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Stargirl is a 2020 American jukebox musical romance film based on the 2000 novel of the same name by Jerry Spinelli that debuted on Disney+. The film explores the tense emotions, non-conformity and self-expression of teenagers in high school, and the exuberance of first love.

During the big game, Stargirl rides with an injured opposing player to the hospital, upsetting everyone, leading to the team's loss and causing Stargirl to lose her popularity. Leo's friends are upset, but they forgive him. The situation escalates after an interview of Stargirl on Kevin's show goes horribly wrong. Leo suggests that she act like everyone else, much to her consternation, she starts calling herself Susan and wearing clothes like those of her classmates. At the Speech regionals, Leo asks Stargirl to the Winter Dance, and she accepts. She is about to give a speech on internet privacy, but shifts to a speech on flowers, which wins her first place. Although it is the very first trophy won at the school, nobody pays attention to it. As he begins losing hope, Leo gets encouragement from his mother and Kevin.

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In 2015, it was announced that the film would star Joey King as Stargirl and Charlie Plummer as Leo, the boy who narrates the story.[8] By June 2018, however, VanderWaal had been cast to star, in her debut acting role, as Stargirl.[7] By August 2018, Verchere had been cast as Leo.[9] By September 2018, Esposito, Brar, Stanchfield and Hernndez had been cast in supporting roles.[2]

On Rotten Tomatoes, the film holds an approval rating of 68%, based on 41 reviews, with an average rating of 6.20/10. The website's critical consensus reads, "Stargirl's feel-good story hits familiar coming-of-age beats, but self-assured performances and an earnest mission worn proudly make it a tune worth listening to."[18] On Metacritic, the film has a weighted average score of 61 out of 100, based on 13 critics, indicating "generally favorable reviews".[19]

Jason Bailey of The New York Times praised the screenplay for overcoming some of the clichs in the original novel, the development of the characters, and how the movie promotes self-worth and authenticity through Grace VanderWaal's character.[20] Pete Hammond of Deadline Hollywood gave the film a favorable review. He complimented the performances of both VanderWaal and Verchere and called the movie "sweet and smart."[21] Courtney Howard, in Variety, praised the principal performances: "[VanderWaal] ropes us into the mystery of her character reveal with heaping amounts of magnetism and grounded authenticity. It's no surprise that the music-driven scenes really showcase her power. ... She and Verchere, who's a genuinely sweet cross between Jessie [sic] Eisenberg and Michael Cera sharing the physicality and vocal tonalities of each, are a remarkable pairing." She also commented that "Hart and her collaborators adeptly utilize the textural language of cinema to heighten and underline thematic ties."[22] Jennifer Green of Common Sense Media rated the movie 3 out of 5 stars and praised the film for promoting positive role models and positive values, such as integrity and acceptance.[23] Jude Dry of IndieWire gave the movie a B rating; praised the adaptation, direction and VanderWaal and the rest of the performances, as well as the costume and production designs.[24] Sheila O'Malley from RogerEbert.com gave the movie 2 out of 4 stars. She criticized VanderWaal's performance and complained that numerous aspects of the film, mostly centering around Leo's and Stargirl's relationship, did not make sense. However, she praised the visual appearance of the film as well as its message.[25]

A sequel, Hollywood Stargirl, was released on June 3, 2022, on Disney+.[30] Hart returned as director, and VanderWaal reprised her role as Stargirl. Judy Greer replaced Arrington as Ana, Stargirl's mother, and Elijah Richardson played Evan, the romantic lead.[30] Uma Thurman portrayed Roxanne Martel, a musician that Stargirl admires; Hart and Horowitz wrote the screenplay.[31] Judd Hirsch and Tyrel Jackson Williams played, respectively, Mr. Mitchell, Stargirl's new neighbor, and Terrell, Evan's older brother, an aspiring filmmaker.[32] The story follows Stargirl and her mother Ana, who is hired as the costume designer on a movie, as they relocate to Los Angeles, where Stargirl meets new friends, explores her creative side and begins to gain success as a performer.[30]

Whether or not you can tolerate all this manic pixie dream girl-ness will be a deciding factor in how you respond to "Stargirl," a film adaptation directed by Julia Hart of Jerry Spinelli's 2000 YA novel. Stargirl, played by "America's Got Talent" winner and self-created singer-songwriter phenom Grace VanderWaal, shows up at an Arizona high school from seemingly out of nowhere. She's a local girl, but nobody knows her because she was homeschooled. Where, in an isolation tank or a bomb shelter, a la Brendan Fraser in "Blast from the Past"? It's as though she's descended from the sky. Leo (Graham Verchere), who opens the film with a Voiceover narration giving us his backstory, sees Stargirl across a crowded football field, dressed like a kooky character from a 1970s movie played by Barbra Streisand or Diane Keaton. He falls instantly in love.

