The Washington Post March Mp3 Free Download

"The Washington Post" (often called "The Washington Post March") is a march composed by John Philip Sousa in 1889. Since then, it has remained as one of his most popular marches throughout the United States and many other countries.

The "two-step" became so strongly identified with Sousa's march that the dance was often called "The Washington Post". In addition, many performance arts groups around the world dance to the famous song. [5]

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Although many recordings of this march have been made over the years, the original recording of the march played by the United States Marine Band, conducted by Sousa's concertmaster,[6] was made on Graphophone cylinder for the fledgling Columbia Records company in Washington, D.C., in 1890, catalogue Columbia Cylinder Military #8. It has been reissued in the compact disc era in 1999 by Legacy International as March King: John Philip Sousa Conducts His Own Marches, and as the earliest track of its 26-disc compendium of the history of the Columbia label, Sony Music 100 Years: Soundtrack For A Century. In 1893, this march was recorded on North American Phonograph Company cylinder #613 by Foh's 23rd Regiment Band of New York. This acoustical recording, unlike many others, has audible, clear, well-recorded drums.[7]

This march was written in 1889 to help promote an essay contest sponsored by the newspaper of the same name. With Sousa conducting, it was premiered by the U.S. Marine Band during the distribution of the essay prizes on the Smithsonian Museum grounds in Washington, D.C. The 6/8 march happened to be appropriate for a new dance called the two-step and soon became the most popular tune in both America and Europe. Although he received only $25 for its publication, Sousa was quickly inundated with requests for more marches. Of his 136 marches, The Washington Post and The Stars and Stripes Forever have been the most widely known.

Next to The Stars and Stripes, The Washington Post has been Sousa's most widely known march. He delighted in telling how he had heard it in so many different countries, played in so many ways -- and often accredited to native composers. It was a standard at Sousa Band performances and was often openly demanded when not scheduled for a program. It was painful for Sousa to relate that, like Semper Fidelis and other marches of that period, he received only $35 for it, while the publisher made a fortune. Of that sum, $25 was for a piano arrangement, $5 a band arrangement, and $5 for an orchestra arrangement.

In the last half of the 1800s, Austria had its waltz king - Johann Strauss Jr. - and America had its march king - John Philip Sousa (1854-1932). Sousa was known the world over as a band leader and the composer of dozens of marches, as well as operettas, orchestral suites, and songs. Interestingly, Sousa started his musical studies on the violin, but soon he became proficient on wind instruments, so that by age 13 he was playing in the Marine Band. Before he was 18, he was leading an orchestra in a vaudeville theater in his native Washington, D.C.

The three marches on tonight's program are American classics. The Washington Post was completed by Sousa in 1889, a commission for the Washington Post newspaper award ceremonies for promising journalists and essayists. Sousa penned Semper fidelis in 1888. The march takes its title from the motto of the U.S. Marine Corps: Semper fidelis - Always Faithful. It was dedicated to those who inspired it - the officers and men of the United States Marine Corps. In Sousa's own words: "I wrote Semper fidelis one night while in tears, after my comrades of the Marine Corps had sung their famous hymn at Quantico." It became one of his most popular marches, and Sousa himself considered it his best. The Stars and Stripes Forever! was written in 1896 while Sousa was aboard ship from England to the United States. Words, penned by Sousa, were included in a "song" version which was published in 1898.

"The Washington Post" is a march by John Philip Sousa. It was written in 1889. He wrote it for the American newspaper, The Washington Post. The company was giving awards for an essay contest and wanted music for the ceremonies.

In 1941, A. Philip Randolph, head of the Brotherhood of Sleeping Car Porters and an elder statesman of the civil rights movement, had planned a mass march on Washington to protest Black soldier's exclusion from World War II defense jobs and New Deal programs.

But a day before the event, President Franklin D. Roosevelt met with Randolph and agreed to issue an executive order forbidding discrimination against workers in defense industries and government and establishing the Fair Employment Practice Committee (FEPC) to investigate charges of racial discrimination. In return, Randolph called off the planned march.

With Randolph planning a march for jobs, and King and his Southern Christian Leadership Conference (SCLC) planning one for freedom, the two groups decided to merge their efforts into one mass protest.

