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WhereToShoot is the web's most comprehensive directory of shooting ranges. Managed by the National Shooting Sports Foundation (NSSF), the trade association for the firearms industry, the site is updated frequently with range information in every state. If you own a shooting range or if you've recently changed locations, NSSF encourages you to enter or update your range information free of charge.

I took out my 50mm f/1.4 lens for the 1st time in a few months. The great thing about shooting primes is how it changes your perspective and gives you all new images to see and shoot in the same places you have been. The trick to getting used to shooting primes is stick to one lens for a week or two and learn to 'see' at that focal length.

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As I mentioned, my Leica M9 and Leica Monochrom have finally met their maker, quite literally since I traded them back in at Leica Ginza. Those cameras have treated me extremely well over the past 7 and 5 years, respectively, and will be missed. I've been shooting with the Leica M10 for a few weeks now. The short answer: I love it.

This is the final post with my Leica M Monochrom. This camera has served me well for the past 5 years. It has traveled the world with me. But, I'm really enjoying shooting the Leica M10 and ready to move on. I'll start posting some M10 images soon. More on why I'm changing in my last post.

I've been noticing a lot of spots on my images when I am shooting at f/11+. I could really notice it when I am looking at the images large. I brought in both my Leica Monochrom and my Leica M9-P to Leica Ginza to have the sensors cleaned. My long time Leica customer service rep Naoki came out looking a bit concerned.

I've had my T5i since September 2015 and I would like to know how do I shoot in grayscale/black & white straight from the camera insteaad of later going into Photoshop to change from color to grayscale/black & white.

Shoot First laws, also known as Stand Your Ground laws, give people a license to kill, allowing those who shoot others to obtain immunity, even if they started the confrontation and even when they can safely de-escalate the situation by walking away. Shoot First laws are inherently dangerous because they change the nature of gun violence in a state by encouraging escalations of violence and, according to research, do nothing to deter overall crime.

Shoot First laws allow a person to kill another person in a public area, even when they could have clearly and safely de-escalated the confrontation by retreating, upending traditional self-defense law.1 See, e.g. Fla. Stat. 776.012(2). Under traditional self-defense law, a person can use force to defend themself anywhere and at any time. When they are outside their home, however, they cannot use force that is likely to kill or seriously injure someone if there is a safe way to avoid it.2Francis Wharton, A Treatise on the Law of Homicide in the United States (Philadelphia: Kay and Brother, 1855); Allen v. United States, 164 U.S. 492, 497-98 (1896); Teal v. State, 161 So. 422, 422 (Fla.1935); Beyer v. Birmingham, Ry., Light & Power Co., 64 So. 609, 611 (Ala. 1914). Shoot First laws are often misrepresented as simple adjustments or codification of common law, but in reality, they aggressively alter criminal procedure in a way that makes it difficult for a person who invokes the law to be arrested, prosecuted, or convicted for using deadly force. In addition to these legal mechanisms, these laws distort the public perception of lawful self-defense and encourage people to shoot first and ask questions later.

Traditional self-defense laws are sufficient to allow people to be safe and to value the lives of others, even in potentially dangerous situations. We must stand our ground if only to reject proposals that give people a free license to shoot and kill.

Shoot architecture is determined by the organization and activities of apical, axillary, intercalary, secondary, and inflorescence meristems and by the subsequent development of stems, leaves, shoot branches, and inflorescences. In this review, we discuss the unifying principles of hormonal and genetic control of shoot architecture including advances in our understanding of lateral branch outgrowth; control of stem elongation, thickness, and angle; and regulation of inflorescence development. We focus on recent progress made mainly in Arabidopsis thaliana, rice, pea, maize, and tomato, including the identification of new genes and mechanisms controlling shoot architecture. Key advances include elucidation of mechanisms by which strigolactones, auxins, and genes such as IDEAL PLANT ARCHITECTURE1 and TEOSINTE BRANCHED1 control shoot architecture. Knowledge now available provides a foundation for rational approaches to crop breeding and the generation of ideotypes with defined architectural features to improve performance and productivity.

Iowa has many opportunities for public hunting and shooting. The Habitat & Access Program (IHAP) is public hunting access granted by Iowa landowners, while the Hunting Atlas is an interactive map showing public hunting.

