Rock Music Mp3

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock"[3] period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style, and the diverse and enduring subgenre of heavy metal, with emphasis on volume, power, and speed. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s.

Rock Music Mp3

Download 🔥 https://ssurll.com/2y2GMw 🔥

Rock has also embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth, punk, and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity. At the same time, it has been commercially highly successful, leading to charges of selling out..mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}

The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll.[5] It was also greatly influenced by the sounds of electric blues guitarists.[6] The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered in jazz music in the same era,[7] and by percussion produced from a drum kit that combines drums and cymbals.[8] This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ, and the synthesizer.[9] The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums).[6] A group of musicians performing rock music is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or other instrumentalist.[10]

Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast the delights and limitations of the regional, and to deal with the depredations and benefits of mass culture itself.

Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against "The Establishment", social concerns, and life styles.[11] These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, and rhythm and blues.[18] Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise."[19] The predominance of white, male, and often middle class musicians in rock music has often been noted,[20] and rock has been seen as an appropriation of Black musical forms for a young, white and largely male audience.[21] As a result, it has also been seen to articulate the concerns of this group in both style and lyrics.[22] Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression".[23]

Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.[24] According to Simon Frith, rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with the romantic concept of art as artistic expression, original and sincere".[24]

The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music, with country and western.[27] In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed "race music") for a multi-racial audience, and is credited with first using the phrase "rock and roll" to describe the music.[28]

Debate surrounds the many recordings which have been suggested as "the first rock and roll record". Contenders include "The House of Blue Lights" by Ella Mae Morse and Freddie Slack (1946);[29] Wynonie Harris' "Good Rocking Tonight" (1948);[30] Goree Carter's "Rock Awhile" (1949);[31] Jimmy Preston's "Rock the Joint" (1949), which was later covered by Bill Haley & His Comets in 1952;[32] and "Rocket 88" by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm), recorded by Sam Phillips for Sun Records in 1951.[33] Four years later, Bill Haley's "Rock Around the Clock" (1955) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture.[34][35]

It also has been argued that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, could be the first rock and roll record,[36] but, at the same time, Big Joe Turner's "Shake, Rattle & Roll", later covered by Haley, was already at the top of the Billboard R&B charts. Other artists with early rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis, and Gene Vincent.[33] Soon rock and roll was the major force in American record sales and crooners, such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed.[37]

Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mid-1950s by white singers such as Carl Perkins, Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley.[38] Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country-western within traditional New Mexico music.[39] Other styles like doo-wop placed an emphasis on multi-part vocal harmonies and backing lyrics (from which the genre later gained its name), which were usually supported with light instrumentation and had its origins in 1930s and 1940s African American vocal groups.[40] Acts like the Crows, the Penguins, the El Dorados and the Turbans all scored major hits, and groups like the Platters, with songs including "The Great Pretender" (1955),[41] and the Coasters with humorous songs like "Yakety Yak" (1958),[42] ranked among the most successful rock and roll acts of the period.[43]

The era also saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray, and Scotty Moore.[44] The use of distortion, pioneered by Western swing guitarists such as Junior Barnard[45] and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s.[46] The use of power chords, pioneered by Francisco Trrega and Heitor Villa-Lobos in the 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s.[47] ff782bc1db