Sivaji Old Tamil Songs Download Free Mp3 Melody

As Sivaji became a major anticipated project, several false rumours about the soundtrack of the film were disseminated to websites and magazines. Despite the fact that early on during the project, Vairamuthu confirmed he had written a song called "Vaa..ji Vaa..ji Sivaji", no other major details about any other song was mentioned. Rumours went around that certain singers had sung in the project, including Rajinikanth. However, on 11 October 2006, the source, Behindwoods.com, mentioned that they had received credible information that Sivaji contained seven songs, five of which were set to be in the audio, with the other two being situational songs. Surprisingly, they also mentioned the five songs which were in the album.

"Vaa...ji Vaa...ji Sivaji"[1] was mentioned to be the opening song of the film. They also reported that a philosophical song titled "Unpeyar Ennada"[2] was in the film, as per usual Rajinikanth films since Baba. Another song titled "Jee Boom Ba"[3] was mentioned as its picturization was to be filmed in either foreign locations or in Karnataka featuring the lead pair. A song called "Talla Dimi Takka Dimi Pucha"[4] was apparently supposed to contain Japanese lyrics and was set to be filmed in Japan, however the Sivaji crew did not travel to Japan for any purposes during the shoot. The final song mentioned was "Adaal Udan Pesadha Di... En Salangaiku Bhadil Solladi"[5] and it was mentioned as a remix from another film titled Vanjikottai Valiban. Behindwoods.com claimed that this song was set to come in the climax. However none of these possible songs, barring "Vaaji Vaaji", were in the final album.[6]

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The first song in the album is "Balleilakka," which features Rajinikanth dancing with Nayanthara, who makes a guest appearance in the film. It picturizes him dancing and singing while returning to Tamil Nadu from the United States of America, with a backdrop of paddy fields. Over four hundred dancing extras were used in the song, including Pulikali artistes from Kerala. The song's lyrics were penned by Na. Muthukumar and the song was sung by S. P. Balasubrahmanyam. The other singers are Rahman's elder sister Reihana and Benny Dayal.[7][8] Ethan Sperry arranged "Balleilakka" for SATB chorus and percussion (shaker, tambourine, djembe, and floor tom). The arrangement was published by earthsongs in 2010 as part of its "Global Rhythms" series.[9]

Before the official audio release, on 22 March 2007, a dilemma arose over the illegal release of three preliminary tracks onto the internet.[10] Songs titled, Vaa..ji Vaa..ji En Jeevan Nee Sivaji, sung by Hariharan and Madhushree[11] Sahana Saaral Thoovudho sung by Udit Narayan and Sujatha[12] and finally a song titled, Oru Koodai Sunlight rendered by Tanvi Shah, Shaggy and Blaaze became available on the internet.[13] However, despite the uproar these songs caused, they were dismissed as scratchings for the picturization. Later the tracks were officially released with Chinmayi instead of Sujatha recording the song in Sahana and Suresh Peters added to the group of singers in Style (Oru Koodai Sunlight).[14]

The soundtrack of the film's Hindi version was released on 8 January 2010, through Sony Music label and was unveiled by K. Ravichandran, distributor for the Hindi version. Unlike the original film, the version uses different set of singers. Lyrics for the songs written by P. K. Mishra (his last before his untimely death), Nitin Raikwar, Iqpal Pathni, and singer Raqeeb Aalam.

"The Engirundho Azhaikkum song in the 1988 movie En Jeevan Paduthu was also a melody and music was again by Ilayaraja. So, the role of the maestro Ilayaraja is unmissable. After that, she did not sing for any Tamil flick. Her collaboration with ace music composer A R Rahman is noteworthy."

Although Lata Mangeshkar had sung Tamil songs right from the 1950s, they were for a couple of Tamil remakes of Hindi films and were not much noticed, the film critic said. "Her first song in a Tamil movie happened in 1987 and it was Sivaji Production's Prabhu-starrer Anand and music was composed by Ilayaraja," Bharat said. "The lyrics were by Gangai Amaran and the Aararo song was such a fantastic melody and it was Lata Mangeshkar's first song in Tamil."

