Well, that's why The Evil Within caught my eye when I first saw it at E3 2013. The game is the first product from Tango Softworks, a development team led by Shinji Mikami, the guy who actually created the Resident Evil series. Mikami has a resume that is beyond intimidating: Resident Evil 1-4, Devil May Cry, Shadows of the Damned -- and that's just the mature stuff. He's also had a hand in Viewtiful Joe, God Hand -- hell, he's even got a credit on Aladdin for the SNES.
I have always adored the Resident Evil series and consider Resident Evil 4 to be one of my all-time favorite games. So to say I was excited for the thoroughly accomplished Mikami's next creation was an understatement. The Evil Within is the next chapter in Mikami's legacy, and it's a love letter to any horror junkie's psyche. It's strange, demented, twisted and like classic survival horror, maddeningly unforgiving.
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I've always found that horror games tend to get unfair leniency when it comes to telling a lucid story, mostly because the atmosphere and enemy design is where the meat of the attention is drawn. The Evil Within suffers from a similar shortcoming, too. It's just that the story wasn't necessarily my main reason for my trudging through the campaign.
In The Evil Within you play as Sebastian Castellanos, a detective who gets a first-hand account of the destruction of a city and wakes up to find himself in a disastrous world where the undead stalk him relentlessly.
The Evil Within is visually striking, making great use of new-gen hardware and PC horsepower. It's presented in an ultra-widescreen fashion that appears to be in the anamorphic 2.39:1 ratio, so you'll be playing with black bars on the top and bottom of the screen. (On a side note, The Order: 1886 will feature something similar. It's officially a trend.)
My gut reaction to seeing this was assuming it was a move to increase the game's frame rate and performance. And while that might be a beneficial product of the stylistic choice, it also creates a bizarre uneasiness during play sessions. It actually induces a claustrophobic feeling, handcuffing you as you squirm in your chair to rotate the camera so the sources of the unknown offscreen sounds can come into view.
The Evil Within's grainy, lantern-lit visuals and eerie sound design do an excellent job of setting the mood, and the grotesque abominations that inhabit this world will turn your stomach. It's the perfect game to play for the Halloween season (in addition to Alien: Isolation) and likely something you'll feel apprehensive about playing at night. But now that you have the basic specs and know the tone, is The Evil Within any fun to play?
That said, The Evil Within does not do a thorough job of explaining its many idiosyncrasies, so some of the time you'll be guessing your way through. To what I'm sure will be the chagrin of many, that includes a fair amount of trial and error, especially within the game's first five hours or so. This is basically a fancy way of me saying you're going to die an awful lot.
Once you are able to ground yourself, the game's vocabulary becomes a bit easier to digest. In a way, it teaches you how to play it without actually spelling everything out. The Evil Within is a long haul. It demands your undivided attention. If you disrespect it, it'll eat you alive.
There are a variety of game types present in The Evil Within. You'll solve puzzles, utilize stealth and master guns and other weapons. Ammo is a scarce commodity that you'll need to manage accordingly, not to mention the close attention you'll need to pay to the amount of matches you carry. There's only one way to make sure these beasts don't come back -- and that's by burning them.
As much as it nails the atmosphere, at times The Evil Within can feel a little rough around the edges. There are a few occasional graphical glitches and sometimes animations don't line up the way they should. The game's chapters feature plenty of calamitous locations, but they all tend to feature the same foreboding items on the horror checklist: rust, things on fire, torn cloth swaying in the wind and so on. Deliberate or not, some of these environments tend to become confusing after some time, too.
I tested my nerve in round 2 of my time with The Evil Within on a high-end SLI gaming laptop from Origin PC, the Origin EON17-SLX. The game definitely performed better for me on the behemoth laptop, plus I was able to successfully remove those black bars from the game that so many people seem to take issue with. Overall, the frame rate in the PC version seems smoother, though you'll need an impressive rig to run it well.
Perhaps the most frightening aspect of The Evil Within is how well it draws out agonizing fear. There are moments when I just had to stop playing simply because I couldn't withstand the mental anguish it demanded. At times the intensity ramps up so significantly that your limping character just won't move fast enough for your liking. It can be enough to make you dizzy with anxiety.
The worst part? The fear that you might have to repeat 45 minutes' worth of careful sneaking again because you didn't reach a checkpoint. You'll yearn for the distorted looping of Clair de Lune that plays when a portal is close by. These mirrors transport you to a limbo area where you can upgrade your character and save the game.
The Evil Within is a hodgepodge of modern horror, with equal parts "Saw," "Hostel," "American Horror Story" and "The Strain" mixed into one. But at the same time it takes so many unsettling liberties that it forms its own beast, which will take a disciplined veteran to tolerate and conquer. 152ee80cbc
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