the station. He sees the Woman in Black lure Joseph onto the tracks. In the attempt to save him, both he and Joseph are killed by an oncoming train. A horrified Sam sees the ghosts of all the village children who were killed standing with the Woman in Black.
The film was planned to be shot in 3D,[9] but the idea was later scrapped.[15] Principal photography officially started on 26 September 2010.[16] The next day, Radcliffe was pictured in costume just outside Peterborough, England.[17] In early October the crew was filming in Layer Marney Tower.[18] Filming officially ended on 4 December 2010.[19]
The exterior shots of Eel Marsh House were filmed at Cotterstock Hall near Oundle in central England. The fictional Nine Lives Causeway leading to it was filmed at Osea Island in Essex. The village of Crythin Gifford was filmed at Halton Gill, north of Settle in the Yorkshire Dales.
At the Kapow! Comic Con in London during April 2011, director James Watkins confirmed filming had been completed in December 2010 and post-production would go on until June 2011.[20] For its British release, several changes were made in order to qualify for a 12A certificate: Momentum Pictures, the distributor, arranged to have six seconds cut and for changes to other shots, with some scenes darkened and the sound level reduced on some others.[21]
Despite the cuts, the 12A certificate was seen as highly controversial in the United Kingdom, and the British Board of Film Classification received 134 complaints from individuals that the rating was too low, the most complained-about film of 2012 according to BBFC figures.[22] A cinematic re-release in October 2014, including a short clip from the forthcoming sequel The Woman in Black: Angel of Death, was given a higher rating of 15.[23]
The soundtrack for the film was composed by American film composer Marco Beltrami. It received positive reviews and was released as a soundtrack album on 12 March 2012 by Silva Screen Records.[24][25]
In April 2012, Hammer Films announced that there would be a sequel to The Woman in Black, which is titled The Woman in Black: Angel of Death. The official plot synopsis is: "During World War II, the London bombings force schoolteachers Eve Parkins (Phoebe Fox) and Jean Hogg (Helen McCrory) to evacuate a group of children to Crythin Gifford. When the refugees take shelter at Eel Marsh House, Eve soon comes to realise that they are not alone. The longer they remain there, the more the house's evil spirit threatens the children. With the help of a pilot (Jeremy Irvine), Eve tries to protect the children and uncover the truth of the Woman in Black."
The original novel's author Susan Hill helped with the story, with the screenplay written by Jon Croker.[32][35][36] In October 2012, Tom Harper was announced as the film's director.[37] In April 2013, it was announced that Jeremy Irvine would play the lead role, with rumours that Daniel Radcliffe would briefly reprise his role from the first film,[38] however Radcliffe ultimately did not appear in the sequel. It later was announced that Phoebe Fox and Helen McCrory had been cast in the film as well. The film began the shooting process in early 2014.[39]
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It may come to no one's surprise that white men dominate the financial planning industry. What those in power positions fail to recognize is how that space is an uphill battle for young black women. Through conversations with white friends and colleagues, I've learned that many are unaware of the daily struggles black people face every day in this country. I hope that sharing my experiences will help my white friends and colleagues understand our journey. Each incident I've detailed below touches on the intersectionality of gender inequality and racial discrimination. While this is not a comprehensive list, I hope it also reaches the powerful white male who hires black women but consistently holds them down. Maybe he would deny that he's been oppressive. Maybe the word "oppressive" makes him feel uncomfortable. I challenge him to take my experience as a catalyst for change.
These experiences over the first ten years of my career led me to where I am now, the founder of Financial Staples, an independent financial planning firm. I knew that it would be hard to find an environment where I was valued so I felt that my only choice was to create one for myself. I also wanted to use my professional and life experiences to help people who look like me. Today, I service technology employees, mostly from underrepresented and underserved populations (such as women, people of color, and the LGBTQ community). The diversity statistics and experiences of black women in technology are very similar to those of black women in financial services. I relate with client stories, and I see discrepancies in salary and equity compensation between black women and their white colleagues in similar roles. It is an honor and privilege to play a part in helping my clients grow personally, professionally, and financially.
I hope that others are encouraged to share their reality. The more we speak up and share our stories, the more people will understand that our country has a serious problem. The sharing of our stories can lead to the empathy and compassion that is needed to support meaningful, long term change.
I was a little bit amazed as to why the selection of a discussion on the role of black women in the world. I just said to Bernice Reagon that I have never been one to feel great needs in the direction of setting myself apart as a woman. I've always thought first and foremost of people as individuals . . . [but] wherever there has been struggle, black women have been identified with that struggle. During slavery there was a tremendous amount of resistance in various forms. Some were rather subtle and some were rather shocking. One of the subtle forms was that of feigning illness . . . One of the other forms of resistance which was perhaps much more tragic and has not been told to a great extent is the large number of black women who gave birth to children and killed them rather than have them grow up as slaves. There is a story of a woman in Kentucky who had borne thirteen children and strangled each of them with her own hands rather than have them grow up as slaves. Now this calls for a certain kind of deep commitment and resentment. Commitment to freedom and deep resentment against slavery. 152ee80cbc
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