While Sivaji Ganesan's family was instrumental in making her sing a Tamil song for the first time, Ilayaraja played a key role in making it happen, he said. "The Engirundho Azhaikkum song in the 1988 movie En Jeevan Paduthu was also a melody and music was again by Ilayaraja. So, the role of the maestro Ilayaraja is unmissable. After that, she did not sing for any Tamil flick. Her collaboration with ace music composer AR Rahman is noteworthy."

Even after his father's death and according to his wishes, the bond between the two families continued, he said. Ram Kumar recalled that his father Ganesan was a huge fan of Lata Mangeshkar's songs with Aye mere watan ke logon and Raina beeti jaye among the favourites of both his father and his.

While her diction was stunning, her sweet voice made that song a quintessential romantic number, excellent in every respect, he said. SPB brilliantly equalled her and the marvelous music composition by Ilayaraja and great choice of smart, rhyming words by ace lyricist Vaali and the energy shown by Kamal Haasan and Amala on screen has all made the 'Valayosai' song an 'everlasting duet,' he said. Though Lata Mangeshkar had sung Tamil songs right from the 1950s these were for a couple of Tamil remakes of Hindi films and were not much noticed, the film critic said.

"Her first song in a Tamil movie happened in 1987 and it was Sivaji Production's Prabhu starrer film Anand and music was composed by Ilayaraja," Bharat said. "The lyrics was by Gangai Amaran and the Aararo song was such a fantastic melody and it was Lata Mangeshkar's first song in Tamil.

" While Sivaji Ganesan's family was instrumental in making her sing for a Tamil song for the first time, Ilayaraja played a key role in making it happen, he said. "The Engirundho Azhaikkum song in the 1988 movie En Jeevan Paduthu was also a melody and music was again by Ilayaraja. So, the role of the maestro Ilayaraja is unmissable. After that, she did not sing for any Tamil flick. Her collaboration with ace music composer A R Rahman is noteworthy."

Familiarity brought out the differences between Western and Indian classical music. Indian music was monotonic, based on ragas, musical scales comprising specific notes, which the musician played, moving up (aarohana) and down (avarohana) the scale. Western music was polyphonic, based on harmony where the melody was played simultaneously with other notes that formed chords. The other main component of Indian music was the tala or measure of rhythm; the closest Western music equivalent would be the meter. In the West, there was great emphasis on the quality of tone, free from harshness or nasal and chesty sounds; in India, quality did not matter as much as accuracy of pitch and dexterity in the production of tones, especially when done rapidly without compromising on precision.

But here was the snag. India has no choral tradition as its music is based on melody, not harmony. There are no ensembles, and the ones you might unearth sang in unison, not harmony. Would such a transplant between widely differing traditions be at all possible? Would it not expose the musician-innovator to accusations of turning a tradition into a travesty?

To cite an example, a great classic of Tamil literature, the Silappadikaram (CE 300), describes songs of that era and names musical notes that were considered pure Tamil but have since been rendered archaic with the passage of time, the evolution of language, and the winds of history. One of the doyens of Carnatic music, Thyagaraja (CE 1767-1847), lived in Thanjavur right in the center of the Tamil heartland but composed in Sanskrit and Telugu. For Thanjavur had been conquered, not by the Muslims but by Hindu monarchs from neighbouring kingdoms with different languages such as Telugu (which, like Tamil, had Dravidian roots), and Marathi (derived from Sanskrit).

Our playlist Super Duets of Sivaji features a diverse collection of songs in mp3 format, ready for you to download and enjoy without any charges or FREE of cost. With a mix of old favourites and new hits, there's something for everyone. Whether you're looking for the latest chartbuster songs or some classic tracks, our Super Duets of Sivaji playlist has got you covered. 006ab0faaa