The Office Theme Song Extended Download

There are a lot of things that make the U.S. version of The Office a wonderful show. However, there was one thing that managed to capture the fans' attention from the very beginning: the intro and the theme music. However, did fans know that the show's editors had planned to go with a different theme song?

According to Mashable, they had been planning on using ELO's "Mr. Blue Sky" but had to quickly change it quickly because of another show. It's strange to think that The Office's theme song was then written so quickly afterward, but even that fact makes it all the more special to fans. Considering how the editors, showrunners, and musical directors had worked hard and put a lot of effort in, fans have come to love the song and appreciate all the hidden and minuscule details found in the title sequence.

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Updated on February 24th, 2022, by Kayleigh Banks: The Office has got one of the most memorable title sequences of all time. Not only is its theme song one of the most iconic tunes in sitcom history, but the clips the editors also included are quite unique too (especially as they capture the show's quirky comedy perfectly). But how did they come up with it?

Choosing The Office's theme song that fit the show was a long journey, but once the creators knew what they wanted, they wasted no time and they recorded the song one week before the show first aired on television (via Mashable). The band, The Scrantones, got together on a Thursday night and created the tune all fans of The Office know and love.

The cast of the American version of The Office was so involved in the creation of the show that they got the chance to help the creators choose what song would become the theme of it. Actor Steve Carell, who played Michael Scott on the show, has talked about how the intro to The Office was chosen, and the fact that the cast got to vote on it.

As per brobible, Bratton was a part of the band The Grass Roots in the 1960s. A couple of years ago, the talented star went on tour, and while he was touring, he gave fans a bit of a treat by performing his own amusing version of the Office theme song. He even added lyrics that referenced storylines from the series.

The theme is played over the title sequence, which features scenes of Scranton, various tasks around the office, and the main cast members. Some episodes of the series use a shortened version of the theme song. Starting with the fourth season, the theme song is played over the closing credits, which previously rolled in silence. Ferguson described his theme as "against type; it has this vulnerability, this yearning to it that soon explodes into this overdone optimism which then gets crushed - which is pretty much what the show is about."[57]

The show is often paid tribute by the band Relient K. Frontman Matt Thiessen is a fan of The Office, and during concerts will often perform a self-described "love song" about the series, titled "The Ballad of Dunder Mifflin," followed by him and the band playing the show's opening theme.[197]

On September 11, 2019, Jenna Fischer and Angela Kinsey announced their podcast called Office Ladies which premiered on October 16, 2019, on Earwolf. The podcast features Fischer and Kinsey watching episodes of The Office and offering behind-the-scenes details and answering fan questions.[231] The theme song for the podcast, "Rubber Tree" is performed by Creed Bratton.[232]

Psycho is considered by some to be the first film in the slasher film genre,[239][240] though some critics and film historians point to Michael Powell's Peeping Tom, a lesser-known film with similar themes of voyeurism and sexualized violence, whose release happened to precede Psycho's by a few months.[241] However, due to Peeping Tom's critical drubbing at the time and short lifespan at the box office, Psycho was the more widely known and influential film.

Psycho has been referenced in other films numerous times: examples include the 1974 musical comedy horror film Phantom of the Paradise; the 1978 horror film Halloween (which starred Jamie Lee Curtis, Janet Leigh's daughter, and which featured a character named Sam Loomis);[242] the 1977 Mel Brooks tribute to many of Hitchcock's thrillers, High Anxiety; the 1980 Fade to Black; the 1980 Dressed to Kill; and Wes Craven's 1996 horror satire Scream.[243] Bernard Herrmann's opening theme has been sampled by rapper Busta Rhymes on his song "Gimme Some More" (1998).[244] Manuel Muoz's 2011 novel What You See in the Dark includes a sub-plot that fictionalizes elements of the filming of Psycho, referring to Hitchcock and Leigh only as "The Director" and "The Actress".[245] In the comic book stories of Jonni Future, the house inherited by the title character is patterned after the Bates Motel.[246] The film was played alongside The Shining at the drive-in theater as part of the Night of Horrors combo in the 1996 film Twister.[247] In the 2003 animated film Finding Nemo, the dentist's niece Darla repeatedly plays the Psycho theme song.[248]

The soundtrack was released on New Line Records in November 2003 in the United States[27] and in October 2005 in the United Kingdom, including its signature song "Baby, It's Cold Outside" by Deschanel and Leon Redbone, which was released as a single.[28] It was certified Gold by the RIAA in April 2011.[29] Having sold 695,000 copies in the United States, it is the second-highest selling soundtrack album for a Christmas-themed film since Nielsen SoundScan started tracking music sales in 1991, behind only The Polar Express.[30]

Want to get up-to-date on Steven Universe? You could watch the first 52 episodes on Hulu right now, but if you want a shorter recap of the first year of the show, give a watch to this extended version of the theme song.

As the musical composition herein was copyrighted prior to the effective date of the Copyright Act of 1909, Section 24 of said Act governs the renewal rights. Tobani v. Carl Fischer, Inc., 2 Cir., 98 F.2d 57. Section 24, 17 U.S.C.A. 24, provides as follows: " 24. Same; renewal; subsisting copyrights. The copyright subsisting in any work on July 1, 1909, may, at the expiration of the term of twenty-eight years from the time of recording the title thereof as provided by former law, be renewed and extended by the author of such work if still living, or the widow, widower, or children of the author, if the author be not living, or if such author, widow, widower, or children be not living, then by the author's executors, or in the absence of a will, his next of kin, for a further period of twenty-eight years. If the work be a composite work upon which copyright was originally secured by the proprietor thereof, then such proprietor shall be entitled to the privilege of renewal and extension granted under this section: Provided, That application for such renewal and extension shall be made to the copyright office and duly registered therein within one year prior to the expiration of the existing term. (R.S. 4953; Mar. 4, 1909, c. 320, 24, 64, 35 Stat. 1080, 1088.)"

In the present case the joint work was the song, the combination of the words and music, later copyrighted as a "musical composition". That was the common end towards which the joint efforts of the authors were directed. Howard wrote the music for choruses and verses, without even a title. He knew that Singer had engaged Hough and Adams to write lyrics for the music Howard composed. Howard *864 sent his "lead sheets" direct to Hough and Adams. Howard has described how they would sometimes combine the music of a verse of one lead sheet with the chorus of another and write the lyrics for the combination. The words and music were not unconnected. They had the common bond of measured movement or cadence. The emphasis on certain words of the lyrics had to fit the movement of the music. The rhythm of the lyrics and the sequence of the musical notes produced the melody or song, which was copyrighted as a "musical composition". The collaboration that produced the harmony of the two, the words and the music, made the song a musical composition, which was the result of a joint effort. Physical propinquity of the authors and consultations while this was being done, were not essential. They both knew that the lyric and music were to be properly combined in the musical composition, to be published as a unit. This was the common design. The music was tuneful. The title was arresting. The development of the theme in the lyrics was intimate and amusing. All contributed to the popularity of the "musical composition". The title, lyrics and music were associated as a unit in the public mind. Howard in his deposition testified that the melody had never been published apart from the lyrics or under any other title; that he never sang the melody to any other lyrics"It wouldn't be any good" if he did; that it was impossible to refer to the musical composition by any other name.

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Black Student Union Art Slam

Brunner Theatre Center, Honkamp Black Box

Michael Rogers, Black Student Union, Office of Multicultural Student Life

The Black Student Union invites the campus community to come to an open art slam that will explore the theme of "transformations." Members of the group will perform artistic pieces and individuals attending the session are invited to bring poems, songs, etc. they wish to perform. All are welcome! e24fc04721