They conclude their Halloween night by visiting the supposedly haunted home of the wealthy Bellows family, who once owned the local paper mill during the 1890s. Inside a secret room, they find a book of horror stories written by Sarah Bellows, the family's albino teenage daughter, who was accused of witchcraft when the town's children mysteriously began to die and she allegedly committed suicide in 1898 by hanging herself. While drunk, Tommy locks the group inside Sarah's room along with Ruth, Chuck's sister. After Tommy leaves, the lock is mysteriously opened, and Stella takes Sarah's storybook home.

A head falls down the chimney and more body parts follow. Ramn realizes that the next creature is called the Jangly Man, a monster from a story called "Me Tie Dough-ty Walker" that frightened him as a child. The Jangly Man attacks Turner and snaps his neck while Ramn and Stella escape and run to the Bellows' house for answers.


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Stella is taken back in time while Ramn tries to evade the Jangly Man. Living out Sarah's experience of the torture, Stella promises Sarah that she will tell the truth of her innocence if she stops harming people. Stella writes down the true story with her blood, and Sarah and all of her monsters vanish.

David Fear of Rolling Stone gave the movie three stars out of five, commenting "It's all a lot of chain-rattling, black-cat-screeching fun, though not such a blast that you don't notice how generic and ramshackle the whole endeavor feels... The pity is that Scary Stories to Tell in the Dark will mostly be seen by jaded genre completists and nostalgic fortysomethings. Wrong demographic. You owe it to your kids to take them to this. It's training-wheels horror done right."[48] Aja Romano of Vox gave the film three and half points out of five and wrote "...the film leans all the way into the chance to tell a story beset with cultural anxieties of the past that strongly mirror those of the present. It's far more like a classic piece of young adult fiction than the juvenile fiction it's adapting; its focus isn't on kids, but on teens who are coming of age in a turbulent, complicated, and often maliciously unjust world. Their supernatural monsters, in contrast, are culled from juvenile fears and fantasies. The resulting folkloric aesthetic makes Scary Stories' brand of fantasy all the more effective as fun visual horror. But on a thematic level, it creates a discordance with the film's more adult social horrors, and the two elements never quite unify."[49] A.A. Dowd of The A.V. Club gave the film B grade and wrote "Like scouts huddled around a campfire, each trying to send a bigger chill down the others' spines, Scary Stories To Tell In The Dark keeps coming up with new gruesome attractions, piling one on top of the next. Yet as gross and spooky and, yes, occasionally frightening as these terror tactics get, they never quite cross over into the deep end of truly grown-up horror."[50] The Times of India's Neil Soans gave the film three stars out of five, noting "The screenplay ends up as a jumble of unexplored ideas onscreen rather than a cohesive narrative. However, if you only enjoy horror films for creepy monsters, you'll manage to get a kick or two."[51]

Scary Stories to Tell in the Dark, those freaky old books with the terrifying monochrome illustrations you probably read as a kid, has gotten the big-budget movie adaptation. To get right down to it: Is it good? No. As a movie, it's fundamentally a mess that neither works as a standalone film nor as an anthology of the several adapted titular scary stories. It's a project that wants to have its cake and eat it too, weaving together a coming-of-age story about some misfit teens in the vein of IT or Stranger Things with some short-form horror to break things up. Neither succeeds and then at the end of it all the film has the gall to set up an entire franchise? No more of these, thanks so much.

at first glance, this may just seem like a scary story about an asshole getting a possibly disproportionate punishment. however, if one digs a bit deeper, it could be seen as a metaphor for the effects of abuse. studies on child abuse have found that quite a few victims of child abuse later grew up to become abusers themselves. of course, this doesn't apply to all victims of abuse but a correlation was found.

Bobby is a scary story for Halloween about a woman who tries to bring her drowned son back from the dead using black magic. It is based on a segment of an old 1970s horror anthology movie called Dead of Night that was...

My Name is Tommy is a short scary story about a young boy who comes home from school one day and notices something strange about his family. My name is Tommy and I think I might be going insane. I grew up in normal...