Several shooting ranges across the state offer hunters a place to practice shooting safely and conveniently, including Banner Shooting Range in Lincoln, Iowa, and the Butch Olofson Shooting Range in Polk City, Iowa.

f you are unsure of which trip you should take, the dates available or require additional information, please feel free to contact us. We will be happy to discuss your interests, offering suggestions for the best Workshops based on your equipment, physical condition and area of interest. We will respond to you within 24 hours in most cases. e-mail info@shootthelight.com / telephone 828-891-4082 You will find communication prompt, enjoyable and helpful.

Payment may be made by Pay Pal to: info@shootthelight.com, personal check, money order, wire or travelers checks made payable in U.S. Funds to the order of Shoot the Light, Inc. We accept most major credit cards, by phone, in our office at 828-891-4082. Payments may also be mailed to: Shoot the Light, Inc. P.O. Box 987, Horse Shoe, NC 28742

One-on-one or small private group ensures the best instruction possible. This hands-on personalized workshop is designed for nature photographers who wish to dramatically increase their technical ability while learning to see and shoot the light. \"A Day in the Field\" is structured around your specific needs and photographic goals. Charles will review your images and talk with you prior to your arrival to design a lesson plan tailored to making the most of your time together. Numerous participants feel a private lesson is more advantageous than working in a larger group.

Hi Chas, I just completed the STL Bosque del Apache workshop led by Mike Milicia. The prime reason I enrolled in this workshop is that I respect your photography ability so much that I figured you would only have someone with excellent skills and whom you can trust associated with STL. I can understand why you have Mike as a leader of bird photography. He did not disappoint and exceeded my expectations. He is excellent!!! He has many wonderful qualities. In addition to his knowledge of cameras and the science behind photography -- as demonstrated in his daily 2-hour class discussions -- he is very attentive to each individual. He thoroughly answered all of my many questions and patiently explained details to me. Every day of the 4-day workshop he provided me with new information or confirmed what I was doing correctly, therefore giving me more confidence, i.e. explaining the focus/metering function on the Nikon cameras. Another example was his explaining the correlation (none) between the LCD screen and in-camera RAW file. And he emphasized to all of us different ways to obtain the correct exposures as well as many other pointers. I truly appreciated his working with me hands-on in the field with the operation of my video camera. He also was able to remove the lens hood from a lens that for the first time I wasn't able to. Overall, he was able to keep track of all of us and know when to take us to different shooting sites for variety and the best possible light. He made himself available to each of us for one-on-one time and answered further questions when we gathered together for dinner. Instead of barking out instructions, he has an easy-going demeanor that enhanced my learning experience. This workshop was fun, educational and a good value to me. I told Mike I wish I could shrink him, put him in my pocket and take him with me when I go on photo adventures to ask for advice. I will look forward to future workshops with him.

\"Just completed Mike Milicia's Plovers and Terns workshop for Shoot the Light. It was my first experience with ground level photography but it proved quite worthwhile - the perspective in shooting the shorebirds was much more intimate than the more traditional tripod mounted height. Mike was enthusiastic, approachable and very knowledgeable, both about techniques, exposure and about the nesting location and habits of the birds. He knows the beach intimately and in the field did everything he could to maximize our imaging. I've been on too many shoots where the leader was more interested in expanding his or her own portfolio, to the detriment of the participants. Mike did bring along his camera, but rarely if ever used it. He was fairly consumed with scoping out the best locations and offering whatever technical advice we needed and wanted. He was literally available to us from before sunrise to after sunset, in the field and in informal technical briefings. Got some great images too!\"

\"Michael, thank you for the excellent workshop at Bosque del Apache. The personal attention and detailed practical instruction in the field was outstanding. I learned so much about incident light vs reflected light exposure, manual modes, and many many details of shooting good pictures in the field. The classroom instruction blended well with the field experience and your knowledge was impressive as well as very useful. I appreciated our time reviewing the numerous features of the camera also. I recommend your seminars without any reservation and look forward to another session with you. Thanks again for your time, patience, and willingness to answer questions.\" e24fc04721