That spring, Randolph and his chief aide, Bayard Rustin, planned a march that would call for fair treatment and equal opportunity for Black Americans, as well as advocate for passage of the Civil Rights Act (then stalled in Congress).

JFK ended up reluctantly endorsing the March on Washington, but tasked his brother and attorney general, Robert F. Kennedy, with coordinating with the organizers to ensure all security precautions were taken. In addition, the civil rights leaders decided to end the march at the Lincoln Memorial instead of the Capitol, so as not to make members of Congress feel as if they were under siege.

Other speakers followed, including Rustin, NAACP president Roy Wilkins, John Lewis of the Student Non-Violent Coordinating Committee (SNCC), civil rights veteran Daisy Lee Bates and actors Ossie Davis and Ruby Dee. The march also featured musical performances from the likes of Marian Anderson, Joan Baez, Bob Dylan and Mahalia Jackson.

On March 3, 1913, the day before Woodrow Wilson's presidential inauguration, thousands of women marched along Pennsylvania Avenue--the same route that the inaugural parade would take the next day--in a procession organized by the National American Woman Suffrage Association (NAWSA). Designed to illustrate women's exclusion from the democratic process, the procession was carefully choreographed by Alice Paul and Lucy Burns, the newly-appointed chairs of NAWSA's Congressional Committee. The committee was tasked with winning passage of the Susan B. Anthony amendment to the U.S. Constitution which was first proposed in 1878. The amendment reads:

"The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex."

In the 35 years since the amendment was first proposed, it had only come up for a vote in Congress once and had failed. Paul and Burns were determined to bring new energy to the campaign for women's suffrage and to push for passage of the amendment.

The 1963 March on Washington had several precedents. In the summer of 1941 A. Philip Randolph, founder of the Brotherhood of Sleeping Car Porters, called for a march on Washington, D.C., to draw attention to the exclusion of African Americans from positions in the national defense industry. This job market had proven to be closed to blacks, despite the fact that it was growing to supply materials to the Allies in World War II. The threat of 100,000 marchers in Washington, D.C., pushed President Franklin D. Roosevelt to issue Executive Order 8802, which mandated the formation of the Fair Employment Practices Commission to investigate racial discrimination charges against defense firms. In response, Randolph cancelled plans for the march.

By 1963, the centennial of the Emancipation Proclamation, most of the goals of these earlier protests still had not been realized. High levels of black unemployment, work that offered most African Americans only minimal wages and poor job mobility, systematic disenfranchisement of many African Americans, and the persistence of racial segregation in the South prompted discussions about a large scale march for political and economic justice as early as 1962. On behalf of the Negro American Labor Council (NALC), the Southern Christian Leadership Conference, the Congress of Racial Equality (CORE), and the Student Nonviolent Coordinating Committee (SNCC), Randolph wrote a letter on 24 May 1962 to Secretary Stewart Udall of the Department of the Interior regarding permits for a march culminating at the Lincoln Memorial that fall. Plans for the march were stalled when Udall encouraged the groups to consider the Sylvan Theater at the Washington Monument due to the complications of rerouting traffic and the volume of tourists at the Lincoln Memorial.

Protesters march through Washington, D.C., on Saturday. U.S. officials have so far stopped short of demands for a cease-fire, but pressed Israel on Friday for a "humanitarian pause" in its military offensive. Pierre Kattar for NPR hide caption

College Park, MD March 13, 2007 - SHOP DC, a Washington, D.C. shopping and fashion guide founded by Zoey Rawlins, was recently acquired by Washingtonpost.Newsweek Interactive (WPNI) and has been relaunched as DC Scout. A former University of Maryland MBA student, Rawlins announced she will use some of the proceeds to benefit student entrepreneurs at the Robert H. Smith School of Business.

Its an amazing opportunity to become part of Washingtonpost.Newsweek Interactive and it gives me great satisfaction to be able to leverage my success to the advantage of other Smith School entrepreneurs. Without the Dingman Center, SHOP DC would never have launched or come this far, said Rawlins. This is a way to say thank you. 2351a5e196