With the included Control Station Remote (CSR-1), you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions from your desktop. The CSR-1 wires to the Central Station via a DE15 connector, enabling you to keep the Central Station in your rack and control it from your work surface, providing maximum convenience with minimum wiring.
Presonus Universal Control 1.7.2 Download
The pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That's why PreSonus gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and equipped the S/PDIF inputs with high-definition, 24-bit, 192 kHz D/A converters that deliver 115 dBu of dynamic range.
Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a mic to the XLR talkback input. The cue signal is automatically dimmed when you use the talkback mic, and a jack admits a footswitch for hands-free talkback operation. Finally, with the optional CSR-1, you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions.
With pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it's obvious why the Central Station is the professional engineer's choice for monitor control.
With Central Station, you can easily switch between three sets of stereo, analog input sources with individual level controls. Two stereo S/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker-recessed to avoid accidents. You also get a pair of line-level main outputs, a pair of line-level cue outputs to feed a headphone-distributions system (such as the HP60 or HP4), and two screaming-loud headphone amplifiers with individual level controls.
With Faderport, Presonus have effectively rendered transport control via mouse and keyboard a thing of the past. Faderport features a USB connection and provides comprehensive transport controls that optimize efficiency and enable smoother automation.
The FaderPort's most obvious strong suit is its group of eight 100mm motorized faders: all are touch-sensitive and provide an excellent way to record and visualize automation in your DAW. Dedicated controls for automation mode (Touch, Latch, Read, Write, etc.) make these a stellar way to interact with your virtual recording workstation. And of course, each channel also offers dedicated controls for all the standard DAW channel options: pan, mute, solo, record arm, etc.
Currently available in limited quantities, general availability of the H9000 is scheduled for March 31st, 2018. The H9000 will be available in two models: Standard, with full front panel control, priced at $6,999, and the blank front panel H9000R, priced at $4,999.
Rubix22 is a 2-in/2-out model with dual mic preamps. When coupled with an iPad, it creates a highly portable recording or performance rig. Rubix24 adds two extra outputs and a hardware compressor/limiter for controlling highly dynamic sources. Rubix44 adds two additional mic preamps for a total of 4 inputs and 4 outputs.
With an elegant, durable housing of aluminum and brass, each AT5047 has been hand-assembled and inspected for 100% quality control. A custom hard-shell carrying case with die-cut foam compartments offers protection during storage and transport.
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