Shape Of You Dhol Mix Mp3 REPACK Download

Dhol (.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}Hindi pronunciation: [ol]) can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region. In Punjab, the dhol remains large and bulky to produce the preferred loud bass. In other regions, dhols can be found in varying shapes and sizes, and made with different woods and materials (fiberglass, steel, plastic). The drum consists of a wooden barrel with animal hide or synthetic skin stretched over its open ends, covering them completely. These skins can be stretched or loosened with a tightening mechanism made up of either interwoven ropes, or nuts and bolts. Tightening or loosening the skins subtly alters the pitch of the drum sound. The stretched skin on one of the ends is thicker and produces a deep, low-frequency (higher bass) sound and the other thinner one produces a higher-frequency sound. Dhols with synthetic, or plastic, treble skins are common.

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The dhol is played using two wooden sticks, usually made out of wood, cane, or also known as wickers cane. The stick used to play the bass side of the instrument is known as the dagga in Punjabi. Traditionally the Dhol player would go and look for a branch from a hardwood tree known as Tali (oak or mahogany) that was naturally curved at that angle and use this as the Dagga (Bass Stick). The reason for the bend stick is because of the goat skin. This is thin like 80-100gsm paper, so the stick has to be bent to avoid piercing the skin. The bass stick or Dagga is the thicker of the two and is bent in an eighth- or quarter-circular arc on the end that strikes the instrument.[2] The other stick, known as the teeli, is much thinner and flexible and used to play the higher note end of the instrument.[3]

The dhol is slung over the shoulder or, more rarely, around the neck of the player with a strap usually made up of woven cotton.[4] The surface of the wooden barrel is in some cases decorated with engraved patterns and sometimes paint.

In the pre-Partition era, dozens of rhythms were played on the Punjabi dhol, which corresponded to specific functions. However, with the decline or disappearance of some cultural practices, recent generations of dhol players have become unfamiliar with many of these. At the same time, the growth of folkloric staged bhangra dance in Punjab inspired the creation of many new rhythms particular to that dance.[5]

Some of the most common Punjabi dhol rhythms are bhangra (originating with the old, community bhangra dance), dhamaal (associated with many cultural functions, including worship at Sufi shrines), and kaharva, a dance and song rhythm. The staged "bhangra" dance, originating in the 1950s, gave special prominence to kaharva, for the performance of actions called luddi. In the 1970s, many more actions were added to staged bhangra to go with the kaharva rhythm, which started to become one of the most prominent rhythms associated with the dance. At the same time, this type of rhythm would be played on the dholki drum to accompany Punjabi songs. So when, in the 1990s, Punjabi pop songs began to evoke bhangra dance, they used the kaharva rhythm. It is known now by various names. Some dhol players call it kaharva, its technical name, while other players in Punjab call it luddi to refer to the dance of that name. With the style of dhol-playing that developed in the U.K., the name chaal was adopted, probably in reference to the "chaal" (movements) it accompanies in modern bhangra. However, that term is not used elsewhere. Johnny Kalsi is a UK Dhol player that established a syllabus to teach the art of playing this instrument. Although there is no official syllabus or phrasing for the learning process, he took the North Indian language of Tabla to visualise the beats as phonetic phrases to make learning easier.[6][page needed]

The introduction of electronic devices such as tape recorders has led to a decline in the importance of dhol players in celebratory events. Nevertheless, dhol music still figures in the studio recordings of present-day raas, garba and bhangra music artists.

Shail Vyas claims several percussion instruments such as the Dhol maybe came from the influence of some clay-made instruments that are similar to the Dhol, which are found in Indus Valley Civilisation.[7] Dhol is depicted in earliest ancient Indian sculptural arts as one of the chief percussion instruments for ancient Indian music along with tabla.[citation needed] Ain-i-Akbari, describes the use of Dhol in the orchestra of the Mughal emperor Akbar the Great.[8] The Indo-Aryan word "dhol" appears in print around 1800 in the treatise Sangitasara.[9]

The Punjabi dhol is used in the Punjab region of Pakistan and northern India. In Pakistan, the dhol is mostly played in the Punjab region; however, it is also used throughout the country ranging from as far south as Karachi and as far north as Khyber Pakhtunkhwa. In India it is found in the states of Punjab, Himachal Pradesh, Haryana, and Delhi. The beats of dhol have been an element in the ceremonies of the great Sufi mystics and their followers. The patterns of dhol have been developed to catalyze the mind of the devotee who is seeking spiritual trance.[citation needed]

The dhol also has an aspect of symbolism in Assamese culture, and one considers it to be a "devo badyo" (Assamese: ) or an instrument of god believed to be brought to Earth by the Pandavas.[10]

Dhol (which is always accompanied by tasha, cymbals, etc.) is an important part of Goan shigmo celebrations.[11] It also is an important part of Goan temple music; the temple dhol was traditionally played by a specific caste.[12]

The dhol was used by Gujaratis during celebrations such as Navaratri to accompany garba. Garba are the folk songs which describe the grace of the divine mother. It is one of the important musical instruments in Gujarat.

In Maharashtra, dhol is a primary instrument used in Ganesh festivals. In the city of Pune, locals come together to form dhol pathaks (troupes). Pune supposedly has the largest number of dhols in India. In the city of Nagpur, there are many troupes that play dhol on festivals and other occasions. Here dhol is referred to as 'Sandhal'. Dhol is made up of two stretched membranes tied by a strong string. One side of the dhol is played by wooden stick called "tiparu", on that side black coloured ink paste stick in the centre. This membrane is called the "dhum". In technical language, it is called base. Another side of dhol is called "thapi" or "chati". In technical language, it is called as tremer, this side of membrane is only played by palm. Boll of the dhol is "Taa", "Dhin" and "Dha". "Taa" for the "Thapi" side, "Dhin" for the "Dhum" side and "Dha" for both sides played together.

In the Garhwal region, specific musical caste groups like the auji, das or dholi have historically played the dhol and damau, the two folk instruments of the region, at special occasions or religious festivals according to the Dhol Sagar, an ancient treatise that was transmitted orally and by practical teaching.[14]

The "dhak" (Bengali: ) is a huge membranophone instrument from India. The shapes differ from almost cylindrical to the barrel. The manner of stretching the hide over the mouths and lacing also varies. It is suspended from the neck, tied to the waist and kept on the lap or the ground, and usually played with wooden sticks. The left side is coated to give it a heavier sound.

This brass statue is very artistically made y the expert craftsmen of the dhokra tribe using thin brass wires and making a statue of lord ganesha playing dhol. This rare design makes it the ideal home and office decoration option.

Hi, I was wondering if any of you would be so kind as to help me figure out how to make a dholki cake. The girl who I am making it for wants it for 25 people. At first I was thinking many bake some 9 x 13 sheet cakes and then carve away. Then I thought maybe use a 6 inch and then two 9 inch and then a 6 inch again on top to get the shape. I'm totally confused. Below is a pic of a dholki. Any ideas would be appreciated!

I think you need some 9" cakes with a straight cut across one side. The straight cut would sit on the cake board and the cakes would sit vertically with icing to hold them together. Then you only need to shape the two ends.

From the picture I would suggest baking 2 wonder Mold cakes, push them together on the flat ends, then slightly shape the other ends. That would give you something like 24-30 servings. (Each cake should serve 12-15).

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