This is a list of Indian films that have no songs. Although songs and dance often play an integral part in the majority of Indian films, some films (mostly experimental films) choose to exclude them, mostly to focus on the main story.

Haasan has written songs for his films. He wrote the lyrics for a single in Hey Ram, songs in Virumaandi and Unnaipol Oruvan and the album for Manmadhan Ambu. Haasan's musical work has been well received by his peers in Tamil film.[84] He is also a playback singer,[85] singing in Tamil, Hindi, Telugu, Malayalam and English.[86] Haasan also wrote the lyrics for a song about the COVID-19 pandemic in India and released its music video, "Arivum Anbum". The album, composed by Ghibran and directed by Haasan, featured Anirudh Ravichander, Yuvan Shankar Raja and a number of other contemporary performers.[87][88]


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In 2021, Haasan featured in a song 'Shades of Blue: A Musical Tribute to Venmurasu' composed by Rajan Somasundaram and released by Director Mani Ratnam in honor of Venmurasu, the longest novel ever written in any language.[89] Earlier, he has spoken in appreciation of Venmurasu and writer Jeyamohan on Bigg Boss during his book recommendations.[90] In 2022, Haasan was the lyricist and the playback singer for the song "Pathala Pathala" from Vikram.[91]

Haasan has alluded to his parents in some of his works, notably Unnaipol Oruvan and in the song "Kallai Mattum" in Dasavathaaram.[114] His oldest brother Charuhasan, like Haasan, is a National Film Award-winning actor who appeared in the Kannada film Tabarana Kathe. Charuhasan's daughter Suhasini is also a National Film Award winner married to director (and fellow award-winner) Mani Ratnam, who collaborated with Haasan on 1987's Nayakan.[115] Chandrahasan has produced several of Haasan's films and was an executive with Raaj Kamal Films International, he died in March 2017.[116] Chandrahasan's daughter Anu Hasan has had supporting roles in several films, including Suhasini's Indira. Haasan's sister, Nalini Raghu, is a dance teacher for whom he named an auditorium (Nalini Mahal).[117] Her son, Gautham, played Haasan's grandson in "Hey Ram".

Characters break into song and dance regularly, which usually has little or nothing to do with the main plot. When they bust out their moves, there is elaborate dance choreography with lots of background dancers, costumes, wind machines, and even more music-video style editing.

We then spoke about his writing, and Kamal Haasan went into a flashback to when he must have been around sixteen. He and his brothers were waiting for their mother to serve them dosais, and Charuhasan, on the spot, composed and sang this pastiche based on the tune of Vettri meedhu vettri vandhu ennai serum, the popular MGR song from the 1970 film Thedi Vandha Maappillai.

He is probably the best dancer Indian cinema has seen. I cannot imagine any other actor who can pull off a role like he did in Sagara Sangamam (Salangai Oli). Even as late as Tenali, he showed us how good he was at the art. He probably struggled a bit in Viswaroopam and avoided fast movements in that song. Otherwise, his dance was still adorable.

@KHNH song : Although the movie released in November 2003, the soundtrack was out a couple months earlier and the song was very popular right away. In spite of that, Santoshi must have had only 2-3 months of time to rework this so well into the script. Master craftsman!

S. Ravi Varman, ISC, is an India Cinematographer, Film Maker,Producer and Writer. He has shot many award-winning films in Indian languages of Hindi, Tamil, Telugu, Malayalam and English. Known for his realistic picturization and poetic framing sense, Ravi Varman began his career in Malayalam films. A well-known writer in Tamil fiction and non fiction, he has also directed a romantic film in Tamil titled Moscowin Kavery.He also filmed the music video for the song "Bird Flu" by British Tamil songwriter M.I.A..

Lokesh Kanagaraj's Vikram (2022) not only marks Kamal Haasan's comeback to the big screen after four years, it also marks the screen icon's comeback to the thundering dance floor after 7 years. The actor impressed fans with his footwork in the hit song 'Pathala Pathala', which came on the heels of his last dance performance in Uttama Villain in 2015. Having begun his journey with dance at the tender age of 12, the actor soon went on to master different art forms with vigour in the next few decades.

In this song, Kamal Haasan is seen donning a disco bling attire, while dancing along to the beats of Ilaiyaraaja's magic. The number is set in a party and we see Kamal enamour the guests in a state of frenzy. Interestingly, Ellam Inba Mayyam was perhaps the first time Kamal donned up to 7 or more different getups.

Over the years since its debut, Ilamai Idho Idho has undoubtedly gone on to become a song that rings in the New Years of many in Tamil Nadu. Kamal Haasan is seen dancing, sprinting and often riding his motorcycle in style in this song, elevating its incredible techno beats with some nifty footwork.

In this disco song, we get to see Kamal Haasan immersing himself in a performance, often singing and playing the trumpet to an excited audience. Rajinikanth and Kamal give each other a run for their money in this number, leaving listeners in the song and reality captivated in equal measure. The technicolour lighting and the visual treatment in the song need a special shoutout in making this song a vivid experience for fans.

