Arguably Drakeo's most iconic song, "Flu Flamming" is best served without much commentary. Less arguable is the status of Cold Devil, the December 2017 tape recorded in the brief intervals that year in which he wasn't incarcerated, as his magnum opus. The track's titular gerund appears in an overwhelming number of his songs, alongside other favorite touchstones as "Pippi Longstocking" and "Big Bank Uchies," both of which get their own dedications on Cold Devil. L.A.'s finest spent hours of overtime and hundreds of thousands of taxpayer dollars attempting to decipher the meanings of these cryptic allusions, becoming Drakeo's biggest fans in the process.

"Ion Rap Beef" is one of the best songs of the 21st century, but JoogSZN and Drakeo's even more impressive collaborative achievement is 2020's Thank You For Using GTL. Rapped into a prison phone and transposed over a beat through a miracle of modern mixing, the project takes the prison album genre to a new level, both in concept and execution.


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the WORLD Ruler is Nightmare's fourth full-length studio album. Nightmare's experimentation with the styles of electronica, ambience, and usage of live brass began in this album. Three different versions of this album were released: a CD-only version; a CD+DVD version; and a bonus CD, DVD and photobook pack. It peaked at #6 in the Oricon Charts.[1] The tracks "The World" and "Alumina" were featured in Death Note as the first opening and ending songs, respectively.

Richard Martin Lloyd Walters[1] (born January 14, 1965),[2] better known as Slick Rick, is an English-American rapper and record producer. He rose to prominence with Doug E. Fresh & the Get Fresh Crew in the mid-1980s. Their songs "The Show" and "La Di Da Di" are considered early hip hop classics. "La Di Da Di" is one of the most sampled songs in history.[3]

In 1986, Slick Rick became the third artist signed to Def Jam Records.[4] He has released four albums: The Great Adventures of Slick Rick (1988), The Ruler's Back (1991), Behind Bars (1994) and The Art of Storytelling (1999). His music has been sampled and interpolated over 1,000 times,[3][5] in dozens of songs by artists, including Eminem, Beyonc, Mariah Carey, Beastie Boys, TLC, Nas, Miley Cyrus, Kanye West, MF Doom, Czarface, Black Star, The Notorious B.I.G., Snoop Dogg, MC Ren, Montell Jordan, Tech N9ne and Color Me Badd. In the process, Slick Rick has become one of the most-sampled hip-hop artists ever.[6] Many of these songs based on Slick Rick samples went on to become hit singles.

In 1986, Slick Rick joined Russell Simmons's Rush Artist Management and became the third artist signed to Def Jam Records,[4] the leading rap/hip-hop label at the time.[18] Collaborating with his friend, DJ Vance Wright, Walters produced his solo debut, The Great Adventures of Slick Rick, which came out in 1988 on Def Jam. The album was very successful, reaching the No. 1 spot on Billboard's R&B/Hip-Hop chart. It also featured four charting singles: "Children's Story", "Mona Lisa", "Hey Young World", and "Teenage Love". The release is known for its storytelling and vocal characterizations. "With the combination of Rick's Dick Van Dyke-on-dope accent and his unique narrative style, the record was an instant classic," wrote critic Matt Weiner. "Each of Rick's songs was an amusing, enthralling story that lasted from the first groove to the last."[19]

At the top of the screen is a ruler that shows bars and beats. The left edge of each region aligns with the bar or beat on the ruler to show where it starts playing. The playhead is a vertical line that moves across the ruler as the song plays, showing the part currently playing. You can move the playhead to hear a different part of the song.

Bobi's new album, Mujer y Cantante (Woman and Singer), is a collection of original songs deeply rooted in the Cuban countryside where she was born, and full of heart and wisdom celebrating Black cultural heritage as a source of resilience and strength for our troubled times.

As the man behind Withered Hand, Dan Willson makes the sort of observations that used to stop Bible study classes in their tracks. "Religious Songs" is the ruler across the knuckles that inevitably followed.

American Hip Hop and Trap musician Drakeo The Ruler hails from Los Angeles. He has put out a lot of well-liked songs that have drawn praise from both fans and critics. Talk To Me, Flu Flamming, Impatient Freestyle, Ruth's Chris Freestyle, Wake Me Up In Traffic (feat. 03 Greedo and Drakeo the Ruler), Roll Bounce, Long Live The Greatest - Live, La Verdad, and "Ion Know Nothing (feat. Ohgeesy)" are some of his best-known songs.


