Software Icons __LINK_

Material design system icons are simple, modern, friendly, and sometimesquirky. Each icon is created using our design guidelines to depict in simpleand minimal forms the universal concepts used commonly throughout a UI.Ensuring readability and clarity at both large and small sizes, these iconshave been optimized for beautiful display on all common platforms and displayresolutions.

We have made these icons available for you to incorporate them into yourproducts under the Apache License Version 2.0. Feel free to remix and re-share these icons and documentation in yourproducts. We'd love attribution in your app's about screen, but it's not required.

Software Icons

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The complete set of material icons are available on the material icon library. The icons are available for download in SVG or PNGs, formats that aresuitable for web, Android, and iOS projects or for inclusion in any designertools.

The material icon font is the easiest way to incorporate material icons withweb projects. We have packaged all the material icons into a single font thattakes advantage of the typographic rendering capabilities of modern browsers sothat web developers can easily incorporate these icons with only a few lines ofcode.

The icon font weighs in at only 42KB in its smallest woff2 format and 56KB in standard woff format.By comparison, the SVG files compressed with gzip will generally be around 62KB in size, but thiscan be reduced considerably by compiling only the icons you need into a single SVG file with symbolsprites.

Similar to other Google Web Fonts, the correct CSS will be served to activate the'Material Icons' font specific to the browser.An additional CSS class will be declared called .material-icons.Any element that uses this class will have the correct CSS to render these icons from the web font.

Find both the icon names and codepoints on the material icons library by selecting any icon and opening the icon font panel. Each icon font has a codepoints index in our git repository showing the complete set of names and character codes (here).

These icons were designed to follow the material design guidelines and they look best when using the recommended icon sizes and colors. The styles below make it easy to apply our recommended sizes, colors, and activity states.

Using the icon font allows for easy styling of an icon in any color. In accordance with material design icon guidelines, for active icons we recommend using either black at 54% opacity or white at 100% opacity when displaying these on light or dark backgrounds, respectively. If an icon is disabled or inactive, using black at 26% or white at 30% for light and dark backgrounds, respectively.

The material icons are provided as SVGs that are suitable for web projects. Individual icons are downloadable from the material icons library. The SVGs are also available from the material design icons git repository under the path:

PNG is the most traditional way to display icons on the web. Our downloads from the material icons library provide both single and double densities for each icon. They are referred to as 1x and 2x respectively in the download. Icons are also available in the git repository under:

Material icons also work well within iOS apps. In both the material icons library and git repository, these icons are packaged up in Xcode imagesets which will work easily with Xcode Asset Catalogs (xcassets). These imagesets can be added to any Xcode Asset Catalogs by dragging them into Xcode on to the asset catalog or by copying the folder into the xcasset folder.

The imageset contains the single, double and triple density images (1x, 2x, 3x) so they work on all known iOS screen densities. Both black and white icons are provided, but we recommend using UIImage's imageWithRenderingMode with UIImageRenderingModeAlwaysTemplate which will allow the image to be used as an alpha mask that can be tinted to any possible color.

Languages such as Arabic and Hebrew are read from right-to-left (RTL). For RTL languages, UIs should be mirrored to display most elements in RTL. When a user interface is mirrored for RTL, some of the icons should also be mirrored. When text, layout, and iconography are mirrored to support right-to-left UIs, anything that relates to time should be depicted as moving from right to left. For example, forward points to the left, and backwards points to the right. However, be mindful that the context in which the icon is placed also influences whether an icon should be mirrored or not.

This Android developer article describes in-depth how to implement RTL user interfaces. By default on Android, icons are not mirrored when the layout direction is mirrored. You need to specifically mirror the appropriate icons when needed, either by providing specialized assets for RTL languages, or using framework functionality to mirror the assets.

@mui/icons-materialincludes the 2,100+ official Material Icons converted to SvgIcon components.It depends on @mui/material, which requires Emotion packages.Use one of the following commands to install it:

The icons member specifies an array of objects representing image files that can serve as application icons for different contexts. For example, they can be used to represent the web application amongst a list of other applications, or to integrate the web application with an OS's task switcher and/or system preferences.

One of the best features of Material for MkDocs is the possibility to use more than 10,000 icons and thousands of emojis in your project documentation with practically zero additional effort. Moreover, custom icons can be added and used in mkdocs.yml, documents and templates.

When Attribute Lists is enabled, custom CSS classes can be added to icons by suffixing the icon with a special syntax. While HTML allows to use inline styles, it's always recommended to add an additional style sheet and move declarations into dedicated CSS classes:

Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing.[2]

In 425 Philostorgius, an allegedly Arian Christian, charged the Orthodox Christians in Constantinople with idolatry because they still honored the image of the emperor Constantine the Great in this way. Dix notes that this occurred more than a century before the first extant reference to a similar honouring of the image of Christ or of his apostles or saints known today, but that it would seem a natural progression for the image of Christ, the King of Heaven and Earth, to be paid similar veneration as that given to the earthly Roman emperor.[17] However, the Orthodox, Eastern Catholics, and other groups insist on explicitly distinguishing the veneration of icons from the worship of idols by pagans.[18].mw-parser-output div.crossreference{padding-left:0}(See further below on the doctrine of veneration as opposed to worship.)

It is in a context attributed to the 5th century that the first mention of an image of Mary painted from life appears, though earlier paintings on catacomb walls bear resemblance to modern icons of Mary. Theodorus Lector, in his 6th-century History of the Church 1:1[20] stated that Eudokia (wife of emperor Theodosius II, d. 460) sent an image of the "Mother of God" named Icon of the Hodegetria from Jerusalem to Pulcheria, daughter of Arcadius, the former emperor and father of Theodosius II. The image was specified to have been "painted by the Apostle Luke."

In later tradition the number of icons of Mary attributed to Luke greatly multiplied.[27] The Salus Populi Romani, the Theotokos of Vladimir, the Theotokos Iverskaya of Mount Athos, the Theotokos of Tikhvin, the Theotokos of Smolensk and the Black Madonna of Czstochowa are examples, and another is in the cathedral on St Thomas Mount, which is believed to be one of the seven painted by St. Luke the Evangelist and brought to India by St. Thomas.[28] Ethiopia has at least seven more.[29] Bissera V. Pentcheva concludes, "The myth [of Luke painting an icon] was invented in order to support the legitimacy of icon veneration during the Iconoclastic controversy" [8th and 9th centuries, much later than most art historians put it]. According to Reformed Baptist pastor John Carpenter, by claiming the existence of a portrait of the Theotokos painted during her lifetime by the evangelist Luke, the iconodules "fabricated evidence for the apostolic origins and divine approval of images."[1]

In the period before and during the Iconoclastic Controversy, stories attributing the creation of icons to the New Testament period greatly increased, with several apostles and even Mary herself believed to have acted as the artist or commissioner of images (also embroidered in the case of Mary).

There was a continuing opposition to images and their misuse within Christianity from very early times. "Whenever images threatened to gain undue influence within the church, theologians have sought to strip them of their power".[30] Further, "there is no century between the fourth and the eighth in which there is not some evidence of opposition to images even within the Church".[31] Nonetheless, popular favor for icons guaranteed their continued existence, while no systematic apologia for or against icons, or doctrinal authorization or condemnation of icons yet existed. 2351a5e196