Welcome is a film series of Indian comedy films, produced by Firoz Nadiadwala and directed by Anees Bazmee. The first part Welcome[1] released in 2007 and the second part Welcome Back[2] released in 2015. A third part named Welcome to the Jungle is scheduled to hit the theatres on December 20, 2024.[3]
Welcome to the Jungle is scheduled to be released on 27 December 2024.[4] The film is directed by Ahmed Khan and is written by Farhad Samji. The film's cast is Akshay Kumar, Sanjay Dutt, Suniel Shetty, Arshad Warsi, Paresh Rawal, Johnny Lever, Rajpal Yadav, Tusshar Kapoor, Shreyas Talpade, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Mika Singh, Rahul Dev, Mukesh Tiwari, Sharib Hashmi, Inaamulhaq, Zakir Hussain, Yashpal Sharma, Raveena Tandon, Lara Dutta, Jacqueline Fernandez, Disha Patani and Vrihi Kodvara, respectively.[5][6]
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Malibu will forever be one of my favorite places in California. It has the prettiest beaches and my favorite food spots. Aside from that, it also has an intense variety in locations to photograph -- here's one. Malibu Creek State Park is like Hawaii in California. It feels so otherworldly and a complete escape from the concrete jungle of LA that is not too far away. Sarung and Chandni happened to have just celebrated their one year of dating. They had dinner at Nobu before their shoot, so they were full and happy when they came to me. For this session, I shot on 35mm film to get that nostalgia feel through my images. Chandni absolutely loves film, so this was particularly exciting and special.
We started our shoot during the tail-end of golden hour. We continued through blue light. The sun was peeking through the trees onto the golden field that dried up over the summertime. It was absolutely beautiful and a total dream to shoot this session in film. It truly is an entirely different feel and so absolutely nostalgic. I did also photograph the session with my digital camera but I am only highlighting the film photography in this post. I hope you love it.
If you are interested in doing a film photoshoot, or any kind of photoshoot in this beautiful location -- please reach out and let's talk. I would absolutely love to make it happen and photograph whichever part of your journey, even without a particular event.
This 2009 film was a thoughtful story, and was so special visually that I had to share it with you. The story begins in New York, with an American man, Roshan, of Indian ancestry, deciding to accompany his ailing grandmother back to India, so she might die on the soil on which she was born. And so within minutes, we arrive in Delhi India.
Laxmi Chowk is a magical place; its aura enigmatic. It was in this very locality that the entertainment life of pre-partition Lahore was deeply grouted. In those days, film stars would hitch a horse-drawn carriage, embellished with seasonal flowers, foot bells and lamps to reach their production sets near the famed chowk.
Close to the intersection was, Hotel King Circle, the most sought after haunt for celebrities. While next to it were over a dozen historic cinemas such as Ratan, Odeon, Gulistan, Metropole, Nishat, Mehfil and Mubarik, to name a few. Also, offices of all major film distributors and production houses dotted the area.
Ali Sibtain Fazli, son of Sibtain Fazli, who directed Dupatta, once told me that Kazmi was hired as the lyricist for the film by his father. The elder Fazli was a man of letters and had a keen sense for the finer things, which is why meeting his literary demands was an uphill task. No matter what Kazmi wrote for the in-production film, it would be binned by Fazli.
An artist is a sensitive soul. He/she takes inspiration from his/her surroundings. I believe that the magic of the Laxmi chowk was such that is enamored Kazmi to write an iconic tune. Unfortunately, today the chowk is a concrete jungle and in ruins. One wonders that had Kazmi been tasked to ink a new tune, at the Laxmi chowk of today, would it have been just as magical?
Based in London, my work explores the intersection between new technologies and media, and contemporary socio-political issues affecting identity and community. In ADS4, I have been interested in speculative design, approaching new technologies and legislative approaches through a concentration towards the implications of alternative futures. My first year project investigated English-language bias, and the influence of this bias in policy and legislation, through a design-engine built through AI. I am highly interested in image-making and story-telling through film and animation, using a cartoon landscape for alternative spatial narration.
They were definitely right to do so, as many of their older films have characters or songs that promote or make use of racial stereotypes. For example, Dumbo has been highly criticized for portraying two wise-cracking crows that speak in stereotypical African-American voices - played by a white voice actor. Furthermore, The Jungle Book features a group of monkeys picturized with negative, dated African and African-American characteristics. And of course, the infamous We Are Siamese song from Lady and the Tramp, too, has come under fire for its racial insensitivity. These are only mere examples of the blatant racism included in some of Disney's earlier work. 589ccfa754
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