Beauty and the Beast is an American fantasy-drama television series that first aired on CBS from September 25, 1987 to August 4, 1990. Creator Ron Koslow's updated version of the fairy tale has a double focus: the relationship between Vincent (Ron Perlman), a mythic, noble man-beast, and Catherine (Linda Hamilton), a savvy Assistant District Attorney in New York City, and a secret utopian community of social outcasts living in a subterranean sanctuary. Through an empathic bond, Vincent senses Catherine's emotions, and becomes her guardian.[3]
The series follows the developing relationship between the characters and the division between New York and the hidden world beneath it. In a twist from the original tale, however, this "beast" does not transform into society's idea of beauty after gaining the love of Catherine. Rather, Vincent's inner beauty is allowed to remain the focus of who he is, and it is Catherine's life that transforms from her relationship to Vincent.
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As the title indicates, the premise of the series is inspired by the fairy tale "Beauty and the Beast"; in particular, there is some connection to the Jean Cocteau's 1946 French film, La Belle et la Bte.
George R. R. Martin, who would later write the A Song of Ice and Fire book series which were later adapted into the acclaimed television series Game of Thrones, was a writer and producer on the show.
Catherine Chandler (played by Linda Hamilton) is abducted, beaten, slashed and left to die in Central Park because she was inadvertently mistaken for somebody else. She is rescued and cared for by Vincent (played by Ron Perlman) who has taken her to Father (played by Roy Dotrice), head of a hidden community of people dwelling in tunnels below the city of New York. Ten days later, Catherine returns to the surface with the promise of keeping Vincent's secret and the challenge to go on after her terrible attack. After completing her recovery, her life begins a serious transition: she takes self-defense lessons, leaves her comfortable job at her father's law firm and joins the Manhattan District Attorney's office as an assistant district attorney. Her first action involves her asking Carol Stabler about those men who attacked her, where she states that they were part of an illegal escort service run by Martin Belmont. When Catherine is attacked by Martin Belmont's men, she is saved by Vincent, who mauls the men.
During the course of the first season, the production team fashioned a blend of romance and crime drama, which used both Catherine's position as an ADA and her will to help Vincent and his world to place her in moments of physical danger that would bring the idealized romantic figure of Vincent to the surface world as her guardian angel.
During its second season, the series shifted its focus slightly to add more character development, as the central characters spent considerable time exploring their relationships with the inhabitants of the Tunnel World, where Catherine had finally been accepted as a friend and "Helper" (someone who assists the Tunnel community with what they need to survive and by keeping their secret). More people from the World Above turned up for emotional support and healing in the secure environment of the World Below.
Near the end of the season, however, in an effort to boost faltering ratings, the action orientation returned as a result of the misleadings of the recurrent villain Paracelsus (played by Tony Jay). In a cliffhanger final episode, Catherine is seen walking down a tunnel into a chamber, where Vincent is suffering from a violent madness.
When the series returned for its abbreviated third season late in 1989, Linda Hamilton had announced her decision to leave the series as she was pregnant at the time. It was a decision that, along with the network's desire to attract more male viewers, would have serious repercussions for the show's continued survival. In the resolution to the previous season's cliffhanger, Catherine rescued Vincent from his inner demons but was kidnapped by a man named Gabriel (played by Stephen McHattie),[6] the ruthless head of a huge criminal empire she had been investigating, which was trying to corrupt the D.A.'s office. She was killed, but not before giving birth to Vincent's son, who was held hostage by the evil Gabriel. Catherine's boss and close friend Joe Maxwell (Jay Acovone) hired Diana Bennett (Jo Anderson), a criminal profiler with the police department, to track down Catherine's killer. Quite naturally, her investigation ultimately led her to the now darkly obsessed and grieving Vincent.
Although still popular with its dedicated fans, the darker, more resolutely violent aspects of the reworked concept, coupled with the fatal loss of the all-important central relationship between Catherine and Vincent, led to further declining ratings and, ultimately, cancellation.[7]
CBS DVD (distributed by Paramount) has released all three seasons of Beauty and the Beast on DVD in region 1. They also released Beauty and the Beast: The Complete Series, a 16-disc box set featuring all 56 episodes of the series.
On 11 November 2014, CBS Home Entertainment released a repackaged version of the complete series set which featured a lower price but did not include the bonus disc that was part of the original complete series set.[15]
An active fan community (self-titled "Helpers" or "the tunnel community") arose during the show's run, helping organize a petition drive to assure that there would be a third season.[21] They have published fanzines, fan fiction and collections of filk music[22] inspired by the show, and as of 2013 continue to hold various fan conventions around the world.
