Business card: Starbase weapons for very limited attention span
Show reel is your business card they say, but this one definitely isn't a show reel.
"I think this is the only video that you need to show your skills"
"Cool!"
"Are you on drugs?"
"Awesome! :D"
Sound design: Trine 4 clips
Various Trine 4 clips showcasing different sides of Trine 4 sound design.
Surprisingly hard to find good spots, when there are three sound designers working on a single project, but these clips contain mostly my sound design.
Animation syncing tools for audio and particle effects used in Trine series and other Frozenbyte games released after 2010 are also mostly my design.
Sound design: Trine 3 gameplay clip
Approximately 2 minute gameplay clip from Astral Academy level in Trine 3. Despite being single continuous take showcases various aspects of Trine 3 sound design.
Another case of hard to find good spots, so contains some elements by other Frozenbyte sound designers, but it's mostly my sound design.
Sound design & Music: Has-Been Heroes
Older clip from Has-Been Heroes.
Has some sounds by other Frozenbyte sound designer, like enemy grunts.
All player and enemy vocal source content here is from in-house recording session we had among Frozenbyte employees :)
Sound design: Nine Parchments spell sounds
Elemental spell sound design, if you count darkness/death as an element.
Somewhat lacking low end, since Wwise didn't have multiband compressor in 2017 and mixing big sounds for four equal priority spellcasters turned out to be pretty hard.
Does it make it better or worse, when you try to justify decisions made 5 years ago?
Sound design: Shadwen gameplay clip
Approximately 1 minute gameplay clip from time rewinding escort quest murder simulator.
Weird noise at the end of the video is not a physics audio system bug, but NPC character pushing haystacks offscreen :)
Technical sound design: UE4 Blueprint physics audio system
Physics audio system which handles collision sounds by using individual hits (instead of just first contact) and uses combination of collision data and velocities to play sliding and rolling sounds.
Fullscreen strongly recommended, since it contains brief explanation of the blueprint.
Yeah, don't hire me as a voice talent. Why is tolerating your own voice so hard?
Sound design: Starbase weapons
Weapons in vacuum. Lack of tails can be disturbing, but you'll get used to it.
Source material is combination of own/team recordings, synthesis and library samples.
Some of the reload sounds are based on previous work done by other Frozenbyte sound designers.
Technical sound design: Starbase weapon tail generator
We are not in vacuum anymore.
Wwise effect chain based weapon tail generator.
Full screen recommended, since video contains brief text explanation.
Technical sound design: Starbase thruster audio system
Thrusters sound implementation is hard. Especially if there can be hundreds of arbitrary placed and arbitrary controlled thrusters.
System done in cooperation with Starbase gameplay programmer and dedicated audio programmer.
Full screen recommended, since video contains brief text explanation.
REAPER script: Next Variation
Short video showcasing REAPER script I've written.
Great tool for quickly finding next variation in audio item content and essential part of my workflow nowadays.
Available in ReaTeam Scripts ReaPack repository
https://github.com/ReaTeam/ReaScripts/raw/master/index.xml(Reaper users will know what to do with the link. Others don't need to bother pressing it.)