Can Sendspace material be downloaded only with an iPhone? Safari is no help because the page keeps on clicking as if downloading the file, but nothing happens! I tri"ed the Download app from
Desc. Lite de Juan Ramon Rivero -lite/id443414645?mt=8
but it wants to download an HTML file with "Download this bla bla" as"its title
I also tried with the "GoSend" app from
GetSpace - descarga SendSpace Fotos, Vdeos y ZIP de Timothy Carr -descarga-sendspace-fotos-v%C3%ADdeos-y-zip/id1019695410?mt=8
but it says I don't have enough space on my phone to decompress the file, but the file needs to stay zipped in order to be able to import to Voice Dream Reader! So you can tell I'm getting very frustrated! Any other ideas to accomplish, or is this not possible?
hi, when safari is clicking, when you select the download button by the zip file it stays on 25 percent for a while and when complete you can then open the zip file in say, voicedream. for single mp3 files though they play in safari so i will look at these other apps.
Sendspace Music Download
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All types of audio files are transferred between people and organizations. In personal situations, it could be voice recordings, songs, and music files. In a professional capacity, it can be things like voice-over, sound effects, music, and songs.
Professionals who work with audio will either use lossless compression or uncompressed formats when sending audio files. This is because they need to preserve the quality and fidelity of the sound. File types they typically work with include WAV, AIFF, and FLAC. Lossless compression in this case is file types such as Zip and RAR.
Email service providers have limits on how large an attachment you can send. Typically, the size is 10 MB to 25 MB depending on the provider. You can use lossless compression such as Zip or RAR tools to reduce file size. But even then, you are still severely hampered in your ability to send large audio files.
Facebook Messenger is a free messaging app that lets you contact your friends on Facebook. As well as the ability to send chat messages, you can share photos, videos, and other files including music and songs.
Filemail is an online cloud-based sharing service that lets you send data files or folders of any type and size. Our desktop software uses UDP transfer acceleration which is much faster than TCP-based solutions, for example, your browser.
We have a free option that you can use to send up to 5 GB a day. Our free option includes not only usage of our website, but all of our apps. You can send files from Android, iPhone, iPad, Mac, and PC.
6. The recipients will get a link which they can use to access and download the shared files. If you selected Send As Link, you will get a URL link that you can share on social media, forums, in chat apps; the choice is yours.
The Ring - Necromancers CD is just superb, classic prog everyone should know. Oddly it wasn't released back in the day, but only rediscovered/unearthed by Musea in the recent 'prog renaissanance' era. Information here. Even more odd to me is that the best track is a 'bonus track' (Charnades) though I guess because it's the most 'proggy' or dissonant track, it makes sense it would be an artist leftover.
The George Grunblatt K-Priss album is a masterpiece of the French keyboard zeuhl style, the later style, when it became far more accessible. Note that a bad and old mono rip was circulating online and was the only thing you could get your hands on-- up until now, or at least I think. This rip is stereo and is fresh and sounds wonderful. I was going to post it in this blog last year until I saw it was rereleased only 3 years ago (but only to LP).
The Estructura albums are classics I guess, as is E.A. Poe, though it's not as good as the really good Italians, and Yvosky's Dos Mundos is also classic. The one-off French Madrigal's School of Time LP is, in addition to classic, also, some of the most eerily Queen-like rock music you'll ever hear, complete with the patented triad-harmony-voices guitar lead playing Brian May mastered so completely.
Hermann Szobel is one of the best piano-based prog albums ever made, ever, but I think the artist hates it when his work is 'pirated' online, so be careful with that one: better delete it the minute you get it.
Horn On The People's Side is a fantastic album, but does anyone have a better rip? I have the old one that sounds terrible but the music clearly deserves better. The also Canadian Drama Loneliness album from 1979 I must say really grew on me, it resembles very much the fellow Canadian band Terraced Garden but transplanted into electronic with no guitars, or a very dark version of the German band Luna Set. Note that this artist was also responsible for the well-known ep 7th Temple Under the Burning Sun.
Finally, The Sea for Yourself-- thanks a million to OC for sharing this one completely out of left field and knocking out a homerun and making me acquainted with it. As I said, it's brought me no end of joy and happiness because I listened to it mostly after the lockdown period in March, particularly the instrumentals written by Richard Henn And Co. These range all over the different emotions and are so beautiful I just can't believe there isn't more to discover in his oeuvre. It's just perfect music, combining electric instruments into wonderful ideas, similar maybe to the best of the Screamin' Gypsy Bandits stuff, remember back here. And the cover is just magnificent too, again, sadly putting to shame the CD era garbage-- maybe all the covers of the last 35 years.
I need somebody who can listen to my song, help me with mixing and mastering (or whatever else needs to be done for a proper recording), and tell me whether my friends heard an awful recording/mix or an awful performance.
