Titanic: Adventure Out of Time is a 1996 point-and-click adventure game developed by CyberFlix and published in the United States and United Kingdom by GTE Entertainment and Europress respectively, for Windows and Macintosh. It takes place in a virtual representation of the RMS Titanic, following a British spy who has been sent back in time to the night Titanic sank and must complete a previously failed mission to prevent World War I, the Russian Revolution, and World War II from occurring. The gameplay involves exploring the ship and solving puzzles. There are multiple outcomes and endings to the game depending on the player's interactions with characters and use of items.
Titanic: Adventure Out of Time is an adventure game played from a first-person perspective with a point-and-click interface in which players roam a fully rendered model of the RMS Titanic. The game's control scheme is composed of a keyboard, whose arrow keys control the player's movements, and a mouse, with which the player can interact with objects, characters, select dialogue and options from the HUD interface;[2] these are a lifesaver (which brings the player to the options menu), an inventory bag and a pocket watch that indicates the game's progression.
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Time is another important aspect of the game. The story does not occur in real time, with time progressing only if certain tasks and puzzles are completed, as indicated by the aforementioned pocket watch; however, as soon as the player reaches the point in which the Titanic is sinking, the game progresses in real time, and the player is thus given a time limit to complete the mission and board a lifeboat. As mentioned above, there are multiple endings for the game's completion, all but one of which result in death.[4][5]
On April 14, 1942, Frank Carlson, a former British Secret Service agent, whose career ended in disgrace after he failed a mission on the RMS Titanic, living in his apartment in 9 Stanley Crescent, London, having made a hobby of fixing old watches and clocks, surrounded by mementos of his past, while being threatened with eviction by his landlady, is caught in an air raid of the London Blitz and is sent back in time thirty years to the Titanic on April 14, 1912. He uses the opportunity to have a second chance to complete his mission, meeting with his contact, fellow agent Penny Pringle. Carlson's first mission is to locate and retrieve a stolen copy of Omar Khayyam's Rubiyt, suspected of being in the possession of German Colonel Zeitel, who is traveling to New York to inspect embassies in the United States and Central America, alongside his young protg Willi Von Haderlitz. Carlson finds that the Colonel has made a deal with art dealer Sasha Barbicon to exchange the Rubiyt for a painting in which there are hidden war plans stolen from the British government. They both act through a go-between, the Serbian stowaway Vlad Demonic. In addition to the Rubiyt and the painting, Carlson discovers that Willi is a spy for the Russians and has a notebook with names of top Bolshevik leaders. The notebook must be handed over to the Ochrana so that Communist rebels will be executed, preventing a threat to the Czar. Barbicon is also in possession of a stolen diamond necklace intended to finance the Black Hand, a Serbian military group. Willi is killed by being electrocuted in the electric bath, in the Turkish bath, murdered by Zeitel after realizing that Willi is a spy and is not loyal to Germany.
The player can also become involved in subplots that do not necessarily pertain to the central mission or the winning conditions of the game. One subplot involves retrieving a business document stolen by steel magnate Andrew Conkling's maid Shailagh Hacker. Other plots involve meeting with passengers such as the Lambeths, a once wealthy couple that perished in the original timeline whose marriage has deteriorated; Lady Georgia Lambeth being a former lover of Carlson. Lleyland Sachem Trask, a psychic from Boston who is aware of Carlson travel from the future; Reverend Edgar Troutt, a Protestant preacher from New Hampshire who is returning from a mission in Nyasaland; and Max Seidelmann, a businessman from Philadelphia.[9] After the ship hits the iceberg and begins sinking, Sasha is killed by Vlad in the Turbine Room for not being loyal to Serbia and the cause of the Black Hand, while Georgia is poisoned by Zeitel and Carlson is offered the choice of trading in the painting to Zeitel for an antidote; after he saves Georgia, he retrieves the painting after he wins the Death card from Buick Riviera in a game of blackjack. The card functions as a ticket to a lifeboat and can be given to a desperate Zeitel to regain the painting after the initial trade.
Because you are inhabiting and moving in an artificial environment that is responding to you in real time, you have to really imagine yourself in 1912. Perhaps a better word is "immersed". Our researcher provided us with pictures, photos, images, artifacts, even etiquette books from that era. We bathed in them.