To end the list of disco songs performed by Kamal Haasan, it only seems fair to mention 'Megam Kottatum'. Taking the name quite literally, the song is completely shot in the rain. Besides the alluring light-up floors, Kamal's raincoat getup, and the superb use of umbrellas as props, the rain plays its own character in the dance.

While one might not associate this song with a traditional theatrical setup, this song is a stellar example of street theatre. In the movie, we see Kamal Haasan have the agenda to question a reputable company's low wage policy, which is conveyed spectacularly thanks to the actor's acting and dancing prowess in 'Naatuku Oru Seidhi'.

For those looking for a traditional stage/theatre setup, 'Iraniyan Naadagam' fits the bill. It is a full-fledged theatrical performance embodying the Theyyam dance form. Kamal Haasan performs the story of Hiranyakashipu and his son, Prahalad in the form of dance in this visual explosion of a song.

And now on to the most-awaited and the actor's beloved category- the traditional genres. Trained professionally in different forms of traditional dance forms, there is inarguably no one who can exude the elegance that Kamal does in these songs.

This song is a rare insight into Kamal's acting and dancing sides merging into one. Kamal, who plays a Kuchipudi dance professional in the film, performs in a brilliant state of inebriation in this song. It is telling of Kamal Haasan's genius to see the actor intentionally struggle to dance and portray his on-screen character's state of mind.

To conclude this piece, it only seems fair to revive Kamal Haasan's dance performance in the title song of 1986's Vikram. Like the film itself, the choreography and the electronic music used in the song are modern and ahead of their time. This song is also sampled in the new Vikram (2022) and hence holds a lot of sentimental value to Kamal Haasan's fans.

Ilaiyaraaja (born Gnanadesikan) is an Indian film composer who works in the Indian film Industry. His body of work has spanned across Tamil, Telugu, Malayalam, Kannada, Marathi, Hindi and English language films. Regarded as one of the finest music composers in India,[1] Ilaiyaraaja is also an instrumentalist, conductor, singer, and a songwriter. To date, he has composed over 4500 songs and provided film scores for 1000 Indian films in various languages,[2][3] particularly being acclaimed for his background scoring.[4] His songs and background score played a very crucial role in the success of many films.[5][6]

A gold medalist in classical guitar from Trinity College of Music, London, in 1993, he organised a full symphony and thus became the first Asian to compose a full symphony performed by the Royal Philharmonic Orchestra in London's Walthamstow Town Hall, which is yet to be released. In 2003, according to an international poll conducted by BBC, people from 155 countries voted his composition Rakkamma Kaiya Thattu from the 1991 film Thalapathi as fourth in the world's top 10 most popular songs of all time.[9] He was also nominated in the Best Indian album Music Awards category[10] at US based Just Plain Folks Music Organization, which is the largest grassroots music organization in the world, and stood third for his "Music Journey: Live in Italy".[10]

In the 2000s, he composed a variety of non-film music, including religious and devotional songs, an oratorio, and world music, while shifting his focus to Malayalam and Kannada films. He is usually referred to by the title Isaignani (English: Musical Genius), or as The Maestro.[11] As of 2013, he has won four Indian National Film Awards; three for Best Music Direction and one for Best Background Score[12] and is a recipient of Padma Bhushan, awarded by the Government of India. Ilaiyaraaja also received the NTR National Award in 2004.[13] In 2012 he received the Sangeet Natak Academi Award for his creative and experimental works in music field.[14]Popular world cinema portal Taste of Cinema placed Ilaiyaraja at the 9th position in its list of 25 greatest film composers in the cinema history.[15] In a poll conducted by CNN-IBN celebrating 100 years of Indian cinema in 2013, Ilaiyaraaja was voted the greatest music composer of India with a maximum of 49%.[16]

In 1975, film producer Panchu Arunachalam commissioned him to compose the songs and film score for a Tamil-language film called Annakkili ('The Parrot').[30] For the soundtrack, Ilaiyaraaja applied the techniques of modern popular film music orchestration to Tamil folk poetry and folk song melodies, which created a fusion of Western and Tamil idioms.[31][32] Ilaiyaraaja's use of Tamil music in his film scores injected new influence into the Indian film score milieu.[33] By the mid-1980s Ilaiyaraaja was gaining increasing stature as a film composer and music director in the South Indian film industry.[7] He has worked with Indian poets and lyricists such as Kannadasan, Vaali, Vairamuthu, O. N. V. Kurup, Sreekumaran Thampi, Veturi Sundararama Murthy, Aacharya Aatreya, Sirivennela Sitaramasastri, Chi. Udaya Shankar and Gulzar and is well known for his association with film makers such as Bharathiraja, K. Balachander, Mani Ratnam, Sathyan Anthikkad, Priyadarshan, Fazil, Balu Mahendra, Vamsy, K. Vishwanath, Singeetham Srinivasa Rao and R. Balki. 589ccfa754

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