In SCARY STORIES TO TELL IN THE DARK, nerdy, horror-loving outcast Stella (Zoe Margaret Colletti) is urged to come out on Halloween night, 1968, with her two misfit best friends, Augie (Gabriel Rush) and Chuck (Austin Zajur). Their plan is to prank the town bully (Austin Abrams), but they're caught and chased. At the drive-in, the teens duck into the car of Ramon (Michael Garza), a loner who's passing through town. Later, when the coast is clear, they take Ramon to the local haunted house and tell him about the legend of Sarah Bellows, whose ghost is said to tell scary stories and make children disappear. In a secret room, Stella finds Sarah's actual book, and before long, scary things start happening and kids begin to vanish. Stella must find out the real story behind Sarah Bellows and set things right before her own name comes up in the book.

Somewhat similar in mood and tone to It, this hugely entertaining scary story has its own delightfully demonic vibe, with strong characters, striking atmosphere, and furious frights. Based on a collection of short horror stories from the early 1980s by Alvin Schwartz (with horrific illustrations by Stephen Gammell), which was intended for kids, Scary Stories to Tell in the Dark cooks up its own mythology as a way of packaging the books' mini-tales into a cohesive story. Set in 1968, the movie conjures up a kind of freedom in which the young heroes have the space and gumption to run about town and do their own thing. (Stella's room is filled with classic horror movie posters and monster magazines, as well as a half-finished tale in her typewriter.) We love hanging out with them, and their ghost chase is as secretly thrilling as it is scary.

Why it's nightmare-inducing: Marriage is scary enough without someone DYING the day it happens. This story is a claustrophobic's nightmare, and made me not want to play hide-and-seek for a long-ass time.

What it's about: A woman drives home alone in the dark on a deserted highway, but is followed by a large truck that keeps high-beaming her. When she pulls off onto her exit, she calls the police to meet her at her home, where the truck follows and the driver is arrested. The driver tells the police to check the woman's backseat, where they find A MAN HOLDING A KNIFE. The truck driver saw the man get into the girl's car, and every time he rose up to strike her, the truck high-beamed to scare him.

Other Dangers: Most of the scary stories in this book have been passed down over the years. But the ones in this chapter have been told only in recent times. They are stories that young people often tell about dangers we face in our lives today.

Final thing to focus on is the story. The overarching story is an amazing story that could be its own story. And all the little stories and scary things are explained wonderfully through the rules explained in the movie. Though one of the bigger problems is its weird focus on draft dodging. Also another one of its flaws is a lot of the characters suffer from horror movie ignorance. But getting past that there is an entertaining movie.

The movie references only a fraction of the material from the books, which it rips from its context and turns it into just another worn out teen horror movie trope that most movie goers have come to expect. The film takes place in 1968 and tells the story of a misfit group of friends who are obsessed with the horror genre, who on Halloween night befriend a young Hispanic man named Ramn passing through their small bucolic Pennsylvania town.

But of course the town has a dark and hidden past in the form of a fenced-off and boarded up mansion at the edge of town, which the teens explore on a dare and find a hidden room within. There, the main character Stella, a bookish misunderstood and unappreciated budding novelist, finds a book containing some scary stories. When she takes the book home to read, the book begins to write more stories by itself in blood-red ink, which narrate the death or disappearances of other characters in the film.

Stella and her friends decide to do some research on the abandoned house and the family who lived there, and who had played a prominent role in the founding of their town. Whereupon, they discover (surprise, surprise!) that this prominent, rich, and powerful family had trounced all over the human and ecological rights of the locals in the past and blamed it on their misfit daughter Sarah. It is Sarah's ghost who is getting revenge on those who trespassed into her family's house, or in Stella's case, stole her book of scary stories, which is how she entertained herself when her family imprisoned her within the secret room for daring to tell the truth about her family's misdeeds.

The rest of the movie is about Stella and Ramn trying and failing to burn the book, before deciding to return it to the hidden room in the abandoned house before Sarah's ghost kills off or abducts her friends. In the end, Stella appeases Sarah's ghost by agreeing to write about the truth of her and her family's history. Sarah even demands that Stella seal their agreement by writing the first sentence of her side of the story with her own blood. The film's end hints at a sequel as Stella narrates how she thinks she can bring back her friends who had not been killed, but disappeared. e24fc04721

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