If you want a headphone you can actually feel — deep, wheel-adjustable bass, a full over-ear cup that shuts out the room, and a 3.5 mm cable for delay-free monitoring — choose Skullcandy Crusher Evo; if you need marathon battery life, a light on-ear build you forget you're wearing, and two devices paired at once, choose SONY WH-CH520. For vlogging, that split matters more than any single spec headline. One gives you a wired safety net and real isolation while you record; the other gives you up to 50 hours and multipoint so your laptop and phone stay connected.
• Skullcandy Crusher Evo, biggest strength: a patented multi-sensory bass setup — two 40 mm full-range drivers plus dedicated dual bass drivers — with a wheel on the left earcup so you dial the low end up or down instead of living with whatever the factory preset decided.
• Skullcandy Crusher Evo, biggest trade-off: it's the heavier, bulkier concept here — a full over-ear plastic build with an oval cup, no multipoint pairing listed, and a battery figure (up to 40 hours) that trails the Sony.
• SONY WH-CH520, biggest strength: endurance and lightness together — up to 50 hours of playback, a quoted 3-minute charge for up to 90 minutes of listening, and a 5.1-ounce on-ear design with swivel cups that fold flat against your neck.
• SONY WH-CH520, biggest trade-off: no 3.5 mm jack at all. It is Bluetooth-only, and its spec sheet lists no noise cancelling, so it relies on the ear pad seal rather than electronics.
• Who the Crusher Evo is for: creators who want to feel the bass in a music bed and want a cabled option when lip-sync drift would ruin a take.
• Who the WH-CH520 is for: long-day listeners, commuters, podcast bingers and phone-first shooters who want the least fuss and the longest gap between charges.
The Crusher Evo is built around one idea, and it commits to it. Inside are two 40 mm full-range dynamic drivers working alongside a pair of dedicated bass drivers, and the effect is meant to be physical — sensory feedback you notice in your chest, not just in your ears. The clever part is the control: a wheel on the left earcup scrolls the bass up or down on the fly. That's the difference between a bass-heavy headphone you either love or hate and one you can tune per track. In my opinion, that wheel is the single most useful feature on either product for anyone editing short-form video, where a music bed can overwhelm dialogue in seconds.
How We Research
We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Around that core, the spec sheet is sensible rather than flashy. You get up to 40 hours of playback, plus Rapid Charge, which quotes 10 minutes of charging for 4 hours of listening — enough to rescue a shoot day you forgot to plan for. Button controls handle calls, volume and track skipping, and there's a microphone for those calls. The fit is over-ear with oval earpieces, described as noise isolating, and the controls spec also lists active noise cancellation. It folds flat and collapses, and a protective case is included in the box alongside a USB-C charging cable and a 3.5 mm cable.
The companion app adds a hearing analysis that adjusts sound levels to your own hearing — genuinely useful if you've spent years mixing at the same volume and want a reference point that isn't just your habit. Who should buy it: vloggers and editors working with music-driven cuts, travellers who want a case and a folding design, anyone who still wants a cable as a backup, and bass lovers who want that bass adjustable rather than permanent. Who should skip it: people who want the lightest possible thing on their head for ten hours, anyone who needs to hop between a phone and a laptop without re-pairing, and buyers who mainly want the longest possible battery figure.
The WH-CH520 takes the opposite approach: strip weight, stretch battery, add convenience. Up to 50 hours of playback is the headline, and the quick-charge figure is the one that actually saves you — around 3 minutes on the USB-C cable buys up to 90 minutes of listening, which is the kind of top-up you can do while you're packing a bag. It weighs 5.1 ounces. On-ear cups, soft ear pads, an adjustable headband and a head cushion are all there, and the earcups swivel so the whole thing lies flat when you hang it around your neck between takes.