The concept for the game was created by writer and producer Andrew Nelson, who spent ten months working on the game's script, changing the plot and characters in accordance to the needs and demands of the project.[12] He was inspired by a comment his wife Debi Lambert made about video games requiring too much time investment, leading him to pursue a race-against-the-clock game mechanic.[13] Originally, the title was "A Journey out of Time" to reflect this.[13] Nelson pitched the idea to CyberFlix as a "Steam Punk star ship suspended in a vast void", to an enthused audience, and returned with a completed script after writing it over the summer in a New York City loft in Soho.[13]
Todd Appleton served as lead programmer.[12] The game was developed using CyberFlix's proprietary game engine and software DreamFactory, which was also used by the company to develop Dust: A Tale of the Wired West. The engine allowed the developers to create 3D environments and script the characters so that they retain memory of the player's actions and react differently each time they encounter the player.[15][16] Wire-frame models of the Titanic, created by the Zygote Media Group in Utah, were textured and polished by graphical artists Michael Kennedy, Alex Tschetter and Paul Haskins. Bob Clouse and Billy Davenport were responsible for the 2D and interface design.[11]
The soundtrack was composed by Erik Holt, with Scott Scheinbaum serving as musical director. Holt cited as inspirations Igor Stravinsky and Joe Satriani, and also studied composers who were popular in 1912, the game's time period, such as Chopin, Verdi, Rossini, and Mahler, to better evoke both the splendorous and melancholic atmosphere surrounding the Titanic's disaster.[14]
Titanic: Adventure Out of Time sold 43,000 copies in its debut month,[18] and surpassed 100,000 sales by its second, a figure that CyberFlix's Andrew Nelson said made the team "very happy indeed."[12] In January 1997, Variety reported that the game and GTE Entertainment's Timelapse were both "selling well".[19] However, on the 7th of that month, GTE announced its plan to shutter the majority of GTE Entertainment by March, with a final closure set for June.[20] CyberFlix's Erik Quist and Bill Appleton visited GTE Entertainment and pressured the management into signing over the rights to Titanic, as well as providing monetary reimbursement. According to Jack Neely of Metro Pulse, Rand Cabus said that the company "was the only GTE client to get money back from the sinking distributor."[18] Titanic remained on store shelves intermittently; no new copies were printed, and "many locations remained devoid of stock" after selling out, reported GameSpot's Helen Lee. In May, CUC Software signed a deal with CyberFlix to become the new publisher of Titanic, and to print and distribute a second run of the game. By that time, its sales were "approximately" 100,000 copies, Lee noted.[21]
In a review for Just Adventure, Michal Necasek rated Titanic B+ and praised the game's story and its nonlinearity, as well as the accurate reconstruction of the Titanic, saying that it "greatly adds to the atmosphere of [the game]". He also commended the music and voice acting, but criticized the action sequences.[5] Tony Seideman of Computer Shopper overall praised the game but criticized some of the game's fictional elements and the lacking historical background provided by the Tour guide mode.[59] GameSpot's Tim McDonald rated the game 6.6 /10, praising its re-creation of the ship and the story, but criticizing the long dialogue sequences and the lack of puzzles.[2] The reviewer for Next Generation praised it as "easily one of the best adventure titles of the year".[53]
The editors of MacHome Journal named Titanic the best overall game of the year, and noted its "luscious graphics, great interactivity and repeatable gameplay".[57] It was also declared 1996's best adventure game by Inside Mac Games, whose editors wrote that it "bucked the trend[s] and did something truly unusual."[56] Titanic was nominated by the Computer Game Developers Conference for the "Best Prerendered Art" and "Best Adventure Game/RPG" Spotlight Awards,[58] although these went respectively to Zork Nemesis and The Elder Scrolls II: Daggerfall.[60]
Discussing Titanic in 1998, Dan Bennett of PC Gamer US called it "an average adventure at best."[61] However, in a 2014 retrospective review of the game, PC Gamer's Richard Cobbett praised the game, stating that it is an inspired take on the Titanic story that treats it respectfully "while still spinning off into cool new directions." He compared it to The Last Express, finding similarities between plot elements, gameplay and calling it its "spiritual cousin".[62] In 2017, the magazine's Samuel Horti echoed this praise, calling Titanic "an excellent adventure game".[63] 589ccfa754
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