All music in this project is based on The Outlaw Ocean, a New York Times Best-Selling book by Ian Urbina that chronicles lawlessness at sea around the world. This reporting touches on a diversity of abuses ranging from illegal and overfishing, arms trafficking at sea, human slavery, gun running, intentional dumping, murder of stowaways, thievery of ships and other topics.

This project taught me about the sheer power and magnitude of the ocean and the struggles of the people who travel it. I hope with my participation in this project to expand and develop my relationship with literature and to help share the stories of these seas and some of the people working within them. Creating music for the project was challenging for my synthesis/synth creating ability, and I had to find the right sounds to express the power and strength I wanted to display in these tracks for The Outlaw Ocean Music Project. I used sound samples such as sirens, ocean or boat noise, and edited and warped them into the deep intimidating and harsh sounds I was searching for.

Sounds Of The Ocean Music Free Download

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He received wonderful fan feedback on his music in 2017 and has continued to produce new music, changing and developing his style into a more heavily guitar and beat driven instrumental sound. He has worked with a handful of artists and samplers including Shiloh, Charlie Robbins and Wes Ambler.

The whole thing is sublime. It is music for floating, drifting, writing, thinking. But in the depths of my mind lies a dark, terrifying thought: that, increasingly, this is also the soundtrack to a threatened world, a sonic snapshot of a place that no longer exists.

Note: You can click on any of the photos and spectrograms on this page to view and/or save the full image. Some sounds (in particular from mysticetes/baleen whales) are very low frequency, and you may need high-quality speakers to hear the recording.

A spectrogram is a visual way to display sound. The frequency of the sound is labeled on the vertical or y-axis. Frequency is most often measured in hertz (Hz) or kilohertz (kHz). Time is shown along the bottom of the graph (the x-axis). Time here is measured in minutes and seconds, in the format mm:ss. The loudness of a sound can be seen by the color scale of the sound in the spectrogram, with lighter colors implying louder sounds.

Baleen whales generally make low-frequency (0-5kHz) sounds. These sounds are usually made in the context of mating, competition for food or territory, contact calling, or general social communication.

Summary: Toothed whales generally make high-frequency sounds (5-150 kHz). These sounds are usually made in the context of mating, competition for food or territory, contact calling, or general social communication.

Summary: Pinnipeds (seals, sea lions, and walruses) generally make a variety of sounds in the general range of 0-20 kHz. These sounds are usually made in the context of mating, competition for food or territory, contact calling, or general social communication.

In this way, the issue is still about liane as the source of the waves that ripple out from the OCCAM concept, the matriarch of this patchwork family. It pays homage to her by the confidence and individuality of the musicians she has touched over the years. If we are the knights, we celebrate the queen.

Frank Ocean has recently returned with new music, dropping singles DHL and In My Room, his first new music since 2017. Both tracks are synth-heavy, and see Frank hinting at a bigger club-influence for his upcoming album.

Ocean of Sound begins in 1889 at the Paris Exposition when Debussy first heard Javanese music performed. A culture absorbed in perfume, light and ambient sound developed in response to the intangibility of 20th century communications. David Toop traces the evolution of this culture, through Erik Satie to the Velvet Undergound; Miles Davis to Jimi Hendrix.

For the sonic interpretation of carbon dioxide flux, Bellona made gas released from the ocean sound like wind that gets louder as the amount leaving the water increases. When carbon dioxide gets absorbed, it sounds like Jell-O being slurped.

Team member Jessica Roberts, an assistant professor at the Georgia Institute of Technology, is a specialist in learning sciences and interactive technologies. Leslie Smith is an oceanographer and science communicator in Tennessee who serves as executive director of Dive into the Ocean, Inc., an educational outreach organization.

Background:  Sound in hospital space has traditionally been considered in negative terms as both intrusive and unwanted, and based mainly on sound levels. However, sound level is only one aspect of the soundscape. There is strong evidence that exploring the positive aspect of sound in a hospital context can evoke positive feelings in both patients and nurses. Music psychology studies have also shown that music intervention in health care can have a positive effect on patient's emotions and recuperating processes. In this way, hospital spaces have the potential to reduce anxiety and stress, and make patients feel comfortable and secure. This paper describes a review of the literature exploring sound perception and its effect on health care.

Data sources and review methods:  This review sorted the literature and main issues into themes concerning sound in health care spaces; sound, stress and health; positive soundscape; psychological perspective of music and emotion; music as a complementary medicine for improving health care; contradicting arguments concerning the use of music in health care; and implications for clinical practice. Using Web of Science, PubMed, Scopus, ProQuest Central, MEDLINE, and Google, a literature search on sound levels, sound sources and the impression of a soundscape was conducted. The review focused on the role and use of music on health care in clinical environments. In addition, other pertinent related materials in shaping the understanding of the field were retrieved, scanned and added into this review.

Results:  The result indicated that not all noises give a negative impression within healthcare soundscapes. Listening to soothing music was shown to reduce stress, blood pressure and post-operative trauma when compared to silence. Much of the sound conveys meaningful information that is positive for both patients and nurses, in terms of soft wind, bird twitter, and ocean sounds.

Conclusions:  Music perception was demonstrated to bring about positive change in patient-reported outcomes such as eliciting positive emotion, and decreasing the levels of stressful conditions. Whilst sound holds both negative and positive aspects of the hospital ecosystem and may be stressful, it also possesses a soothing quality that induces positive feelings in patients. Conceptualizing the nature of sound in the hospital context as a soundscape, rather than merely noise can permit a subtler and socially useful understanding of the role of sound and music in the hospital setting, thereby creating a means for improving the hospital experience for patients and nurses.

When you feel that the Theta Drum in your hands is moving in sync with your breathing, observe everything that happens inside and outside yourself without being disturbed, without reasoning, without judgement. Thoughts, images, memories, moods, physical sensations, smells, sounds. Welcome them and let them flow.

Whale Hearing

 In addition to singing, humpbacks also hear well. Sound is exceptionally important to marine mammals living in the ocean (a very noisy place). Hearing is a well-developed sense in all cetaceans, largely because of the sensitive reception of waterborne vibrations through bones in the head. Take a look at the size of a whale's head compared to its entire skeleton. You will notice that the head comprises up to one third of the total body length. The whale ear is a tiny opening that closes underwater. The bone structure of the middle and inner ears is modified from that of terrestrial (land-based) mammals to accommodate hearing underwater.

Let's Dissect the Song

 Humpback whales produce moans, grunts, blasts and shrieks. Each part of their song is made up of sound waves. Some of these sound waves are high frequency. If you could see these sounds, they would look like tall, pointed mountains. Whales also emit low frequency sound waves. These waves are like hills that are wide spread apart. These sound waves can travel very far in water without losing energy. Researchers believe that some of these low frequency sounds can travel more than 10,000 miles in some levels of the ocean! 

 Sound frequencies are measured in units called Hertz. The range of frequencies that whales use are from 30 Hertz (Hz) to about 8,000 Hz, (8 kHZ). Humans can only hear part of the whales' songs. We aren't able to hear the lowest of the whale frequencies. Humans hear low frequency sounds starting at about 100 Hz.

Whale Songs Similar to Other Animals

 Researchers have noted that whale songs sound very similar to the songs of hoofed animals, such as. Elk (bugleing), cattle (mooing), and have more than a passing resemblance to some of the elephant noises. One of the leading researchers into humpback whale sounds, Katy Payne, also studies elephant sounds and has found similarities between these two species.

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966 by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.[1] 0852c4b9a8

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