To thicken up the vocals you could add a bit of delay (duplicate the vocal track, drop the level a bit and shove it to the right by about 40 milliseconds). You could also add a bit of reverb - If you add reverb to the delayed track and not the original, you will still get the reverb effect but will retain greater clarity on the vocals. But before you add reverb, the vocals could stand being dynamically compressed (quite a lot for this style of music). You should generally add reverb after dynamic compression (try it the other way round to hear the difference).
this was emphasized to me by gunter gretz (the m.a.n. from p.a.m.) when i showed him some 'kante manfila' 45s on vogue (8 or 9 in a series, acoustic guitar only), "you know this was not the les ambassedeurs guitarist"
Thanks very much World Service for posting these three 7" EPs by Manfila "Ambassadeurs" Kant. With this post, we can now enjoy most of Manfila Kant's pre-Ambassadeurs recordings. The "Clash Mandingue" CD on Oriki which you mention rounds up in their entirety six other 7" EPs which were issued separately or together under the names of Kant Manfla and Sorry Bamba for the Djima label (DAD 800, 801, 802, 803, 804, 833). Only two Djima EPs (that I know of) are missing: DAD 805 (Kant Manfla) and DAD 832 (Sorry Bamba).
With regard to the Safie Deen label, at least one other Kant Manfla 7" EP was issued. It is listed in the Guinean vinyl discography at radioafrica.com.au:
Kant Manfla. La capitale / Bint'a / Kamba / Ami Traor. Production Safiedeen SD.176. 45 rpm disc.
Sadly, I have not heard that record, but a scan from ebay shows a psychedelic cover in lurid pink, green and blue. A cartoon female face with blue hair is wearing large green shades with Manfila's face reflected in both lenses. The design is more redolent of Haight Ashbury than the Kennedy era. No doubt the record is later than the three records you have posted. However, I would be surprised if the gap is as wide as it would be if the recordings in your post date to 1964. In my subjective opinion, the music on the records you have posted sounds later, and comparable with music on the the Djima records from 1968. For example, the excellent guitar solo on "Kadi Mayka", the somg where Sorry Bamba is mentioned. If anyone has a copy of Sorry Bamba's autobiography, it may shed some light: Sorry Bamba, Liliane Prvost, "De la tradition la world music" (1996).
I am not sure whether it was Manfila "Ambassadeurs" Kant or Manfila "Soba" Kant (of Balla et Ses Balladins fame) who played with Les Ballets Africains. If I may be allowed to quote from holy scripture - in the bible on the subject: Eric Charry, "Mande Music" (p. 250), Charry writes "In the late 1950s and early 1960s the Vogue label issued a series of recordings that featured various members of Fodeba Keita's Ballets Africains, including guitarist Facelli Kante, Guinean singer Sory Kandia Kouyate accompanying himself on guitar, and singer-guitarist "Soba" Manfila Kante, younger brother of Facelli." Both Manfila Kants were interviewed by Charry. I have not been able to recognise Manfila "Soba" Kant on the record covers of Ballets Africains. However, comparison with the Balladins Syliphone covers shows it is definitely Manfila "Soba" Kant pictured on the records mentioned by Chris M: six 7" EPs issued by Disques Vogue ca. 1961 (Echos d'Afrique Noire Vol 1-3, 6-8. EPL 7 835-837 /EPL 7 985-7 987). To my knowledge, the 24 songs on those EPs remain unissued.
My estimate of the date of these recordings is - as I wrote - based primarily on the Kennedy song. Soundwise it is difficult to make a comparison, and certainly with Syliphone recordings. Musically I would agree that they are from a more recent date.
I have Sorry Bamba's autobiography ("De la tradition la world music").
Sorry Bamba doesn't give exact dates, but he writes that he left Mali after N'Krumah's trip to China (Feb. 66) et went back to Mali just after Modibo Keta's arrestation (Nov. 68). So he stayed in Cte d'Ivoire less than 2 years.
Here are two extracts :
(p.103) "Je rencontre le guinen Kant Manfilla, guitariste dans le clbre orchestre N'Douba Koidio. Il dit vouloir crer un groupe, nous tombons d'accord pour collaborer. Il sera Chef d'Orchestre, guitare solo et chanteur. Je serai fltiste, trompettiste et chanteur.
Ensemble, nous recrutons les musiciens et nous donnons le nom African Style l'orchestre."
(p.107) "Le succs de l'African Style nous permet Manfilla et moi, et chacun de notre ct, de sortir de nombreux disques.
Personnellement, je suis dans les mains de Pansonor, studio franais, qui avait sorti mon tout premier disque avec le morceau ftiche Aouandi Gnogoma o je soulve le problmes des mariages arrangs en Afrique.
En plus, Manfilla et moi sommes en relation avec le producteur nigrian Djima Yanda, le frre ain du clbre producteur Bademos. Chacun de nous sort ses oeuvres et ensemble, nous faisons l'arrangement musical.
Nos diques de 45T sortent au rythme de un tous les trois mois. Un disque rapporte la somme forfaitaire de 50 000 F CFA, plus les droits d'auteur. Une fois l'argent en poche, nous n'avons pas le souci de savoir si le disque se vend un seul exemplaire ou des milliers..." 152ee80cbc
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