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Brothers Moving is a Danish band formed in New York City in 2008 by brothers Esben Knoblauch (lead vocals, guitar, kazoo), Aske Knoblauch (lead vocals, lead guitar) and Simon Knoblauch (cajn) along with Nils Srensen (Bass (instrument)).[1][2] They are regarded as one of the most influential street bands in the past few years,[when?] and considered early pioneers of using the cajn drum as a replacement for a full drum kit.[3] The quartet is known for mixing genres and singing in both English and Danish, and their musical style is inspired by blues, funk, reggae, folk and early rock and roll.[4][5]

Brothers Moving's self-titled debut album was recorded in the spring of 2012, and released independently on July 18, 2012.[12] The album contained mainly songs from their street set, along with a few original compositions.

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The Brother Moves On (TBMO) is a South African performance art ensemble based in Johannesburg, Gauteng. The group was founded somewhere between the years 2008 and 2010 by broad-based artist Nkululeko Mthembu and his brother Siyabonga Mthembu.[1] Beginning as a loose art collective including graphic and performance artists, TBMO is most widely recognised as a band fronted by Siyabonga Mthembu as lead vocalist, with Zelizwe Mthembu on lead guitar, Ayanda Zalekile on bass and Simphiwe Tshabalala on drums. This core group is regularly joined by a shifting cohort of collaborators and members from various disciplines.[2]

Nkululeko, Siyabonga and Zelizwe Mthembu grew up together in Kempton Park Tembisa in the East Rand of Johannesburg, South Africa. Thus they started composing together from a young age and together began the formation of what would be known as the Brother Moves On. The Mthembu brothers then began rehearsing with musicians from the Music Academy of Gauteng as Zelizwe Mthembu was enrolled in the school after having left the Moses Molelekwa School of Music in Tembisa. The Music Academy is run by trumpeter and music educator Dr Johnny Mekoa. At this school the band would start relating to the idea of musicianship fusing with the visual art and performance. Visual artist and musician Malcolm Jiyane was pivotal in this relation as a senior and lecturer at the college. This period was the beginning of long-standing relations with Oscar Kgware (saxophone), Ayanda Zalekile (trombone and later bass guitar), and Malcolm Jiyane's (trombone and piano). The lack of transportation and funds to continue this relation would necessitate a shift for the idea.

In early 2009, Nkululeko met Raytheon Moorvan and organised for a "band meeting" with his brother and cousin at his mothers house, this would be the first formal rehearsal of The Brother Moves On. Later that week the band was booked for a performance at Mam' Busi Mhlongo's memorial and the National Arts Festival in Grahamstown Eastern Cape. This would herald the arrival of Simphiwe Tshabalala as the drummer of the band, and since then Siyabonga Mthembu, Zelizwe Mthembu, Simphiwe Tshabalala and Ayanda Zalekile have been the longest standing members of the outfit.

In 2013, the band started the recording of their first full-length album. Titles including Duffel Bags Full of Dough, Game-Changing E-Minor and Fuck What You Heard and Zen or Die were thrown around before the band settled on A New Myth.[9] A few weeks before the release of the album, Nkululeko Mthembu, one of the band's founding members died.[9] The album was released on the morning prior to the death of South African elder and statesman Nelson Mandela, and the title would thus become prophetic in the country's need for "a new myth" with the death of the Mandela era of forgiveness and with the passing of the founder of the idea of a performance art space in Nkululeko Mthembu.

The album was released on 5 December 2013 to critical acclaim. In a review for South African music website PLATFORM, Kevin Minofu said: "The Brother Moves On is the most important band in the country" and gave the album a score of 90 out of 100.[10] The album also came at number 5 on PLATFORM's list of the best albums of 2013.[11] A song on the album "Hossanna" was voted into the Top 100 songs in South Africa since the advent of recorded music by the Sunday Times.

The Brother Moves On (TBMO) is a South African performance art ensemble based in Johannesburg, Gauteng. The group was founded between 2008 and 2010 by broad-based artist Nkululeko Mthembu and his brother Siyabonga Mthembu. Beginning as a loose art collective including graphic and performance artists, TBMO is most widely recognised as a band fronted by Siyabonga Mthembu as lead vocalist, with Zelizwe Mthembu on lead guitar, Ayanda Zalekile on bass and Simphiwe Tshabalala on drums.

