Join the DSO for a honky-tonking, heart-aching celebration of everything America loves about country music past and present. Featuring the classic country hits you know and love from legendary stars Patsy Cline, Dolly Parton, Willie Nelson and Johnny Cash to the biggest stars of today like Garth Brooks, Tim McGraw, The Chicks and Kacey Musgraves.

"I walked into the studio and there was no 12 bodyguards, just him," Sheena Easton told Q in 1991, recalling her first meeting with Prince in the Eighties. "He was very quiet and shy." As quiet and shy as Prince may have been, there's nothing modest about his first collaboration with Easton, "Sugar Walls." Listed by Tipper Gore's Parents' Music Resource Council as one of the "Filthy Fifteen" songs that were sure to pervert the minds of young America, the Prince-penned "Sugar Walls" contains one of the most viscerally erotic double entendres in pop history: "Come spend the night inside my sugar walls," Easton croons over dreamy alien funk.


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After seeing an early Bangles show in Los Angeles, Prince sent the band a tape with two original songs he wanted them to record. One was "Manic Monday," a jangly, infectious diary of 9-to-5 office blues, that Prince was able to accurately capture without experiencing. The track is relatively innocent, but Prince does get in a classic line: "Of all of my nights/Why did my lover have to pick last night to get down?" It was the band's first hit, reaching Number Two in the U.S. "I remember going in and singing that song and being on the mike and it was kind of like red light fever," Bangles singer Susanna Hoffs told Songfacts. "I knew it was a Prince song, and I wanted to do a great job on it." Her mind was eased when Prince listened to the track. "He was really thrilled with how it came out. I think he might have said something like, 'Oh, I was surprised you guys didn't use my track,' or something. But he was very happy with it."

Greatest Hits is a greatest hits album by American hip hop group N.W.A, released on July 2, 1996, via Priority Records. Composed of nineteen tracks, the compilation contains several poplular singles and songs from the group's 1988 debut album Straight Outta Compton, 1990 extended play 100 Miles and Runnin' and their second and final studio album 1991 Niggaz4Life. It includes "Gangsta Gangsta", "Fuck tha Police", previously unavailable remix of "Straight Outta Compton", "Alwayz into Somethin'", remixed "Express Yourself", and "100 Miles and Runnin'", as well as inserts from live concerts. Production was handled by Dr. Dre and DJ Yella with Eazy-E serving as executive producer.

This album essentially replaced Styx's previous greatest hits album, Styx - Classics, Volume 15, which was released by A&M in 1987. That previous album had excluded the hit song "Lady" because the song was originally recorded for and released through Wooden Nickel Records (which also had a distribution arrangement with RCA Records). Because A&M/PolyGram had been unable to secure distribution rights to the song, most of the classic lineup of Styx (Dennis DeYoung, Tommy Shaw, Chuck Panozzo and James "J.Y." Young) reunited to re-record the track at Dennis' home studio, The White Room. They were joined by uncredited session drummer Todd Sucherman, who filled in for John Panozzo due to Panozzo's failing health; Sucherman joined the band permanently in 1996, during the Return to Paradise tour. The track, which is very similar to the original, was titled "Lady '95".

With the exception of "Lady '95", Styx - Greatest Hits features the original album versions of all the other songs included in the compilation. "Come Sail Away" is presented here in its full 6:05 version and "Miss America" is here in its original studio version (despite the CD's packaging showing incorrect time listings for both tracks).

While the Greatest Hits album arguably captured most of the biggest Styx pop and rock radio singles, there were some noticeable omissions, some which would appear on the follow-up Styx Greatest Hits Part 2. Songs that charted in the top 40 that were not included on Volume 1 include "Love At First Sight (#25)", "Why Me" (#26), "Mademoiselle (#34)," "Music Time (#40)," and "Sing For The Day (#41)." The album also omitted Top Rock Tracks "Rockin' The Paradise (#8)," "Light Up," "Love Is the Ritual (#9), and "Snowblind" (#22)." Many of these songs found their way into Volume 2, but "Why Me," "Music Time," and "Love Is the Ritual" were not included in either version.

But of course, the 21st century is a long one, and you've got to make space for the classics too. There are fabulous pop songs from every era, and they all deserve a spot on our ultimate list. Here you'll find everyone from Outkast to MIA, and from Kelis to Harry Styles. The only criteria? It has to be feel good, and it has to make you want to get up and dance. All of these tunes do just that, and then some. Read on for the best pop songs ever made.

Dolly Parton estimates that she has written close to 3,000 songs throughout her illustrious seven-decade career. While 450 of those songs have been recorded, Parton hasn't always been the artist to sing them: Merle Haggard, Hank Williams Jr. and Kenny Rogers have famously recorded and released tracks written by the 10-time GRAMMY winner.

