The schematics reveal a hidden weakness in the Death Star's thermal exhaust port, which could allow the Rebels to trigger a chain reaction in its main reactor with a precise proton torpedo strike. Han leaves the Rebels to pay off Jabba, after collecting his reward for rescuing Leia. Luke joins their X-wing starfighter squadron in a desperate attack against the approaching Death Star. In the ensuing battle, the Rebels suffer heavy losses as Vader leads a squadron of TIE fighters against them. Han and Chewbacca unexpectedly return to aid them in the Falcon, and knock Vader's ship off course before he can shoot Luke down. Guided by the voice of Obi-Wan's spirit, Luke uses the Force to aim his torpedoes into the exhaust port, destroying the Death Star moments before it fires on the Rebel base. In a triumphant ceremony at the base, Leia awards Luke and Han medals for their heroism.

Lucas completed a second draft in January 1975 as Adventures of the Starkiller, Episode One: The Star Wars, making heavy simplifications and introducing the young hero on a farm as Luke Starkiller. Annikin became Luke's father, a wise Jedi knight. "The Force" was also introduced as a mystical energy field.[69] This draft still had some differences from the final version in the characters and relationships. For example, Luke had several brothers, as well as his father, who appears in a minor role at the end of the film. The script became more of a fairy tale quest as opposed to the action/adventure of the previous versions. This version ended with another text crawl, previewing the next story in the series. This draft was also the first to introduce the concept of a Jedi turning to the dark side: the draft included a historical Jedi who was the first to ever fall to the dark side, and then trained the Sith to use it. The script would introduce the concept of a Jedi Master and his son, who trains to be a Jedi under his father's friend; this would ultimately form the basis for the film and, later, the trilogy. However, in this draft, the father is a hero who is still alive at the start of the film.[71] Han Solo and Chewbacca's identities closely resembled those seen in the finished film.[72] According to Lucas, the second draft was over 200 pages long, and led him to split up the story into multiple films spanning over multiple trilogies.[73]


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Lucas finished writing his script in March 1976, when the crew started filming. He said, "What finally emerged through the many drafts of the script has obviously been influenced by science-fiction and action-adventure I've read and seen. And I've seen a lot of it. I'm trying to make a classic sort of genre picture, a classic space fantasy in which all the influences are working together. There are certain traditional aspects of the genre I wanted to keep and help perpetuate in Star Wars."[50] During production, he changed Luke's name from Starkiller to Skywalker[5] and altered the title to The Star Wars and later Star Wars.[69] He would also continue to tweak the script during filming, including adding the death of Obi-Wan after realizing he served no purpose in the ending of the film.[91][92]

The designers started working with the director before Star Wars was approved by 20th Century-Fox.[99] For four to five months, in a studio in Kensal Rise, England,[99][103] they attempted to plan the creation of the props and sets with "no money." Although Lucas initially provided funds using his earnings from American Graffiti, it was inadequate. As they could not afford to dress the sets, Christian was forced to use unconventional methods and materials to achieve the desired look. He suggested that Lucas use scrap in making the dressings, and the director agreed.[99] Christian said, "I've always had this idea. I used to do it with models when I was a kid. I'd stick things on them and we'd make things look old."[103] Barry, Christian, and their team began designing the props and sets at Elstree Studios.[98]

According to Christian, the Millennium Falcon set was the most difficult to build. Christian wanted the interior of the Falcon to look like that of a submarine.[99] He found scrap airplane metal "that no one wanted in those days and bought them."[103] He began his creation process by breaking down jet engines into scrap pieces, giving him the chance to "stick it in the sets in specific ways."[99] It took him several weeks to finish the chess set (which he described as "the most encrusted set") in the hold of the Falcon. The garbage compactor set "was also pretty hard, because I knew I had actors in there and the walls had to come in, and they had to be in dirty water and I had to get stuff that would be light enough so it wouldn't hurt them but also not bobbing around."[99] A total of 30 sets consisting of planets, starships, caves, control rooms, cantinas, and the Death Star corridors were created; all of the nine soundstages at Elstree were used to accommodate them. The massive rebel hangar set was housed at a second sound stage at Shepperton Studios; the stage was the largest in Europe at the time.[98]

