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The earliest secure runic inscriptions date from around AD 150, with a potentially earlier inscription dating to AD 50 and Tacitus's potential description of rune use from around AD 98. The Svingerud Runestone dates from between AD 1 to 250. Runes were generally replaced by the Latin alphabet as the cultures that had used runes underwent Christianisation, by approximately AD 700 in central Europe and 1100 in northern Europe. However, the use of runes persisted for specialized purposes beyond this period. Up until the early 20th century, runes were still used in rural Sweden for decorative purposes in Dalarna and on runic calendars.

The exact development of the early runic alphabet remains unclear but the script ultimately stems from the Phoenician alphabet. Early runes may have developed from the Raetic, Venetic, Etruscan, or Old Latin as candidates. At the time, all of these scripts had the same angular letter shapes suited for epigraphy, which would become characteristic of the runes and related scripts in the region.

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The Finnish word runo, meaning 'poem', is an early borrowing from Proto-Germanic,[12] and the source of the term for rune, riimukirjain, meaning 'scratched letter'.[13] The root may also be found in the Baltic languages, where Lithuanian runoti means both 'to cut (with a knife)' and 'to speak'.[14]

The Old English form rn survived into the early modern period as roun, which is now obsolete. The modern English rune is a later formation that is partly derived from Late Latin runa, Old Norse rn, and Danish rune.[6]

The runes were in use among the Germanic peoples from the 1st or 2nd century AD.[a] This period corresponds to the late Common Germanic stage linguistically, with a continuum of dialects not yet clearly separated into the three branches of later centuries: North Germanic, West Germanic, and East Germanic.

The angular shapes of the runes are shared with most contemporary alphabets of the period that were used for carving in wood or stone. There are no horizontal strokes: when carving a message on a flat staff or stick, it would be along the grain, thus both less legible and more likely to split the wood.[22] This characteristic is also shared by other alphabets, such as the early form of the Latin alphabet used for the Duenos inscription, but it is not universal, especially among early runic inscriptions, which frequently have variant rune shapes, including horizontal strokes. Runic manuscripts (that is written rather than carved runes, such as Codex Runicus) also show horizontal strokes.

With the potential exception of the Meldorf fibula, a possible runic inscription found in Schleswig-Holstein dating to around 50 AD, the earliest reference to runes (and runic divination) may occur in Roman Senator Tacitus's ethnographic Germania.[29] Dating from around 98 CE, Tacitus describes the Germanic peoples as utilizing a divination practice involving rune-like inscriptions:

As Victoria Symons summarizes, "If the inscriptions made on the lots that Tacitus refers to are understood to be letters, rather than other kinds of notations or symbols, then they would necessarily have been runes, since no other writing system was available to Germanic tribes at this time."[29]

The earliest runic inscriptions found on artifacts give the name of either the craftsman or the proprietor, or sometimes, remain a linguistic mystery. Due to this, it is possible that the early runes were not used so much as a simple writing system, but rather as magical signs to be used for charms. Although some say the runes were used for divination, there is no direct evidence to suggest they were ever used in this way. The name rune itself, taken to mean "secret, something hidden", seems to indicate that knowledge of the runes was originally considered esoteric, or restricted to an elite.[citation needed] The 6th-century Bjrketorp Runestone warns in Proto-Norse using the word rune in both senses:

I, master of the runes(?) conceal here runes of power. Incessantly (plagued by) maleficence, (doomed to) insidious death (is) he who breaks this (monument). I prophesy destruction / prophecy of destruction.[33]

The same curse and use of the word, rune, is also found on the Stentoften Runestone. There also are some inscriptions suggesting a medieval belief in the magical significance of runes, such as the Franks Casket (AD 700) panel.

Nevertheless, it has proven difficult to find unambiguous traces of runic "oracles": although Norse literature is full of references to runes, it nowhere contains specific instructions on divination. There are at least three sources on divination with rather vague descriptions that may, or may not, refer to runes: Tacitus's 1st-century Germania, Snorri Sturluson's 13th-century Ynglinga saga, and Rimbert's 9th-century Vita Ansgari.