CBS Television Studios, which owns the rights to the series, developed a reboot for the series. It was executive produced by Ron Koslow, the creator of the original, along with the earlier show's producers, Paul Junger Witt and Tony Thomas. The reboot has been described as a "modern-day romantic love story with a procedural twist". In Canada, it aired on Showcase and the United States, aired on The CW.[23]
The television series starred New Zealand actor Jay Ryan as Vincent (the "beast") and Canadian actress Kristin Kreuk as Catherine (the "beauty").[24] The pilot was filmed in Toronto, Ontario, Canada in March 2012.
Here's every influence and inspiration The Witcher season 2 draws from The Beauty & The Beast. When Netflix's The Witcher picks up with its second season, Henry Cavill's Geralt and Freya Allan's Princess Ciri are desperately evading angry monsters and terrible weather. Geralt decides to call upon Nivellen, an old friend he deems trustworthy enough to seek refuge with. Predictably, their detour in The Witcher season 2's premiere doesn't go to plan. Nivellen's introduction is only loosely related to The Witcher's overarching narrative, but the entire sequence draws heavily from classic literature - namely, Beauty & The Beast.
Though predominantly known as one of Disney's most iconic animations, The Beauty & The Beast is a tale as old as time... or at least 1740, when French author Gabrielle-Suzanne Barbot de Villeneuve wrote it. Disney's telling is now the most widely-known, but Beauty & The Beast's 18th century roots perhaps explain how elements seep into a fantasy franchise such as The Witcher.
Andrzej Sapkowski very clearly based Nivellen's story on Beauty & The Beast, and with The Witcher known for its roots in European fairy tales, that comes as no surprise. How many parallels are there between The Witcher season 2's premiere and Beauty & The Beast?
The immediately obvious parallel between The Witcher season 2 and Beauty & The Beast lies in the visual similarity underpinning Nivellen's monstrous form to Disney's transformed prince. Just like Beast, Nivellen (played by Game of Thrones' Kristofer Hivju covered in prosthetics and makeup) has the central facial features of a human - the eyes especially. However, both characters' noses have been turned into hog-esque snouts, and their mouths are now jowls containing the upward fangs of a boar. The Witcher's Nivellen is slightly less blessed than his Disney counterpart, forced to endure two additional massive tusks protruding from between his lips. Beauty & The Beast and The Witcher's monsters are both instantly recognizable by the large manes of wild brown hair covering virtually their entire heads and faces.
Nivellen's fashion sense also mimics Beauty & The Beast to a degree. Though The Witcher (sadly) deprives Nivellen of a snazzy royal blue coat, the characters share a liking for loose white shirts of the flouncy and frilly kind typically worn by period drama nobles. The strength of their resemblance confirms beyond doubt that The Witcher's Nivellen serves as an intentional homage to Beauty & The Beast.
The setup to Nivellen's The Witcher season 2 debut borrows liberally from The Beauty & The Beast's landscape. Nivellen lives in a mansion (not quite a castle, but it might as well be in today's housing market) near a populated village, but isolated somewhere off in the distance. Despite not meaning the townsfolk harm, Nivellen knows he'll always be shunned due to his unconventional facial features. Alas, his partner, Vereena, does pose a threat, and feeds upon the villagers against her boyfriend's wishes.
Likewise, Beauty & The Beast begins with its cursed prince locked away in a castle of his own. Again, there's a village nearby, but the residents remain blissfully unaware of the monster chugging wine in the big old house. In Beauty & The Beast, the villagers mistakenly believe Beast is dangerous and so grab their pitchforks. Vereena gradually munching her way through civilians is a great example of how The Witcher darkens The Beauty & The Beast's story.
In terms of scenery, The Witcher falls very close to Beauty & The Beast's style and setting. By the time Geralt and Ciri roll up to Nivellen's place, winter has set in and the ground is covered by a thick sheet of snow. The courtyard contains a selection of ornate stone statues partially obscured by the white frost, and this imagery pulls directly from Beauty & The Beast, where the Disney castle boasts a courtyard full of similar statues. There's also the iconic scenes of Belle and Beast playing in snow among the birds, giving The Witcher's cold setting a fairy tale foundation. Comparisons could be drawn between Geralt and Ciri approaching Nivellen's snow-covered home on Roach, and Philippe's role in Beauty & The Beast. 152ee80cbc
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