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As far as I understand I must explicitly specify a font. Unfortunately I know close to nothing about fonts and I have no guidelines imposed to follow. What is a recommended Cyrillic font in OS X? Some kind of rule of thumb to set and forget about.
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The good news is that there are lots and lots of opentype font families that provide a full Cyrillic alphabet and are easy to use with XeLaTeX (and LuaLaTeX). The bad news is that you may have to spend some time choosing which font family best suits your needs. MacOS X provides quite a few such font families; it's also fairly easy to download and activate additional fonts -- high-quality and free of charge -- that may suit your needs better than the ones that come pre-installed with MacOS X.
MacOSX provides an application called FontBook. FontBook provides a convenient (though slow) method for inspecting all installed fonts for various features, including whether cyrillic characters are included in a given font.
Here's an entirely non-representative sample of font families that feature cyrillic characters. Some fonts should already be installed on your system, while others (e.g., EB Garamond and XITS) may need to be downloaded and activated first.
Bold and beautiful, Noir is a gorgeous Cyrillic sans serif font family of 12 fonts with a contemporary vibe heavily influenced by early 20th century geometric typefaces. The Noir Cyrillic lettering font family ranges from light and elegant weights perfect for small text to extremely heavy and masculine weights suited for large display sizes.
Maloishe is a handmade brush script font that's full of character. The fabulous font includes both Cyrillic and Latin characters in upper and lowercase with numbers and punctuation. This is a perfect brush Cyrillic cursive font for logos, product packaging, signs, and much more.
The Cyrillic script (/srlk/ sih-RIL-ik), Slavonic script or simply Slavic script is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic, Turkic, Mongolic, Uralic, Caucasian and Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia, and used by many other minority languages.
As of 2019[update], around 250 million people in Eurasia use Cyrillic as the official script for their national languages, with Russia accounting for about half of them.[6] With the accession of Bulgaria to the European Union on 1 January 2007, Cyrillic became the third official script of the European Union, following the Latin and Greek alphabets.[7]
The Early Cyrillic alphabet was developed during the 9th century AD at the Preslav Literary School in the First Bulgarian Empire during the reign of Tsar Simeon I the Great, probably by the disciples of the two Byzantine brothers Cyril and Methodius, who had previously created the Glagolitic script. Among them were Clement of Ohrid, Naum of Preslav, Angelar, Sava and other scholars.[8][9][10][11] The script is named in honor of Saint Cyril.
The Cyrillic script was created during the First Bulgarian Empire.[15] Modern scholars believe that the Early Cyrillic alphabet was created at the Preslav Literary School, the most important early literary and cultural center of the First Bulgarian Empire and of all Slavs:
Unlike the Churchmen in Ohrid, Preslav scholars were much more dependent upon Greek models and quickly abandoned the Glagolitic scripts in favor of an adaptation of the Greek uncial to the needs of Slavic, which is now known as the Cyrillic alphabet.[10]
A number of prominent Bulgarian writers and scholars worked at the school, including Naum of Preslav until 893; Constantine of Preslav; Joan Ekzarh (also transcr. John the Exarch); and Chernorizets Hrabar, among others. The school was also a center of translation, mostly of Byzantine authors. The Cyrillic script is derived from the Greek uncial script letters, augmented by ligatures and consonants from the older Glagolitic alphabet for sounds not found in Greek. Glagolitic and Cyrillic were formalized by the Byzantine Saints Cyril and Methodius and their Bulgarian disciples, such as Saints Naum, Clement, Angelar, and Sava. They spread and taught Christianity in the whole of Bulgaria.[16][17][18][19] Paul Cubberley posits that although Cyril may have codified and expanded Glagolitic, it was his students in the First Bulgarian Empire under Tsar Simeon the Great that developed Cyrillic from the Greek letters in the 890s as a more suitable script for church books.[15]
Cyrillic spread among other Slavic peoples, as well as among non-Slavic Romanians. The earliest datable Cyrillic inscriptions have been found in the area of Preslav, in the medieval city itself and at nearby Patleina Monastery, both in present-day Shumen Province, as well as in the Ravna Monastery and in the Varna Monastery. The new script became the basis of alphabets used in various languages in Orthodox Church-dominated Eastern Europe, both Slavic and non-Slavic languages (such as Romanian, until the 1860s). For centuries, Cyrillic was also used by Catholic and Muslim Slavs (see Bosnian Cyrillic).