Tatooine is similar to the desert planet of Arrakis from Frank Herbert's Dune series. Arrakis is the only known source of a longevity spice; Star Wars makes references to spice in "the spice mines of Kessel", and a spice freighter. Other similarities include those between Princess Leia and Princess Alia, and Jedi mind tricks and "The Voice", a controlling ability used by the Bene Gesserit. In passing, Uncle Owen and Aunt Beru are "moisture farmers"; in Dune, dew collectors are used by Fremen to "provide a small but reliable source of water."[151] Frank Herbert reported that "David Lynch, director of the 1984 film Dune, had trouble with the fact that Star Wars used up so much of Dune." The pair found "sixteen points of identity" and they calculated that "the odds against coincidence produced a number larger than the number of stars in the universe."[152]

While the film was in production, a logo was commissioned from Dan Perri, a title sequence designer who had worked on the titles for films such as The Exorcist (1973) and Taxi Driver (1976). Perri devised a foreshortened STAR WARS logotype consisting of block-capital letters filled with stars and skewed towards a vanishing point. This logo design was originally conceived to follow the same perspective as the film's opening crawl. In the end, Perri's logo was not used for the film's opening title sequence, although it was used widely on pre-release print advertising and on cinema marquees.[159][160]

The film continues to receive critical acclaim from modern critics. On the review aggregator website Rotten Tomatoes, 93% of 137 critics' reviews are positive, with an average rating of 8.8/10. The website's consensus reads: "A legendarily expansive and ambitious start to the sci-fi saga, George Lucas opened our eyes to the possibilities of blockbuster filmmaking and things have never been the same."[220] Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100, based on 24 critics, indicating "universal acclaim".[221] In his 1997 review of the film's 20th anniversary release, Michael Wilmington of the Chicago Tribune gave the film four out of four stars, saying, "A grandiose and violent epic with a simple and whimsical heart."[222] A San Francisco Chronicle staff member described the film as "a thrilling experience".[223] In 2001 Matt Ford of the BBC awarded the film five out of five stars and wrote, "Star Wars isn't the best film ever made, but it is universally loved."[224] CinemaScore reported that audiences for Star Wars's 1999 re-release gave the film a "A+" grade.[225]

Star Wars and its ensuing film installments have been explicitly referenced and satirized across a wide range of media. Hardware Wars, released in 1978, was one of the first fan films to parody Star Wars.[297] It received positive critical reaction, went to earn over $1 million, and is one of Lucas's favorite Star Wars spoofs.[298][299][300] Writing for The New York Times, Frank DeCaro said, "Star Wars littered pop culture of the late 1970s with a galaxy of space junk."[301] He cited Quark (a short-lived 1977 sitcom that parodies the science fiction genre)[301] and Donny & Marie (a 1970s variety show that produced a 10-minute musical adaptation of Star Wars guest starring Daniels and Mayhew)[302] as "television's two most infamous examples."[301] Mel Brooks's Spaceballs, a satirical comic science-fiction parody, was released in 1987 to mixed reviews.[303] Lucas permitted Brooks to make a spoof of the film under "one incredibly big restriction: no action figures."[304] In the 1990s and 2000s, animated comedy TV series Family Guy,[305] Robot Chicken,[306] and The Simpsons[307] have produced episodes satirizing the film series. A Nerdist article published in 2021 argues that "Star Wars is the most influential film of all time" partly on the basis that "if all copies ... suddenly vanished, we could more or less recreate the film ... using other media," including parodies.[308]

On Naboo, Padm reveals herself as the queen before the Gungans and persuades them to join in an alliance against the Trade Federation. Jar Jar is promoted to general and joins his tribe in a battle against the droid army as a distraction, while Padm leads the search for Gunray in Theed. The droid army overruns, and captures the Gungan army after destroying their shield generator. Meanwhile during a battle in the hangar, Anakin flees to a starfighter and accidentally triggers its autopilot, traveling to a space battle against the Federation droid control ship and inadvertently causing its destruction from within, deactivating the droid army. Meanwhile, Darth Maul engages Qui-Gon and Obi-Wan in a lightsaber duel. Maul mortally wounds Qui-Gon before being bisected by Obi-Wan and falling down a shaft.[c] Qui-Gon asks Obi-Wan to train Anakin before dying from his injuries in his arms. e24fc04721

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