Sound is handled by 30 mm dynamic drivers with a 20 Hz–20,000 Hz range, and the Sony Headphones Connect app gives you EQ Custom — presets per genre or your own saved profile. DSEE is included to boost compressed music files, which is a real consideration if you're listening to streaming audio or ripped tracks rather than lossless files. The built-in microphone handles hands-free calls, and multipoint connection lets it hold two Bluetooth devices at once, so a call on your phone interrupts a video on your laptop instead of forcing you to re-pair. Voice assistant support is there too, plus Google's Find My Device if the headphones go missing.
Six colour options — Black, Blue, White, Pink, Yellow and Cappuccino — make it the easier one to match to a setup. Who should buy it: commuters, students, podcast listeners, and phone-first creators who record on a handset and just want a light pair that keeps going all week and switches between devices. Who should skip it: anyone who needs a wired connection, anyone who wants active noise cancelling, and anyone who wants to feel their bass rather than hear it.
• Best for battery life → SONY WH-CH520. Up to 50 hours versus up to 40, with a 3-minute charge giving up to 90 minutes.
• Best for cabled, delay-free monitoring → Skullcandy Crusher Evo. It's the only one of the two with a 3.5 mm jack, which is the practical answer if you're hunting for the best low latency wireless headphones for vlogging and want a guaranteed-sync option when the wireless route stutters.
• Best for blocking out a noisy room → Skullcandy Crusher Evo. Over-ear oval cups, a noise-isolating fit, and active noise cancellation listed in its controls spec; the Sony sheet lists no noise cancelling at all.
• Best for all-day comfort and travel weight → SONY WH-CH520. 5.1 ounces, on-ear pads, swivel cups.
• Best for two devices at once → SONY WH-CH520. Multipoint pairing is listed; the Crusher Evo sheet doesn't list it.
• Best for bass you can feel → Skullcandy Crusher Evo. Dual bass drivers plus a physical bass wheel on the left earcup.
• Best for personalising sound → a tie with different philosophies. Skullcandy tunes to a hearing analysis; Sony gives you EQ presets and DSEE for compressed files.
• Best for packing and protection → Skullcandy Crusher Evo. Flat-folding collapsible design with a protective case included.
A note on two things shoppers often search for: neither of these is a set of memory foam ear cushions sports earbuds for vlogging — both are headband headphones, and neither sheet specifies memory foam. Likewise, if you're comparing the best spatial audio bluetooth headphones for vlogging, neither spec sheet lists a spatial-audio mode; the Crusher Evo's sense of scale comes from its bass drivers, not from positional processing.
For vlogging, I'd buy the Skullcandy Crusher Evo. The 3.5 mm jack is the deciding factor for me — a cable removes any worry about audio drifting out of sync with your mouth on camera, and the over-ear isolation keeps a room's hum out of your monitoring. The bass wheel and hearing-analysis tuning are useful extras for anyone cutting to music. The WH-CH520 is the better everyday headphone, and I'd recommend it to anyone whose priority is 50 hours, 5.1 ounces and multipoint rather than a recording workflow. Check the current price on Amazon before you commit — the feature gap, not the number, is what should decide this.
FAQ
For recording work, I'd take the Crusher Evo: over-ear isolation plus a 3.5 mm cable for sync-safe monitoring. The WH-CH520 suits phone-first creators who record over Bluetooth and value 50-hour battery and multipoint switching more than a cable.
Sony's spec sheet lists no noise cancelling for the WH-CH520 — it relies on the ear pad seal. Skullcandy lists active noise cancellation among the Crusher Evo's controls, alongside a noise-isolating over-ear fit.
The Crusher Evo includes a 3.5 mm cable, a USB-C charging cable and a protective case, and it folds flat. The WH-CH520 has no headphone jack — it's Bluetooth-only, charging over USB-C, and the box lists the headphones and a short USB-C cable.
That depends on what you'd use daily. If you need a cable, adjustable bass and isolation, the Crusher Evo earns its keep; if you want the longest battery, the lightest fit and two-device pairing, the WH-CH520 does. Check the current price on Amazon for both and compare against the features you'll actually use.
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