"I love to write songs for men," Parton says in her 2020 book, Dolly Parton, Songteller: My Life in Lyrics. "And it's a good thing I do because back then, there weren't that many women in the country-music business to write songs for. Especially ones who weren't writing their own songs, like Loretta Lynn was. I didn't have a lot of space to write songs for women so I purposefully tried to write songs that men could record. Or songs that could go either way."

That's not to say women haven't been a part of Parton's canon. She penned songs that have been recorded by Emmylou Harris and Skeeter Davis, and even gave Whitney Houston one of the biggest songs of her career.

Parton's songs have taken on new life thanks to artists across countless genres. In celebration of the Country Music Hall of Famer's 76th birthday on Jan. 19, GRAMMY.com takes a look back at 10 songs you may not have known Dolly Parton wrote.

Before Parton became a household name for her own music, she was a songwriter for other artists. In January 1966, Bill Phillips released one of the songs she penned, "Put It Off Until Tomorrow," on which she provided backing vocals. The song peaked at No. 6 on Billboard's Hot Country Songs chart three months later, and the track's success helped garner Parton a recording contract with Monument Records. (Phillips also recorded Parton's "The Company You Keep," which became another top 10 hit later that year.)

Like many of Parton's songs that were recorded by someone else, the singer still included her own version of "I'm In No Condition" on her 1967 album Hello, I'm Dolly. But after listening to Hank Williams Jr.'s rendition, it's hard to believe it was written for anyone but him.

According to Billboard, 48 years have passed since more country artists racked up more No. 1 hits on its all-genre Hot 100 chart. This year saw chart-toppers from record-breaker Morgan Wallen ("Last Night"), established hitmaker Jason Aldean ("Try That in a Small Town"), viral newcomer Oliver Anthony ("Rich Men North of Richmond"), and 2022's big success story, Zach Bryan ("I Remember Everything" featuring Kacey Musgraves). Back in 1975, four country artists and five songs reached the Hot 100's summit: Glen Campbell, B.J. Thomas, Freddy Fender, and two cuts by John Denver.

Morgan Wallen pulled country music's biggest crossover on the charts, ending the year with five of the top 50 most streamed songs of 2023 on Spotify, as well as 11 of the top 100 songs on Apple Music (all U.S. charts). He landed eight songs on the year-end Billboard Hot 100, including "Last Night," a tale of whisky-fueled love and regret driven by acoustic guitar and clap-along percussion, which held the top spot for 16 weeks, the most for a non-collaboration song in the chart's 65-year history. It was also the most streamed song on Apple Music globally, contributing to the streaming service naming Wallen its top global music artist of 2023.

The Hot 100 further indicated the genre's crossover success in early August, when the top three positions were occupied by country songs: Jason Aldean's "Try That in a Small Town," Morgan Wallen's "Last Night," and Luke Combs' cover of Tracy Chapman's 1988 classic. Not only was it the first time in history that country songs dominated the first three spots on the all-genre chart, but it also happened two more times on Aug. 26 and Sept. 2. "Last Night" and "Fast Car" also received nominations for the 2024 GRAMMYs; "Last Night" is nominated for Best Country Song at the 2024 GRAMMYs alongside with Brandy Clark's "Buried," Zach Bryan and Kacey Musgraves' "I Remember Everything," Tyler Childers' "In Your Love," and Chris Stapleton's "White Horse," while "Fast Car" is Best Country Solo Performance alongside "White Horse," "Buried," "In Your Love." and Dolly Parton's "The Last Thing on My Mind."

After Dolly Parton was inducted into the Rock & Roll Hall of Fame in 2022, she took her honor quite literally. Parton collaborated with artists ranging from Judas Priest shrieker Rob Halford to Pink and Elton John on 30 recordings, including massive hits like "(I Can't Get No) Satisfaction" and "Don't Let the Sun Go Down On Me." The album's first single, the original composition "World On Fire," reached No. 1 on Billboard's Rock Digital Song Sales chart.

No artist exemplifies this surge more than Zach Bryan, who parlayed his successes in 2022 into an even bigger 2023, topping the Hot 100 and Billboard 200 albums chart for the first time, and headlining a sold-out arena tour. Folk-pop singer/songwriter Noah Kahan, who joined Bryan for the song "Sarah's Place" on Bryan's Boys of Faith EP, also found major success with songs originally performed for his 2022 album Stick Season, including a duet with Kacey Musgraves on "She Calls Me Back," released in October. 006ab0faaa

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