The series stars Charlie Cox as Matt Murdock / Daredevil, Krysten Ritter as Jessica Jones, Mike Colter as Luke Cage, and Finn Jones as Danny Rand / Iron Fist, all reprising their roles from their individual series. It also stars Eka Darville, Elden Henson, Jessica Henwick, Simone Missick, Ramn Rodrguez, Rachael Taylor, Deborah Ann Woll, lodie Yung, Rosario Dawson, and Scott Glenn, all also returning from previous series, as well as Sigourney Weaver. Development began in late 2013, with Cox the first actor cast in May 2014. Petrie and Ramirez joined as showrunners in April, after doing so for the second season of Daredevil. Petrie left with the start of filming, which took place in New York City from October 2016 to March 2017. Cinematography and design work established the different color palettes from the characters' individual series, and combined them as the team is formed.

Marvel announced in February 2014 that the miniseries would be filmed in New York City,[81] with Marvel Comics' editor-in-chief Joe Quesada stating in April that the show would be filming in areas of Brooklyn and Long Island City that still look like the old Hell's Kitchen, in addition to sound stage work.[82] In April 2016, Cox confirmed a late 2016 start for filming,[83] following the conclusion of production on Iron Fist in October 2016.[84][85][27] Filming for The Defenders began on October 31,[86][87] under the working title Group Therapy.[88] Lloyd previously served as cinematographer for the first season of Daredevil and the first episode of Jessica Jones.[89][71] Due to the production demands, he brought his long-time second unit cinematography collaborator Jim McMillan onto the miniseries to help balance the workload for when episodes were filming simultaneously. Lloyd was the primary cinematographer for The Defenders, but McMillan is credited for several episodes on which he did the most work.[71]


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Lloyd described the production of the miniseries as being more similar to a film than the previous Marvel Netflix television series due to the scheduling requirements of the larger cast and the fact that episodes would not always be shot in order due to location requirements. The schedule also demanded more days per episode for filming, so the overall production was not as significantly shorter as Lloyd had expected given the episode count is lower than the usual Netflix order of 13.[71] Additional filming locations for the miniseries included Upper West Side, Hell's Kitchen, and Williamsburg, Brooklyn,[90] Stapleton, Staten Island,[91] St. Nicholas Park, the lobby and exterior of Atelier ("Midland Circle"), the Central Park Mall, the rooftop gardens at Rockefeller Center, the Downtown Manhattan Heliport, 240 Centre Street in Manhattan, the Appel Room at Time Warner Center, and the New York City Municipal Archives.[90] It was filmed back-to-back with the second season of Jessica Jones, potentially overlapping with that production.[92] Filming wrapped on March 19, 2017.[93]

Clarkson looked to film the action sequences in the different ways that the other series had, such as the "incredibly choreographed and ... almost balletic" fights from Daredevil, or the more "scrappy, messy" sequences from Jessica Jones. For Cage, Clarkson felt that he is "this solid, central figure that is bulletproof, is unbreakable", so she often filmed him with a static camera or steady camera, while Iron Fist was filmed in a lot more movements and with handheld cameras. The fight between the two, in the second episode, combined those two styles.[70] In response to criticisms of the fight sequences in Iron Fist, Jones noted that he had more experience with the fighting on The Defenders due to having completed the first season of his series before beginning work on the miniseries, and had more time to learn the choreography because he was in less scenes for the ensemble project over his individual series and could rehearse in between filming. Additionally, he noted the different stunt team and directors for The Defenders allowed for improvements to be made, calling the choreography of the miniseries' action "a lot slicker" and more cohesive.[96] However, the miniseries still had a limited television schedule, which proved especially challenging for sequences in which the Defenders all fought together, with Cox noting that on his series it is usually just him fighting stunt-men while The Defenders required all of the hero actors to learn the choreography and work around each in a limited time. They generally had a day to learn a fight, but choreography would also be changed on set.[97] ff782bc1db

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