Stargirl came out 20 years ago, winning almost every award it is possible to win. Fans loved the book so much, Spinelli followed up with a sequel (Love, Stargirl), even though the ending of the first book had been appropriately ambiguous. Stargirl shares some similarities with Jeffrey Eugenides' 1993 novel The Virgin Suicides, in that the girl is seen totally from an outside perspective. What the girl (or girls) come to represent to the male narrators is what matters. It can be an interesting device, although out of style now. What the device does is highlight the feeling that we can't really know another person, we can't know what goes on behind closed doors.

But this can be very frustrating cinematically, if not handled well. VanderWaal is a compelling figure in her YouTube videos and in any clips you might find of her singing live. She really is playing that ukulele! But she's opaque to the extreme here, and doesn't ignite the character at all. She doesn't have the skill as an actress to give us a sense that Stargirl has an inner life. When she jumps around on the football field, it seems incomprehensible that this magical dreamy girl would get so into it. She hasn't helped us make sense of her. During the cheers, she sings right at the camera, like it's an "America's Got Talent" audition. This was clearly a specific choice, but stopping the film in its tracks for what is essentially a music video doesn't help us find an entryway into the story, or into her.

Director Julia Hart has a great feel for landscapes, for light. The look of "Stargirl" has a lot in common with the look of Hart's "Fast Color": similar sweeps of desert landscapes, romantic twilight skies, a sense of space beyond the frame. So far, my favorite of Hart's films remains the undersung "Miss Stevens" (2016), starring Lily Rabe as a drama teacher chaperoning a Drama Club trip (one of the students is Timothe Chalamet). Miss Stevens could have been conceived as "quirky" or a "kook," but in Rabe's hands, she is human, with all the flaws and mistakes that that implies. In "Stargirl" Hart brings her sensibility to bear, and the film looks wonderful. Hart wrote both "Miss Stevens" and "Fast Color" with her husband Jordan Horowitz. In "Stargirl," she deals with extant material for the first time, and she does what she can with it, but it's not enough.

But how will TV audiences react to another fact-based story in which one of the principals is a transgendered former U.S. sailor who now goes by the name of Calpernia Adams? Some viewers may not even think they care about seeing "Soldier's Girl," Showtime's unflinching but carefully crafted film based on the 1999 murder of Pfc. Barry Winchell by a fellow soldier at Kentucky's Fort Campbell. But this isn't a film about a straight boy who falls in love with a woman with a penis: As written by Ron Nyswaner ("Philadelphia") and directed by Frank Pierson ("A Star Is Born," 1975), "Soldier's Girl," which will be broadcast Saturday night, is a tragic love story with universal appeal.

The filmmakers have likened their story to "Othello," casting Fisher as a military Iago goading the unwitting Glover to commit the murder. But as written and directed, the story actually bears a more telling similarity to the story of the murder of Thomas Becket, the archbishop of Canterbury in 1170,

Ryan O'Neal had his own best-actor Oscar nomination for the 1970 tear-jerker drama "Love Story," co-starring Ali MacGraw, about a young couple who fall in love, marry and discover she is dying of cancer. The movie includes the memorable, but often satirized line: "Love means never having to say you're sorry."

Although critics praised both actors, the little girl's brash performance overshadowed her father's and made her the youngest person in history to win a regular Academy Award. She was 10 when the award was presented in 1974. (Younger performers such as Shirley Temple have won special Oscars.)

As a young boy, Leo losthis dad. After that, he and his mom moved to Mica, Arizona, for a fresh start.Leo used to be a lot like Stargirl, unafraid to be himself. But years ofbullying and feeling like an outsider took their toll. Now, Leo is an expert atblending in. The very thing Stargirl opposes.

Stargirl, an independent thinker, teaches Leo how to love and appreciate who he is, as she is unashamed of her own eccentric personality. Stargirl also teaches Leo not to give so much weight to the opinions and thoughts of others.

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