Cyrillic and Glagolitic were used for the Church Slavonic language, especially the Old Church Slavonic variant. Hence expressions such as " is the tenth Cyrillic letter" typically refer to the order of the Church Slavonic alphabet; not every Cyrillic alphabet uses every letter available in the script. The Cyrillic script came to dominate Glagolitic in the 12th century.
Bosnian Cyrillic, widely known as Bosanica[25][26] is an extinct variant of the Cyrillic alphabet that originated in medieval Bosnia.Paleographers consider the earliest features of Bosnian Cyrillic script had likely begun to appear between the 10th or 11th century, with the Humac tablet (a tablet written in Bosnian Cyrillic) to be the first such document using this type of script and is believed to date from this period.[27] Bosnian Cyrillic was used continuously until the 18th century, with sporadic usage even taking place in the 20th century.[28]
Cyrillic script spread throughout the East Slavic and some South Slavic territories, being adopted for writing local languages, such as Old East Slavic. Its adaptation to local languages produced a number of Cyrillic alphabets, discussed below.
The early Cyrillic alphabet is difficult to represent on computers. Many of the letterforms differed from those of modern Cyrillic, varied a great deal in manuscripts, and changed over time. Few computer fonts include glyphs sufficient to reproduce the alphabet in its entirety. In accordance with Unicode policy, the standard does not include letterform variations or ligatures found in manuscript sources unless they can be shown to conform to the Unicode definition of a character: this aspect is the responsibility of the typeface designer.
The development of Cyrillic letter forms passed directly from the medieval stage to the late Baroque, without a Renaissance phase as in Western Europe. Late Medieval Cyrillic letters (categorized as vyaz' and still found on many icon inscriptions today) show a marked tendency to be very tall and narrow, with strokes often shared between adjacent letters.
Peter the Great, Tsar of Russia, mandated the use of westernized letter forms (ru) in the early 18th century.[citation needed] Over time, these were largely adopted in the other languages that use the script. Thus, unlike the majority of modern Greek typefaces that retained their own set of design principles for lower-case letters (such as the placement of serifs, the shapes of stroke ends, and stroke-thickness rules, although Greek capital letters do use Latin design principles), modern Cyrillic types are much the same as modern Latin types of the same typeface family. The development of some Cyrillic computer fonts from Latin ones has also contributed to a visual Latinization of Cyrillic type.
Cyrillic typefaces, as well as Latin ones, have roman and italic forms (practically all popular modern computer fonts include parallel sets of Latin and Cyrillic letters, where many glyphs, uppercase as well as lowercase, are shared by both). However, the native typeface terminology in most Slavic languages (for example, in Russian) does not use the words "roman" and "italic" in this sense.[j] Instead, the nomenclature follows German naming patterns:[citation needed]
Notes: Depending on fonts available, the Serbian row may appear identical to the Russian row. Unicode approximations are used in the faux row to ensure it can be rendered properly across all systems.
Notes: Depending on fonts available, the Bulgarian row may appear identical to the Russian row. Unicode approximations are used in the faux row to ensure it can be rendered properly across all systems; in some cases, such as with k-like ascender, no such approximation exists.
Computer fonts typically default to the Central/Eastern, Russian letterforms, and require the use of OpenType Layout (OTL) features to display the Western, Bulgarian or Southern, Serbian/Macedonian forms. Depending on the choices made by the (computer) font designer, they may either be automatically activated by the local variant locl feature for text tagged with an appropriate language code, or the author needs to opt-in by activating a stylistic set ss## or character variant cv## feature. These solutions only enjoy partial support and may render with default glyphs in certain software configurations, and the reader may not see the same result as the author intended.[40] 0852c4b9a8
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