Rush Hour 1 - 3 Collection: Rush Hour / Rush Hour 2 / Rush Hour 3 - Chan. Tucker. Their 3 smashin', trash-talkin' police-action comedy Rushes! One chops the chops. The other talks the talk. Jackie Chan and Chris Tucker bring fresh style and swagger to these smash-hit action-comedies. Rush Hour (Disc 1) has the pair learning - someway, anyway - to work together while tackling a kidnapping case in L.A. Rush Hour 2 (Disc 2/Side A) bullets the duo from Hong Kong to L.A. to Vegas on the trail of counterfeiters. And the fast, frenzied fun comes to Paris in Rush Hour 3 (Disc 2/Side B) when the cops pursue a Chinese crime boss. Kicky chemistry, punchy verbal wit and awesome stunts - Hour after Hour after Hour! Run time : 4 hours and 33 minutes Includes Rush Hour, Rush Hour 2 and Rush Hour 3.

LA. Hong Kong. Paris. Three international blockbusters jam-packed with explosive action and nonstop hilarity are all-in-one in this Blu-ray trilogy - the ideal collection for any RUSH HOUR fan! Bonus disc with new featurette documentary; Director Brett Ratner and Star Jackie Chan look back on the making of the Rush Hour franchise nearly 20 years later.


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Amber is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

Sundown is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

Good As Gold is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

Whisper is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

Horizon is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

Afterlight is part of the Golden Hour Collection, an assortment of shimmering shades that melds the warm and cozy feeling that sundown offers with a soft spark of romance. Our transitional summer release, Golden Hour perfectly embodies the last rush of warmth before the sun sets on summer.

The Woow Rush Hour 1 is a trendy glasses collection, the glasses have a metal design and lightweight slender lines. The Woow Rush Hour 1 come in a stylish range of colours that give a fun and energetic feel, we love this collection. The Woow Rush Hour 1 glasses are part of the new male eyewear collection.

The Woow eyewear collection is a fantastic range of glasses, the Woow collection offers a range of unique designs that are sure to be eye catching. We love the Woow collection and the fantastic designs of the glasses range, the range has an eclectic mix of funky designs combined with vibrant colours. Every pair of the Woow glasses and sunglasses features a message on the tips of the glasses, these have been created to make you smile in the morning!The entire collection of Woow has been designed and handcrafted in their own design studio and each pair of glasses and sunglasses have a unique finish. So whether you are looking for a funky acetate glasses or a metal vibrant glasses you have a fantastic choice from the Woow eyewear collection.

According to Weber's early biographer Holger Cahill, the images that appear in the artist's New York paintings "are not simply fantasies, but are made up of many visual contacts with actual scenes."[5] &nbsp[5]

Holger Cahill, Max Weber (New York, 1930), 37. In this same vein, Lloyd Goodrich, Max Weber (New York, 1949), 30, noted: "although in certain works Weber like Delaunay and Kandinsky approached closer to pure abstraction than did the cubists, even his most abstract works were always related to specific themes. Never purely formal exercises in plastic values, they were primarily expressionistic." That being said, Rush Hour more nearly approaches total abstraction than most contemporary European cubist paintings, and individual forms are extremely difficult to recognize. No trains are visible, and, unlike New York, there is no indication of their routes. The composition is devoid of human presence. It is uncertain whether the viewer is looking at the entrance to a subway station, the underground station itself, an elevated train, or some combination of all three. Given the similarity of the architectural forms in lower center of the painting to those in Grand Central Terminal, the first option is perhaps the most plausible. Regardless, Weber's primary aim was not to record objective details but rather to give form to the dynamism and velocity generated by a machine whose immense power had transformed and energized the urban setting. He dispensed with any indication of a specific time, so there is no sense of whether this is a morning or evening rush hour. Curvilinear forms, zigzags, jagged angles, and radiating force-lines explode and intersect in multiple directions, expressing both the subway's movements and its dematerializing effect on the environment. As one writer has described it, "The station explodes with the thunder of the passing machine."[6] &nbsp[6]

Dominic Ricciotti, "City Railways/Modernist Visions," in Susan Danly and Leo Marx, The Railroad in American Art: Representations of Technological Change (Cambridge, MA, 1988), 132.


Congestion pricing - sometimes called value pricing - is a way of harnessing the power of the market to reduce the waste associated with traffic congestion. Congestion pricing works by shifting purely discretionary rush hour highway travel to other transportation modes or to off-peak periods, taking advantage of the fact that the majority of rush hour drivers on a typical urban highway are not commuters. By removing a fraction (even as small as 5%) of the vehicles from a congested roadway, pricing enables the system to flow much more efficiently, allowing more cars to move through the same physical space. Similar variable charges have been successfully utilized in other industries - for example, airline tickets, cell phone rates, and electricity rates. There is a consensus among economists that congestion pricing represents the single most viable and sustainable approach to reducing traffic congestion.

Vehicle "throughput" on a freeway is the number of vehicles that get through over a short period such as an hour. Once freeway traffic exceeds a certain threshold level, both vehicle speed and vehicle throughput drop precipitously. Data show that maximum vehicle throughput occurs at free flow speeds ranging from 45 mph to 65 mph. The number of vehicles that get through per hour can drop by as much as 50 percent when severe congestion sets in. At high traffic levels, the freeway is kept in this condition of "collapse" for several hours after the rush of commuters has stopped. This causes further unnecessary delay for off-peak motorists who arrive after rush hour.

With peak-period highway pricing, a variable toll dissuades some motorists from entering freeways at those access points where traffic demand is high, and where such surges in demand may push the freeway over the critical threshold at which traffic flow collapses. Pricing prevents a breakdown of traffic flow in the first instance, and thus maintains a high level of vehicle throughput throughout the rush hours. As shown in the graph above, each variably priced lane in the median of State Route 91 in Orange County, California, carries twice as many vehicles per lane as the free lanes during the hour with heaviest traffic. Pricing has allowed twice as many vehicles to be served per lane at three to four times the speed on the free lanes.

With congestion pricing, tolls typically vary by time of day and are collected at highway speeds using electronic toll collection technology. Traffic flows freely, and there are no toll booths. Vehicles are equipped with electronic devices called transponders or "tags", which are read by overhead antennas. Toll rates for different time periods may be set in advance, or they may be set "dynamically" - that is, they may be increased or decreased every few minutes to ensure that the lanes are fully utilized without a breakdown in traffic flow.

Tags range from simple to highly sophisticated devices. Simple tags are "read-only," meaning that they can provide an identification number to overhead readers using power from incoming radio frequency energy. More sophisticated tags are battery-powered, and have processing power and memory. Tags are now the normal way tolls are collected from regular users - 70 to 80 percent of tolls are now collected this way on most urban commuter toll roads in peak hours. Simple "sticker" tags may be obtained for less than $10.

Global Positioning Systems (GPS) are used to collect truck tolls in Germany on the autobahns. In tests of such systems in the United States, an in-vehicle device records charges incurred based on its location as identified by the GPS unit in the vehicle. All location and payment information remains in the vehicle, and the vehicle owner periodically uploads the summary of charges to a processing center along with payments. The costs of such systems are currently high - as much as $500 per vehicle in Germany. Their high costs can be justified by additional services provided by the systems, such as in-vehicle navigation and commercial fleet management. Also, the need for roadside equipment for toll collection is reduced. e24fc04721

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