The first source, Tacitus's Germania,[36] describes "signs" chosen in groups of three and cut from "a nut-bearing tree", although the runes do not seem to have been in use at the time of Tacitus' writings. A second source is the Ynglinga saga, where Granmar, the king of Sdermanland, goes to Uppsala for the blt. There, the "chips" fell in a way that said that he would not live long (Fll honum svo spnn sem hann mundi eigi lengi lifa). These "chips", however, are easily explainable as a bltspnn (sacrificial chip), which was "marked, possibly with sacrificial blood, shaken, and thrown down like dice, and their positive or negative significance then decided."[37][page needed]

The third source is Rimbert's Vita Ansgari, where there are three accounts of what some believe to be the use of runes for divination, but Rimbert calls it "drawing lots". One of these accounts is the description of how a renegade Swedish king, Anund Uppsale, first brings a Danish fleet to Birka, but then changes his mind and asks the Danes to "draw lots". According to the story, this "drawing of lots" was quite informative, telling them that attacking Birka would bring bad luck and that they should attack a Slavic town instead. The tool in the "drawing of lots", however, is easily explainable as a hlautlein (lot-twig), which according to Foote and Wilson[38] would be used in the same manner as a bltspnn.

The lack of extensive knowledge on historical use of the runes has not stopped modern authors from extrapolating entire systems of divination from what few specifics exist, usually loosely based on the reconstructed names of the runes and additional outside influence.

A recent study of runic magic suggests that runes were used to create magical objects such as amulets,[39][page needed] but not in a way that would indicate that runic writing was any more inherently magical, than were other writing systems such as Latin or Greek.

As Proto-Germanic evolved into its later language groups, the words assigned to the runes and the sounds represented by the runes themselves began to diverge somewhat and each culture would create new runes, rename or rearrange its rune names slightly, or stop using obsolete runes completely, to accommodate these changes. Thus, the Anglo-Saxon futhorc has several runes peculiar to itself to represent diphthongs unique to (or at least prevalent in) the Anglo-Saxon dialect.

Some later runic finds are on monuments (runestones), which often contain solemn inscriptions about people who died or performed great deeds. For a long time it was presumed that this kind of grand inscription was the primary use of runes, and that their use was associated with a certain societal class of rune carvers.

In the later Middle Ages, runes also were used in the clog almanacs (sometimes called Runic staff, Prim, or Scandinavian calendar) of Sweden and Estonia. The authenticity of some monuments bearing Runic inscriptions found in Northern America is disputed; most of them have been dated to modern times.

That is now proved,

what you asked of the runes,

of the potent famous ones,

which the great gods made,

and the mighty sage stained,

that it is best for him if he stays silent.[43]

The Elder Futhark, used for writing Proto-Norse, consists of 24 runes that often are arranged in three groups of eight; each group is referred to as an tt (Old Norse, meaning 'clan, group'). The earliest known sequential listing of the full set of 24 runes dates to approximately AD 400 and is found on the Kylver Stone in Gotland, Sweden.

Most probably each rune had a name, chosen to represent the sound of the rune itself. The names are, however, not directly attested for the Elder Futhark themselves. Germanic philologists reconstruct names in Proto-Germanic based on the names given for the runes in the later alphabets attested in the rune poems and the linked names of the letters of the Gothic alphabet. For example, the letter /a/ was named from the runic letter called Ansuz. An asterisk before the rune names means that they are unattested reconstructions. The 24 Elder Futhark runes are the following:[45]

The futhorc (sometimes written "fuorc") are an extended alphabet, consisting of 29, and later 33 characters. It was probably used from the 5th century onwards. There are competing theories as to the origins of the Anglo-Saxon Futhorc. One theory proposes that it was developed in Frisia and later spread to England,[citation needed] while another holds that Scandinavians introduced runes to England, where the futhorc was modified and exported to Frisia.[citation needed] Some examples of futhorc inscriptions are found on the Thames scramasax, in the Vienna Codex, in Cotton Otho B.x (Anglo-Saxon rune poem) and on the Ruthwell Cross.

The Anglo-Saxon rune poem gives the following characters and names: feoh, ur, orn, os, rad, cen, gyfu, ynn, hgl, nyd, is, ger, eoh, peor, eolh, sigel, tir, beorc, eh, mann, lagu, ing, thel, dg, ac, sc, yr, ior, ear. e24fc04721