How We Research
We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-09-28 · 6 min read · Independent comparison
• Sennheiser EPOS GSP 300 — biggest strength: A complete wired headset that handles game audio and voice chat in one package, with a flip-to-mute boom mic, on-earcup volume wheel, and memory foam pads for long sessions.
• Sennheiser EPOS GSP 300 — biggest trade-off: It is a wired headset only. There is no USB or XLR option, no RGB, and no software control, so you are locked into the 3.5 mm analog path.
• EASEMELO USB/XLR Desktop Dynamic — biggest strength: Dual USB-C and XLR connectivity with a cardioid dynamic capsule, real-time volume and reverb knobs, one-click mute, and RGB lighting, making it a proper standalone voice microphone.
• EASEMELO USB/XLR Desktop Dynamic — biggest trade-off: It is a microphone, not a headset. You still need your own headphones for monitoring, and it sits on a desk rather than on your head, which changes how you use it.
• Who each pick is for: Pick the Sennheiser if you want one cable, one device, and zero setup for gaming across PC and consoles. Pick the EASEMELO if you want a dedicated mic for streaming, podcasting, or recording and already own headphones you like.
The GSP 300 is a closed acoustic over-ear gaming headset built around a single idea: give you game audio and voice chat in one wired package. Its dynamic drivers cover 15 to 26,000 Hz with a 28-ohm impedance, which is an easy load for a controller, phone, or motherboard jack. Deep bass is the headline here, and that matters more than people admit. Footsteps, explosions, and engine rumble are the cues you react to, and a closed back with large memory foam pads keeps some of the room out so you hear those cues instead of your fridge.
The microphone is the other half of the story. It is a noise-cancelling boom mic, and the mute is a flip: raise the arm and you are off the air. That is a small thing that becomes a big thing over hundreds of hours, because you never have to hunt for a button mid-argument. The volume wheel sits on the right ear cup, so you can trim game audio without alt-tabbing or reaching for a keyboard. The headband adjusts and the cups sit on a ball-joint hinge, which is the kind of design detail that decides whether a headset survives a four-hour session or gets thrown in a drawer after one.
Buy it if you play on PC, Mac, PS4, Xbox One, or Switch and want one device that just works. The included PCV 05 combo audio adaptor handles the split mic/headphone jack situation on desktops, so you are not hunting for a dongle. Skip it if you want a broadcast-grade standalone mic for streaming, or if you want wireless. This is a wired analog headset, and it does not pretend otherwise.
The EM700 is a completely different animal. It is a desktop dynamic microphone with a moving coil capsule and a cardioid polar pattern, which means it picks up what is in front of it and rejects more of what is behind it. That pattern is why it handles keyboard clatter and room echo better than a typical condenser, and the spec sheet backs it up: 48 kHz sampling, 50 to 12,000 Hz frequency response, and a 90 to 120 dB dynamic range. The cardioid design is also why EASEMELO recommends close-range use of roughly 5 to 15 cm. Get close, and your voice sits forward in the mix.
The connectivity is the part that will decide it for a lot of people. USB-C gives you plug-and-play into a PC, PS4, PS5, or phone with no drivers. XLR gives you a path into mixers, audio interfaces, and sound cards for a cleaner signal chain. That dual option is rare at this end of the market and it means the mic can follow you from a bedroom setup to a more serious desk without being replaced.
The controls are physical, not buried in software. There are knobs for microphone volume and reverb, a multi-function button for one-click mute or a two-second long press to toggle noise reduction, and RGB breathing light for the aesthetic. The base is weighted with anti-slip silicone to cut vibration from knocks, and the mic adjusts through 360 degrees to find the right angle. EASEMELO lists ISO 9001, CE, 3C, and RoHS certifications and a one-year manufacturer warranty.
Side-by-Side: Which Should You Choose?
• Best for all-in-one gaming → Sennheiser EPOS GSP 300. Game audio, chat, and mute in one wired device.
• Best for streaming and recording → EASEMELO USB/XLR Desktop Dynamic. A cardioid dynamic capsule built for close-range voice capture.
• Best for console use → Sennheiser EPOS GSP 300. The 3.5 mm jack and combo adaptor cover PC, Mac, PS4, Xbox One, and Switch directly.
• Best for setup flexibility → EASEMELO USB/XLR Desktop Dynamic. USB-C for plug-and-play, XLR for mixers and interfaces.
• Best for long-session comfort → Sennheiser EPOS GSP 300. Memory foam pads, adjustable headband, and a hinge that angles the cups to your head.
• Best for on-the-fly voice control → EASEMELO USB/XLR Desktop Dynamic. Volume and reverb knobs plus one-click mute and noise reduction, no software needed.
• Best for a quiet, focused mic → EASEMELO USB/XLR Desktop Dynamic. Cardioid pattern and close-range design reduce keyboard and room noise.
• Best for simplicity → Sennheiser EPOS GSP 300. One cable, one device, nothing to configure.
My Verdict
For playing games with chat, the Sennheiser EPOS GSP 300 is the more complete option because it delivers game audio and voice in one device. The EASEMELO EM700 is a microphone only, so you would still need separate headphones for game sound.
Yes. The USB-C connection is plug-and-play with no drivers required, so you can connect it straight to a PC, PS4, PS5, or phone. XLR is there if you later want to run it through a mixer or interface.
Yes. It uses a 3.5 mm jack and ships with a combo audio adaptor, and it is listed as compatible with PC, Mac, PS4, Xbox One, Switch, and smartphones.
I recommend the EASEMELO USB/XLR Desktop Dynamic for streaming, because its cardioid dynamic capsule and close-range design are made for clear voice capture. The GSP 300 is a fine headset, but its mic is built for chat, not for a broadcast mix.
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