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The Rock and Roll Hall of Fame (RRHOF), sometimes simply referred to as the Rock Hall, is a museum and hall of fame located in downtown Cleveland, Ohio, United States, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures and personnel who have influenced its development.

The RRHOF Foundation was established in 1983 by Ahmet Ertegun, who assembled a team that included publisher of Rolling Stone magazine Jann S. Wenner, record executives Seymour Stein, Bob Krasnow, and Noreen Woods, and attorneys Allen Grubman and Suzan Evans. The Foundation began inducting artists in 1986, but the Hall of Fame still had no home. The search committee considered several cities, including Philadelphia (home of rock pioneer Bill Haley and American Bandstand), Memphis (home of Sun Studios and Stax Records), Detroit (home of Motown Records), Cincinnati (home of King Records), New York City, and Cleveland.[2]

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In addition to the Hall of Fame inductees, the museum documents the entire history of rock and roll, regardless of induction status. Hall of Fame inductees are honored in a special exhibit located in a wing that juts out over Lake Erie.[5] The exhibit space and inaugural exhibits were designed by Bruce Burdick's San Francisco design firm The Burdick Group.[7]

The building contains seven levels. On the lower level is the Ahmet M. Ertegun Exhibition Hall, the museum's main gallery. It includes exhibits on the roots of rock and roll (gospel, blues, rhythm & blues and folk, country and bluegrass). It also features exhibits on cities that have had a major impact on rock and roll: Memphis, Detroit, London, Liverpool, San Francisco, Los Angeles, New York, and Seattle. There are exhibits about soul music, the Fifties, Sun Records, hip hop music, Cleveland's rock and roll legacy, the music of the Midwest, rock and roll radio and dee-jays, and the many protests against rock and roll. This gallery also has exhibits that focus on individual artists, including the Beatles, the Rolling Stones, Jimi Hendrix and others. Finally, the Ahmet M. Ertegun Exhibition Hall includes a theatre that features films on various subjects such as American Bandstand.[11]

"In designing this building," Pei said, "it was my intention to echo the energy of rock and roll. I have consciously used an architectural vocabulary that is bold and new, and I hope the building will become a dramatic landmark for the city of Cleveland and for fans of rock and roll around the world."[18]

In 2006 the RRHOF partnered with three entertainment production companies to create a branch museum in New York City.[19] On November 18, 2008, the Rock and Roll Hall of Fame Annex NYC opened in Manhattan's SoHo district.[19] Located at 76 Mercer Street just west of Broadway, the Annex occupied an underground space of 25,000 square feet (2,300 m2).[19] The branch museum operated in much the same way as its Cleveland parent, featuring archetypal display pieces like Prince's coat from Purple Rain, David Byrne's "big suit" from Stop Making Sense, and Elvis Presley's motorcycle jacket and his Bible.[19] But from its start the Annex also had a distinct New York area focus that made plenty of space for big items like the phone booth from CBGB, layered thick with band stickers over the decades; Bruce Springsteen's own 1957 Chevrolet; a special gallery reserved for the city's musicians; and an intricate 26-foot (7.9 m) scale model of Manhattan highlighting sites of rock history.[19]

Other large temporary exhibits have focused on the Clash (Revolution Rock: The Story of the Clash), the Doors (Break on Through: The Lasting Legacy of the Doors), the Who's Tommy (Tommy: The Amazing Journey), and Bruce Springsteen (From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen). Another thematic temporary exhibit focused on the role of women in rock and roll (Women Who Rock: Vision, Passion, Power). Many of these exhibits travel to other museums after closing in Cleveland. A major temporary exhibit in 2017 told the story and impact of Rolling Stone magazine.[27]

The museum also devotes exhibits to photography and artwork related to rock and roll. Among the photographers whose work has been featured at the Hall of Fame are George Kalinsky, Alfred Wertheimer, Tommy Edwards, Kevin Mazur, Janet Macoska, Lynn Goldsmith, Linda McCartney, Mike McCartney, Robert Alford,[28] and George Shuba. The museum also featured the artwork of Philip Burke in one of its temporary exhibits, and a later exhibit featured Herb Ritts.[29]

The Rock and Roll Hall of Fame and Museum produces numerous public programs, including concerts, interviews, lectures, film screenings, and other events that help tell the story of rock and roll.Every February, the museum celebrates Black History Month by hosting concerts, film screenings and lectures that illustrate the important role African-Americans have played in the history of rock and roll.[30] Since the program began in 1996, such artists as Robert Lockwood, Jr., the Temptations, Charles Brown, Ruth Brown, the Ohio Players, Lloyd Price, Little Anthony and the Imperials, and Al Green have appeared at the museum during Black History Month.

