Rock Ballads 2 features 10 huge construction kits. With 8GB of samples spread across over 1300 loops, each construction kit features multiple song sections including intros, outros, verse, chorus and 'alternative' sections that can form a bridge, pre-chorus or middle 8 within your arrangement. Each song-section features multiple guitar parts. For the electric bass, electric guitar and acoustic guitar, each phrase is provided as a mic'ed version and a DI. The former gives you instant access to a perfect ready-to-mix sound, while the latter allows you to add your own amp simulations and ambience for additional flexibility. Drum parts are provided as both pre-mixed loops for immediate use and as individual loops for kick, snare, hihat, toms, cymbals and overheads so you can fully customize your drum mix if required.
The musical moods span the emotional to anthemic. If you are looking for big, classy rock ballads, infused with plenty of guitar hooks, then Rock Ballads 2 ticks all the boxes. Build your own radio-ready arrangement with ease and then simply add your own production elements to complete the job.
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Born to Touch Your Feelings: Best of Rock Ballads is a compilation album by German rock band Scorpions. It includes the most popular Scorpions ballads, with a brand new acoustic studio version of the song "Send Me an Angel", a new full band studio version of the song "Follow Your Heart" and two brand new songs "Melrose Avenue" and "Always Be with You" that were written specifically for this compilation.
Record label Sony Music contacted Scorpions and said that they wanted to release a compilation album consisting of their most popular ballads. They also suggested that the band record a couple of new songs that would be included with all those ballads. The band went into the studio and everybody in there came up with new song ideas. They wrote and recorded "Melrose Avenue" and "Always Be with You". "Melrose Avenue" is the newest song composed by Matthias Jabs. It is named after one of the most popular strips in Los Angeles and it talks about the enchanting sense of life in California. "Always Be with You" is a brand new song written by Rudolf Schenker. Written shortly after the birth of his youngest son, it is a declaration of love and a story of change. Before doing an interview for Sirius XM Satellite Radio on 12 September 2017, the band finished recording sessions and listened to the first mixes of the songs.[1][2]
On 22 October 2017, the band announced the compilation album title and track listing. The album is a compilation of 17 ballads. It includes MTV Unplugged versions of the songs "Born to Touch Your Feelings" and "When You Came into My Life", both of which were previously released on the bonus disc called "Studio Edits" which was part of the MTV Unplugged: Live in Athens Tour Edition. It also includes 2011 versions of the songs "Wind of Change" and "Still Loving You" which were released on Comeblack (2011), 2015 remastered versions of the songs "Always Somewhere", "Holiday", "When the Smoke Is Going Down" and "Lady Starlight". Furthermore, it includes "Lonely Nights" from the album Face the Heat (1993), "Gypsy Life" from the album Return to Forever (2015), "The Best Is Yet to Come" from the album Sting in the Tail (2010). Also, it includes a radio edit of the song "Eye of the Storm", which was only available on a digital single release of the same song, and a single edit version of the song "House of Cards". It also includes a brand new acoustic version of the song "Send Me An Angel", a full-band version of the song "Follow Your Heart" (previously played and sung by Klaus Meine on his own during the MTV Unplugged show), and two brand new ballads: "Melrose Avenue" and "Always Be with You".[3]
On 10 November 2017, "Follow Your Heart" (new 2017 version) was released as the compilation's lead single.[4] On 15 November 2017, lyrics video for the song "Follow Your Heart" was also released.[5] The album was released worldwide on 24 November 2017 on CD, double heavy gatefold LP, as digital download and it is also available for streaming.[1]
By the time the 21st century rolled around, we were starting to get a little removed from the power ballad dominance of the '80s, but there were still some tender-hearted moments touching listeners even if the structure of the rock ballad was beginning to change.
You still had themes of loneliness, separation, heartbreak, vulnerability and pure anguish expressed by the likes of 3 Doors Down, Staind and Shinedown among others. And the ballads that made this list were also major sellers, connecting with a lot of people through radio airplay and gaining traction that carried over to the era of streaming.
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The song comes off as polished and theme-devoted from the first second, immediately charming the listener with a soft rock-and-roll aura that gently envelops them as the seconds roll on and the bars cross away. The vocals take the centre stage for this part of the song, complimented very closely by the rhythm guitar section before the mix opens up into a richer chorus section with wafty pads and synths that kept me engaged.
That's the way you do it! Forgive my brief moment of Mr Punch madness, but with Rock Ballads the SingStar series has finally clicked back into its groove. As this marks the tenth outing for the franchise in just a few short years, a production rate which makes even the EA Sports roster look positively lethargic, it was perhaps inevitable that quality would eventually take a back seat to quantity. That's not to say there haven't been tunes worth warbling in the last few updates, but it did feel that SingStar was becoming little more than an interactive version of the interminable Now That's What I Call Music compilation series.
This offering, with a track listing that sounds more like one of those "not available in any shops" Drive Time compilations, finds SingStar joyfully rediscovering what made it work in the first place. And there are two main reasons for this.
Firstly, SingStar finally feels like a game again. While it's great to be able to use your PS2 as a communal karaoke machine, there are scores to be earned and recent editions seemed to be losing track of that element. Instead songs seemed to be chosen solely for their kitsch appeal or demographic visibility. OK, the inclusion of Sugababes in a Rock Ballads set raises an eyebrow but that's really the only track that doesn't fit in here. While noses will undoubtedly be turned up at the presence of Avril Lavigne and Anastacia, there's no denying that they represent the modern evolution of the oestrogen-soaked light rock fare once peddled by T'Pau, Roxette and Alannah Myles, all of who are also present here.
The skew towards plastic pop and bland chart tat may have drawn in Da Kidz and their disposable income but there's precious little challenge in songs that were purposefully designed to be performed by people of negligible vocal talent. Not with this update. These are big blustering showstoppers, towering monuments of soft rock hubris, and you'll need to be a damn good singer to keep up with many of the tracks here. Verses roam up and down the scale for that full bombastic heart-breaking impact, while climactic notes are sustained for lung-taxing lengths. The vast majority of the songs on offer really make you work those tonsils, leaving you exhausted but elated at the end.
All of a sudden, the score becomes relevant again - a true measure of whether you're improving or faltering, like the difference between taking part in a properly organised karaoke night or just bellowing along to Right Said Fred down the local boozer. I was positively giddy when I chalked up a respectable score on Toto's high-pitched classic, Africa, and only partly because of lack of oxygen to the brain from that bloody chorus. It felt like I'd achieved something. More than just a collection of new tunes, SingStar Rock Ballads is a game where talent is of paramount importance. This in turn revitalises the duet mode, as there's genuine competition to be found, while the medleys also gain a new lease of life, becoming marathon sessions that only the most skilled vocalist will be able to tame. Simply by focussing on actual songs, rather than just marketable hits, the game is rejuvenated across the board.
The second area in which Rock Ballads hits the bullseye is in the concept. These aren't the sort of songs you can approach half-arsed. These are big songs, often performed by big men and women, sporting big hair and tight pants. Going small is not an option. Mumble these songs into the mic and you'll look like a prize pillock. No, these are songs that demand to be SUNG, as enthusiastically as possible, and this forces players to get into the spirit of things. When tackling the imposing musical mountain that is Meatloaf's epic ode to bumsex, I Would Do Anything For Love (But I Won't Do That), you just have to go for it, open up the vocal chords and let rip. In much the same way as the best tracks in Guitar Hero demand you stand up and plant your foot on the coffee table, so Rock Ballads insists that you jump up and preen like a star, dammit. 152ee80cbc
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