"Talk To Me" is one of Drakeo The Ruler's most well-known songs. Drakeo's trademark flow is included on the song, which has a great beat. The song "Flu Flamming" is another hit; it has a distinctive melody and Drakeo's funny and astute lyrics. Another well-known song that highlights Drakeo's rap prowess and ability to effortlessly deliver difficult rhymes is "Impatient Freestyle."


Other well-known songs by Drakeo The Ruler include "Wake Me Up In Traffic (feat. 03 Greedo and Drakeo the Ruler)," which has a collaboration with fellow musician 03 Greedo, and "Ruth's Chris Freestyle (feat. Drakeo the Ruler)," which includes a guest verse from Drakeo himself. While "Long Live The Greatest - Live" offers a strong performance by Drakeo that demonstrates his abilities as a live performer, "Roll Bounce" is another well-known song that exhibits Drakeo's own style and sound.


All things considered, Drakeo The Ruler is a gifted and creative musician who has had a big impact on the Hip Hop and Trap music scenes. His distinctive sound and manner have gained him a devoted following, and his well-liked songs are still being listened to by people all over the world.


Rapper Drakeo The Ruler, who is located in LA, has been causing a stir with his most recent albums in the Hip Hop and Trap music scenes. Keep The Truth Alive, his most recent album, which was published in 2022, exhibits his distinct style and tone. Hard-hitting beats and reflective lyrics are mixed on the album, with "Ughhhh" and "Frontline" standing out as fan favorites.


Drakeo released an album as well as a few standout singles. Drakeo's versatility can be heard in his 2021 singles "300 Raccs" and "Spaceship," both of which have various styles and flows. The two songs have captivating beats and enticing hooks that are sure to get fans dancing.


Drakeo With the release of "Frontline" in 2023, The Ruler's most recent single, his catalog now has a new tone. The song has a trap-inspired sound, Drakeo's distinctive flow, and lyrics that discuss devotion and tenacity.


Overall, Drakeo The Ruler's most recent albums have helped to further establish his position in the Hip Hop and Trap music scenes. His distinctive voice and aesthetic are still developing, leaving fans eagerly anticipating what he will release next.


Drakeo The Ruler, whose monthly income was reportedly over $50,000, earned money through his popular songs and collaborations with well-known musicians. When he lived in California, he also had a home.

The way S1 currently behaves is that the timebase for all 4 i.e. the primary and secondary timebase for transport bar & the primary and secondary timebase for the 2 ruler tracks can all be independent of each other. So if you want, you can have the primary transport bar timebase set to BARS, secondary transport bar timebase set to FRAMES, Primary ruler track timebase set to SECONDS and the secondary ruler track timebase set to SAMPLES, or any other possible combination of the 4. Now, this might be useful in certain rare instances.

However in most cases i reckon, people (including myself) might want the primary transport bar timebase and the primary ruler timebase to be the same and the secondary transport bar timebase and the secondary ruler track timebase to be the same. Hence an option in the global preferences to check/uncheck such a behavior could be very useful. Something like "Sync Transport and Ruler timebases"or something along those lines. Hope this gets implemented sooner than later. Please make it happen Presonus.

Ruler's music — hook-heavy, assertive, inspiring — is made for motion. It's a soundtrack for moving forward, for getting better, in terms of both healing and self-improvement. Built on main man Matt Batey's lifelong fears, anxieties, addictions and failures, not to mention his preternatural gift for creating instantly classic indie rock, Ruler's songs follow that old adage by Robert Frost: The best way out is through. And in this case the best way through is with the volume cranked all the way up.

Matt Batey is somewhere between a veteran and a sudden upstart. He's been playing in Seattle for over a decade, as Ruler and with bands like Cataldo. In May he released his first album as Ruler, Winning Star Champion, a set of 11 verbally downtrodden yet aurally infectious indie-pop songs. On first listen it feels, in a very good way, instantly familiar.

That song was always like that. I think if anything it was more upbeat in its original form. It had like hand claps in it and more happy backing vocals in it and that stuff that I did in my apartment. The formula of the sad lyrics and happy music was always supposed to be the way it was. That's probably been the most constant thing in the making of the record. I really like putting the sad things that I want to say in songs to really happy upbeat sounding music.

It's kind of hard to say, but I think just from a practical standpoint upbeat songs are more fun to play. But I don't really have any upbeat content to put into them, so I want them to be fun to play but I also want them to be real in what I have to say about my experience in life. I don't want to play slow sad sounding songs, but I also don't want to write a bunch of big lyrics to match up with the play on stage, so I think it's just a practical consideration. ff782bc1db

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