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Animating a cloud and duplicating it:

This has limitations like if I want to change the animation later, suppose in the above example rather than scaling them down. I want to create a fade in effect by adjusting the opacity. I would manually have to go to each group and apply that animation.

Using ValueNodes:

Value Nodes provide a better control, all the other clouds can be controlled by one single animation. But if I have exported the value of scale effect and connected it. Again how would I control the opacity if I change my mind later.

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This is brief tutorial to show how create cut-out style animations. Usually cut-out style animations use image art instead of vector art to create the animation. See South Park series. You should obtain some kind of animation like this one:

For a cut out animation you'll need some images that represent the moving parts of the animation. For this example I've prepared a Simpsons like boy. You can take the images from this file. It also has the final sifz animation result.

As you can imagine we are going to use Rotate Layers to perform the cut out animation. But before applying the rotation for each part of the character, we need to group it so that the rotation only applies to the desired layers. After grouping and renaming the group layers, it looks like this:

Animation is a robust field with a large number of specialties and an even larger number of tools for creating a particular look or style. In the past two months, I've covered Krita Animation for hand-drawn digital cel animation and StopGo for stop motion animation. There are many more animation applications out there, not the least of which is Blender for 3D animation and all manner of hybrids (check out how some users are abusing the Grease Pencil tool for animation or the excellent Freestyle effect), GIMP Animation Plugin GAP, Tupi, the recently open-sourced OpenToonz, and many more.

I can't review every animation application (at least, not all at once), so the last animation suite I'll look at this year is Synfig Studio. Synfig Studio is a "tweenless" animation system designed to speed up the animation process by using sprites and digital tweening rather than adding to the illustration workload. For this reason, it's ideal for a solo artist or a small animation team.

Synfig is production-ready. The Morevna Project, a small anime studio, is producing not only content but several tutorials about their tools, with everything being produced on an open source stack, released as Creative Commons. Better still, as they work, they are developing and improving the tools they use and committing their code for everyone to use. If you'd like to fund their excellent work, visit patreon.com/morevna and subscribe to their content!

Your distribution might package Synfig in its repository, but be sure to download the most up-to-date version directly from upstream. The Synfig site offers .rpm, .deb, and generic .tar packages. If you download an .rpm or .deb, then use your system's package manager to install them as usual. If you download the .tar file, just untar, place into a sensible directory such as "~/bin," and run synfigstudio.

Also in the Properties window is the amount of time you want your timeline to contain. Time units for animation are frames, and what that translates to in human time depends on how many frames per second your animation plays. The more frames per second you use, the smoother the animation looks, but you're also managing and rendering many more frames. For this demo, I'll use the slower frame rate of 16fps and a total timeline length of 128 frames just to keep numbers low.

Good news. If you've just been experimenting with the controls of an object, then you're about half way to animating already. The only step left to do for a basic animation is to press "record" and start moving things.

In traditional animation, you would draw your character in each of its major poses at specific points in time (say, the 0th frame, 16th frame, and the 33rd frame), and then you would go back and draw the frames in-between. This process is called "tweening."

6. Click the Animate button to leave recording mode, just to be safe. At this point, you can either scrub through your animation to get a preview, or just press the Play button to see a real-time render of what you've done.

For instance, a common way of animating mouths for speech and vocables is to swap out mouth shapes. There's rarely a need to animate the way the lips get into the position they need to be for each phoneme, so an animator will just swap out the shape. Since Synfig is built more for sprite animation than hand-drawn, to get that same effect I would replace one sprite for another; in other words, I'd hide the smiling-mouth sprite with a mouth shaped for a different phoneme.

Unlike the previous animation applications I wrote about, Synfig has integrated sound playback. It's not (and shouldn't be) a robust audio-editing interface by any means, so you'd only want to use a final or near-final soundtrack, but to sync up mouths and sound effect cues, it's all you need. To add a soundtrack:

How you render an animation is more choice than technique. Traditionally, you'd export your project in a series of frames and they'd be turned into a movie file later in your pipeline. You can do it that way, but if there is not "later" in your pipeline, then you can also leverage the bundled version of ffmpeg to go straight out to a movie file (although your sound does not, at least in the current version of Synfig Studio, get included, so you'd have to attach that manually, later).

I find it easier to render to an image sequence, because then I have a "master" copy of the animation, from which I can encode many different versions. To do that, go to the File menu and select Render. In the Filename field, give it the path to an empty directory where you'd like the files to be saved and the filename each image should use as its base. Synfig automatically splits whatever filename you provide just before the .png extension and inserts a frame number.

Synfig is a professional-grade animation application with all the must-have features, and plenty of additional ones as a bonus. If you're after fast and efficient animation, Synfig Studio is the one to use. It's got a learning curve when compared to cell animation, but the elimination of tweening pays off in the end.

I really amazed the way you explained in this short but complete tutorial to start with synfig.

My appreciation for these lines are not enough to put here on comments.

--> ...of the list being "in front of" the layers lower down

-->you really broke my doubts about handles.

-->correctly said how to be careful while we are in animating mode,''your every action is recorded"

-->''jiggling" if you missed this point, I know i have to spent more time to understand how the synfig is working

-->and finally the "so the

moral of the story" words while explaining about switch effect and how to think about it while we are using synfig which is aimed for auto tweening.

Thank you once again for the tutorial .with your tutorial i can proudly say there are teachers who explain any difficult thing in a basic student understandable manner also they teach the subject in witty tricky manner when you said the words 'the moral of the story' I felt you are beside me while reading this letter.

PS: i struggled through net to find words that teaches me the way the synfig is for and how to think and use synfig .you also clearly explained for whom synfig is (like me who want to do some imaginary stuff individually as it is having tweening auto process)

sorry for my english if it makes any grammar mistakes...you are really amazing and looking for any book on synfig in future from you sir!

I know the absolute minimum about animation, Synfig, the place of 2D animation in various industries or tooling. So I'd like to know for starters: If I wanted to produce professional, pleasing stories in 2D, which tooling should I be looking at?

You see that the hulk part is selected. You will notice immediately: this is not a proper path with circles as start and end markers. It is rather the outline path of the corresponding shape. For the animation that poses a problem. While drawing a path using keyframes is simple, drawing a complex shape is not. Keep reading, we will find a solution to that later.

We have seen, that our complex shape is not apt to create a simple drawing animation. We would need a simple path for that purpose. But we are lucky: Our shapes are non-overlapping and spatially well-separated. We can choose a sloppy strategy to achieve the same effect. Instead of drawing a path, we will reveal the shape continuously. That is, we will cover the shape by default and remove the cover piece by piece with each animation step.

How do you create a drawing animation? As so often, it is a question of the right Google keywords. In Adobe After Effects a similar drawing animation effect seems to be called Write-On. There is an article about creating a Write-On effect with Synfig Studio in the Synfig Wiki.

When on Animate Editing Mode, each time you edit a parameter (whether directly in the Parameters Panel or indirectly by moving a Handle), a Waypoint is created to remember the change, and the position on the Time Track Panel at which the change happened : you are creating an animation.

If there are already waypoints on the timetrack (Animated ValueNodes) for the parameter in question, this causes a warning and your edit will be not allowed. A warning message asking you : "Do you want to apply offset to this animation?" will offers the opportunity to apply an offset for this parameter for the entire timeline of the animation. e24fc04721