The Brother Moves On were named after Brother Mouzone, the sharply dressed enforcer from The Wire, and they began as a DIY collective of visual and performance artists rehearsing in family bedrooms and lounges. This genesis shines through in the creative way they draw from past, present and future in their phenomenal live shows, and in masterful resistance music that heals and challenges in equal measure. The band released two independent albums from the first half of the 2010s A New Myth and The Golden Wake, the former re-released on vinyl in 2020 as part of a Shabaka curation for Joyful Noise Records

Very pleased once we got to the mastered versions back, Francois Lessing did a great job in mastering the album. It also helps that prior to the mixing of the album a legend in Bra Steve Dyer was the recording engineer who presented the mixing engineer with ideas of where we wanted to take it. And for the collective that was reassuring.

We listed the legends here are our contemporaries and bigger brothers and sisters. Neo Muyanga, Thandiswa Mazwai, Tucan Tucan, Language 12, Carlo Mombelli and the Prisoners of Strange, Tumi and the Volume, 340ml, Five Men Three Missing, Simphiwe Dana, Impande Core, Future History, Late Antique, BCUC, Iphupho Lka Biko, Bokani Dyer, Ndabo Zulu, Sisonke Xonti, Solethu Madasa, Lwanda Gogwana, Tshepo Tsotesti, Zoe Modiga, Tumi Mogorosi, Gabi Motuba, Andrei Van Wyk. Sibusile Xaba, Naftali and the Royal Family, Shabaka Hutchings, Nubya Garcia, Kokoroko Collective, Yussef Dayes, Kamaal Williams, Thundercut, Richard Bona, Mokoomba, Sauti Sol, Petite Noir, Nakhane, Desire Marea.

"With the demise of the Swing Era, and bebop flaming out, jazz artists were looking for ways of putting bread on the table. Alumni from bands like Woody Herman or Stan Kenton that were tired of endless touring took to the studios. On the West Coast TV was the way to play and make a living, with NYC featuring movies and Broadway. Here are two albums on a sole CD that show how the heart of jazz could still beat.

Johannesburg outfit The Brother Moves On have finally released a full-length album, their first after two EPs and a series of loose songs floating on the internet. We had a very brief conversation with frontman Siyabonga Mthembu during a listening session this past week about the significance of the album, especially following the death of founding member Nkululeko Mthembu.

They were a Canadian band who had their moment in the mid-1970s. Their sound is not too far off from early Heart, Rush's first album, maybe the first Triumph album or two: a lot borrowed from Led Zepp, with big guitar riffs and big drums. Dumb lyrics. Tight playing. Fun stuff, second tier. Is Greta Van Fleet actually the next Moxy? Maybe.

I had gotten the album because it has Tommy Bolin guest-starring. Apparently the album had been recorded in terms of everything but lead guitar, and Moxy's guitarist had a falling out while recording, so they pulled Bolin in to play solos on all but 2 of the songs. It works. He has his James Gang sound on. You get to hear some of his trademark licks for sure.

Loverboy was created when the guitarist left a much better band than Loverboy. Less commercial success, but Streetheart was a much better band. When Paul Dean left to form Loverboy, it was great as Streetheart got a better guitarist and the albums got better.

Teaze is a perfect example of a band that Canadian Radio left behind. Great live band that used to open for lots of big names and blow them off the stage. They moved to Montreal as Aquarius Records was based there. Myles Goodwyn from April Wine produced one of their albums. Never really took off. They played their first show in 39 years last year and still sounded great.

The Brother Moves On guarantees both wonderful music and unique performances. This South-African performance-art collective uses multidisciplinary concepts to offer its audience innovative and holistic experiences. The group is currently touring around the world and is on its third album, which will be released by Shabaka Hutchings' English label Native Rebel Recordings. Their success formula? A rousing afro-futuristic fusion with influences from dub-metal, psychedelic rock and jazz.

In 2007, Ali followed up the narrative of personal hardship from "Shadows of the Sun" with politics and compassion on, The Undisputed Truth. The album gave Ali his first Billboard debut along with some criticism for the strong anti-government message on the album's second single "Uncle Sam ---damn."

Success hasn't diluted Brother Ali's message but on his new release, Us, he stops short of drawing a line in the sand. His point is clear, this release isn't about me or you, it's about us, and Ali is going to lead the way. The album moves from themes of his recent success to stories of domestic abuse and poverty to the uplifting title track at the very end of the album.

Beyond the lyrics, this is Brother Ali's most organic album, full of live drums, guitars and organ riffs interweaved with samples and electronic beats. Sonically this is his best album to date. Us is out on Rhymesayers and in stores now. ff782bc1db