The kick has a lot of bass, but the bass and the kick have eq, in the DAW sounds perfectly but i dont get the same on the digitakt, i can get it but louder, and is a pain to put perfect the levels, to match it with another song with differents levels on the same project. Why the sample kick have the punck but the bass no?
Side note: when sampling on the Digitakt the samples gets automatically normalized. So when the levels of two sounds were finetuned to each other before, this finetuning gets probably lost due to this auto normalization.
You can reduce the difference in power and volume with an acid sound layer,
Let me explain: it is better to choose from
the first 4 parts with a volume, different value filters, sample of 4 voices to play with a new sound from the same.With Retrig is better !
This may seem dumb, but have you tried changing the pitch in the DT or going up an octave in chromatic mode? Sometimes when I sample bass into my DT and happen to be using the chromatic mode, I find that the octave is too low which makes the bass sound weak and flubby. Probably not the answer but worth a try.
Thanks to all for the replies! I will take all the advices and applies it on my work with DT. To avoid the problem and get a more punch bass, hi pass the low frecuencies on the kick, and apply a short decay to the kick, so now the bass have more space. Also sample again the bass, the first time i sample a long note, but later sample a one shot of the bass and reach to that punch that i wanted.
when sampling on the Digitakt the samples gets automatically normalized. So when the levels of two sounds were finetuned to each other before, this finetuning gets probably lost due to this auto normalization.
For that maybe you could sample both things, kick and then bass in the same recording? That way only normalizes both the same way. After that you can chop the sample and use it in two different tracks.
When browsing mixes on Youtube quite often I'll find mixes labeled both hardtek and tribecore that sound like they're in the 140-150 BPM range with a very old (early 00s) tekno sound. I'll also find mixes labeled hardtek and tribecore that are 180+ BPM high energy with more relatively recent tracks from 2009-2011 which is the kind of thing I was looking for.
Is there a specific name for this "slower tribecore sound"; is this what hardtek actually is? Is this just "tekno"? Or is this just a case of the genre evolving and getting faster and faster over the years?
Their debut album, People's Instinctive Travels and the Paths of Rhythm, released on April 10, 1990,[19] was marked by a playful lyrical approach and light-hearted content such as safe sex, vegetarianism and youthful experiences.[27] The music was an eclectic mix of jazz, funk, soul and rock samples.[5] The album was met with critical acclaim; The Source rated it five mics, becoming the first album to receive the magazine's highest rating.[11] NME's review stated that "This is not rap, it's near perfection."[28] The album only gained momentum after the release of the singles "Bonita Applebum" and "Can I Kick It?", eventually achieving gold certification in 1996.[19][29]
A Tribe Called Quest's second album, The Low End Theory, was released on September 24, 1991, with "Check the Rhime" as the lead single; the song largely established the lyrical interplay between Q-Tip and Phife Dawg.[19][30] Until then, most of the group's songs had only featured vocals by Q-Tip, but Q-Tip encouraged Phife Dawg to increase his participation despite his recent diabetes diagnosis.[18] Musically, the album fused hip hop with the laid-back atmosphere of jazz, particularly bebop and hard bop, combined with a minimalist approach to production that stripped the sound down to vocals, drums and bass.[6][31] Mixing engineer Bob Power played a major role on the album, as he was tasked with removing surface noise and static that is typically heard on hip hop songs sampled from old vinyl records.[32] During the recording sessions, White left the group to pursue a career in culinary arts, and they hired Chris Lighty as their new manager after signing to Rush Artist Management.[21][33]
We Got It from Here featured guest appearances by André 3000, Kendrick Lamar, Jack White, Elton John, Kanye West, Anderson .Paak, Talib Kweli, Consequence and Busta Rhymes.[87] Promoted by the hit single "We the People....", which opposed Donald Trump's presidential campaign, the album received widespread acclaim from critics.[88] Lyrically, Rolling Stone believed that the group "maintain the attitude of the Bohemian everydude funkonauts" that inspired many prominent hip hop artists.[89] AllMusic praised the album's "visionary and pleasingly weird production", which drew from several different genres and sample sources.[80] Speaking with Billboard, Q-Tip revealed plans for the group to do a final world tour, to promote the album and honor Phife Dawg, before permanently disbanding.[90] It was also announced that a new Phife Dawg solo album, Forever, mostly completed before his death, would be released in the near future; the album was released in 2022.[91][92]
AllMusic critic John Bush called A Tribe Called Quest "without question the most intelligent, artistic rap group during the 1990s", further stating that the group "jump-started and perfected the hip-hop alternative to hardcore and gangsta rap."[15] At a time when James Brown drum breaks and P-Funk basslines dominated hip hop production,[10] the group successfully bridged the gap between jazz and hip hop, incorporating bebop and hard bop samples and recording with double bassist Ron Carter.[31][96] The group's production influenced their contemporaries, thus changing the sound of hip hop; Dr. Dre produced his highly regarded debut The Chronic after being inspired by The Low End Theory,[97] and Pete Rock stated, "There were times when I would walk into a record store and see Tip sitting on the floor with his glasses on, going through albums, looking for beats ... I was like, 'This guy is serious.' Being around [the group] made me step up and become even more serious than I was."[10]Elton John regarded them as "the seminal hip-hop band of all-time".[98]
Tribecore is a subgenre of electronic music that emerged in the late 1990s and early 2000s. It is characterized by its fast tempo, repetitive beats, and heavy use of samples from various sources, creating a unique and hypnotic sound. Influenced by other genres such as techno, hardcore, and tribal music, Tribecore has become a staple in the underground electronic music scene.
There are several defining characteristics that set Tribecore apart from other forms of electronic music. The most notable is its fast tempo, which typically ranges from 180 to 220 beats per minute (BPM). This high-energy pulse is what gives Tribecore its signature intensity. Additionally, the genre is known for its repetitive beats and patterns, often layered with intricate percussion or drum loops. Many producers also experiment with unconventional samples, drawing inspiration from traditional tribal music or popular culture.
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