They met for the recording of La Morocha (The Brunette) in 1929.
Tangos by Francisco Canaro
Yo No Sé Que Me Han Hecho Tus Ojos (I Don’t Know What Your Eyes Have Done To Me), 1930
Te Quiero (I Love You), 1932
Envidia (Envy), 1936
Resentimiento (Resentment), 1937
Esperar (Waiting), 1937
El Día Que Yo Pueda, 1937
Cuando El Corazón, 1938
Nada Más (No More), 1938
No Mientas (Don’t Lie To Me), 1938
She stopped recording with Canaro in 1938 and left Buenos Aires in 1942.
Inspired by a real love story with the composer Ramón Sixto Ríos (1913-1995) and Mercedes Strickler Khalov (1916-2001) who was born and lived all her life in Humboldt, province of Santa Fe. They met in 1939 when he visited her native town touring with theater company. They had formal relationship for 2 years mainly by letters since he lived in Buenos Aires, and she in the village. He proposed to her in 1941 but she rejected. Despite that he kept writing to her for many years. For the pain of love not returned, he composed this song in 1941 as chamame which became one of the best known Argentinian folklore song. He later married another woman but she passed away 2 years later. In his later years he met with Mercedes Stickler again and proposed to her but she rejected, this time as well. When he passed away he gave the copyright of this song to her as the last gesture.
Merceditas (Dear Young Mercedes)
They met in 1935 at radio station. Contursi was 24, Gricel was 15. Read their story on todotango
Quiero Verte Una Vez Más (I Want to See You One More Time), 1940
Gricel (Gricel), 1942
Toda Mi Vida (My Whole Life), 1942
Cada Vez Que Me Recuerdes (Every Time You Remember Me), 1943
Sombras, Nada Más (Shadows, Nothing More), 1944
Cristal (Crystal), 1944
Garras (Claws), 1945
La Noche Que Te Fuiste (The Night You Went Away), 1945
Sin Lágrimas (Without Tears), 1946
Y La Perdí (And I Lost Her), 1947
Tú (You), 1949