A nominating committee composed of rock and roll historians selects names for the "Performers" category (singers, vocal groups, bands, and instrumentalists of all kinds), which are then voted on by roughly 500 experts across the world. Those selected to vote include academics, journalists, producers, and others with music industry experience. Artists become eligible for induction 25 years after the release of their first record. Criteria include the influence and significance of the artists' contributions to the development and perpetuation of rock and roll. Block approval voting is used, with those nominees who receive the most votes being inducted, subject to a minimum of 50% approval. Around five to seven performers are inducted each year.[50]

Early Influences includes artists from earlier eras, primarily country, folk, jazz, and blues, whose music inspired and influenced rock and roll artists. Other notable artists that have been inducted as Early Influences include Bill Kenny & The Ink Spots, country musicians Jimmie Rodgers and Hank Williams, blues musician Howlin' Wolf, and jazz musicians Jelly Roll Morton and Louis Armstrong. After Nat King Cole and Billie Holiday in 2000, no one was inducted in this category until 2009, when rockabilly singer Wanda Jackson was selected. Unlike earlier inductees in this category, Jackson's career almost entirely took place after the traditional 1955 start of the "rock era".

The Rock and Roll Hall of Fame and Museum's Library and Archives is the world's most comprehensive repository of materials related to the history of rock and roll. The Library and Archives is located in a new building on the Metro Campus of Cuyahoga Community College in Cleveland's Campus District.

The most frequent criticism of the Hall of Fame is that the nomination process is controlled by a few individuals who are not themselves musicians, such as founders Jann Wenner and Suzan Evans, and writer Dave Marsh, reflecting their personal tastes rather than public opinion as a whole. A former member of the nominations board once commented that "At one point Suzan Evans lamented the choices being made because there weren't enough big names that would sell tickets to the dinner. That was quickly remedied by dropping one of the doo-wop groups being considered in favor of a 'name' artist ... I saw how certain pioneering artists of the '50s and early '60s were shunned because there needed to be more name power on the list, resulting in '70s superstars getting in before the people who made it possible for them. Some of those pioneers still aren't in today."[57][58] Sister Rosetta Tharpe was not chosen for induction until 2017.[59][60] Velvet Underground drummer Maureen Tucker has dismissed the Hall of Fame as the "Hall of Lame" despite the band being inducted a couple of years prior to the remark.[61]

According to Fox News, petitions with tens of thousands of signatures have also been ignored, and some groups that were signed with certain labels or companies or were affiliated with various committee members have even been put up for nomination with no discussion at all.[58] The committee has also been accused of largely ignoring certain genres.[63] According to author Brett Milano in 2007, "entire genres get passed over, particularly progressive rock, '60s Top 40, New Orleans funk and a whole lot of black music."[64] Critics have pointed out a bias in favour of American and British acts, while important Canadian rock bands, such as the Guess Who, are often ignored, with Neil Young, Joni Mitchell, Leonard Cohen, Rush, and the Band being the only Canadian acts in the Hall.[65][66]

Members of the British punk rock band the Sex Pistols, inducted in 2006, refused to attend the ceremony, calling the museum "a piss stain" and "urine in wine."[69] In 2018, when British rock band Dire Straits were inducted, bandleader Mark Knopfler did not attend the ceremony and offered no official explanation, leaving bass player John Illsley to say, "He just didn't feel like coming, it's as simple as that. It just didn't appeal to him, and I appealed to him on several occasions."[70]

In 2018, Bruce Dickinson of Iron Maiden criticized the Hall of Fame by calling it "an utter and complete load of bollocks ... run by a bunch of sanctimonious bloody Americans who wouldn't know rock 'n' roll if it hit them in the face."[79] Dickinson has also expressed an overall distaste for the Hall of Fame entity, arguing that "if you put [music] in a museum, then it's dead." Iron Maiden had been eligible for induction since 2004.[80] Hard rock and heavy metal website Blabbermouth.net observed how it had taken Kiss 15 years to be inducted and Deep Purple 23 years. Regarding his band's non-induction into the Hall, Judas Priest bassist Ian Hill stated in a 2019 interview, "I don't think they like heavy metal music in general."[81] e24fc04721