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"Touch Me" is a song by Dutch disc jockey and producer Armin van Buuren under his alias Rising Star. It is his first track under the Rising Star alias. The song was released in on 1999 in the Netherlands on Armind as

There is no administration fee to enter the Rising Star Award. Entrants must be British, Irish or ordinarily resident in the UK, aged 18-24 on the 31st December 2023, and be members of The Ivors Academy. Under-25 music creators can join the Academy at a discounted rate and there are bursaries to cover the cost of membership for songwriters who face financial barriers.

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The 2022 Schwab Vocal Rising Stars perform love songs from Spain, Germany, France, and America; each chapter begins with a virtuoso duo-piano overture and features music by Montsalvatge, Dvok, Poulenc, Bizet, Milhaud, Sondheim, and many others. The annual Schwab Vocal Rising Stars program features four young singers and a pianist selected by Artistic Director Steven Blier for a week-long residency at Caramoor. The week includes daily coaching, rehearsals, and workshops, culminating in this performance featuring the results of their intensive work.

The function of circRNAs encoding proteins was first demonstrated in the hepatitis D virus [34]. However, in eukaryotes, Chen et al. [35] demonstrated that circRNAs with internal ribosome entry sites (IRES) could be efficiently translated in vitro. In addition, Wang et al. [36] constructed a miRNA that contains the cytomegalovirus promoter, IRES, and the exon of the GFP, which can be channeled into the cell to form a circRNA. This circRNA can also translate the GFP protein, as evidenced by green fluorescence in the cells. These studies indirectly demonstrate that circRNAs play a role in coding proteins, even though they may be lacking in direct evidence. The three latest studies have directly confirmed that circRNAs in eukaryotic cells can encode proteins. Legnini et al. [37] found that circ-ZNF609 had an open reading frame (ORF), both ends of which contain the start and end codes, respectively, that can transduce the polynucleotide to the protein. Pamudurti et al. [38] defined a group of circRNAs associated with translational ribosomes in Drosophila using ribosome imprinting. Mass spectrometry showed that a circRNA from a blind muscle site could encode a protein. In addition, Yang et al. [39] found that circRNAs were extensively translated by N6-methyladenosine. However, to date, no direct evidence exists to prove that natural eukaryotic endogenous circRNAs can be translated.

Talk Abstract: Everyday users now benefit from powerful QA technologies in a range of consumer-facing applications. Voice assistants such as Amazon Alexa or Google Home have brought natural language technologies to several million homes globally. Yet, even with millions of users now interacting with these technologies on a daily basis, there has been surprisingly little research attention devoted to studying the issues that arise when people use QA systems. Traditional QA evaluations do not reflect the needs of many users who can benefit from QA technologies. For example, users with a range of visual and motor impairments would prefer the option to interact with voice interfaces for efficient text entry. Keeping these needs in mind, we construct evaluations considering the interfaces through which users interact with QA systems. We analyze and mitigate errors introduced by three interface types that could be connected to a QA engine: speech recognizers converting spoken queries to text, keyboards used to type queries into the system, and translation systems processing queries in other languages. Our experiments and insights present a useful starting point for both practitioners and researchers, to develop usable question-answering systems.

Bio: Jennifer is a PhD candidate in Computing and Mathematical Sciences at Caltech, advised by Pietro Perona and Yisong Yue. Her research is on machine learning for scientific applications, in order to enable efficient interactions between scientists and data analysis systems. Her current work is at the intersection of machine learning and behavior analysis, with projects on learning behavioral representations, social behavior recognition, interpretable modeling, and keypoint discovery. She worked on organizing two interdisciplinary workshops in 2021, on affective computing (AUVi) and multi-agent behavior modeling (MABe). In particular, MABe is organized with the Kennedy Lab at Northwestern, which aims to connect researchers across science and data science. Her work was awarded best student paper at CVPR2021 and is supported by the Kortschak Scholars Program and a Natural Sciences and Engineering Research Council of Canada (NSERC) Postgraduate Fellowship.

Talk Abstract: The 21st century society is largely driven by science and innovation, but our quantitative understanding of why, how, and when innovators and innovations succeed or fail remains limited. Despite the long-standing interest in this topic, current science of science research relies on citation and publication records as its major data sources. Yet science functions as a complex system that is much more than published papers, and ignorance of this multidimensional nature precludes a deeper examination of many fundamental elements of innovation lifecycles, from failure to scientific breakthrough, from public funding to broad impact. In this talk, I will touch on a few examples of success and failure across science and technology, hoping to illustrate a way for a better understating of the full innovation lifecycle. By combining various large-scale datasets and interdisciplinary analytical frameworks rooted in data mining, statistical physics, and computational social science, we discover a series of fundamental mechanisms and signals underlying the processes in which (1) individuals and organizations build on previous repeated failures towards ultimate victory or defeat in science, startups and security; (2) scientific elites produce breakthrough discoveries in their scientific careers; and (3) scientific research gets funded and used by the general public. The uncovered patterns in these studies not only unveil regularity and predictability underlying the often-noisy social systems, they also offer a new theoretical and empirical basis that is practically relevant for individual scientists, research institutes, and innovation policymakers.

TB: Good! I woke up incredibly hungover, which was a great start to my day. We went out last night in Portland, so I stumbled back onto the bus at like 3:34, rolled into my little bunk, and woke up here in Seattle.

Diversifying the faculty in academic science takes more than just encouraging a diverse pool of post docs to apply to new faculty job postings. At its core a faculty cohort is a community, and communities grow and expand through relationship building. As the office of diversity and inclusion we are uniquely equipped to establish connections between scientists from diverse backgrounds with our own UChicago faculty. We hope that among these rising stars you will find, future collaborators, mentors and mentees, inspiration, and new ideas, not to mention potential faculty opportunities.

Holly Santonato released a new song called "Love Song." The song is all about the different emotions that come with love. Holly's beautiful voice and soulful melodies make the song a masterpiece that people worldwide will enjoy.

Holly has been making music for a while now. She has had popular songs like "Materials" and "Wildfires." Her song "You and I" was streamed over 50,000 times on Spotify. Because of her talent, Holly was asked to perform at Canadian Music Week 2023 and was featured on CBC's Fresh Air.

Holly loves making music and works hard at it. She was even picked to be in the TD Music Incubator Program with SOCAN. One of her songs, "Felt Love," was even used in a movie called "Rent a Groom." Holly is an essential part of Toronto's R&B music scene.

"Love Song" is an excellent example of how Holly has grown as an artist. The song is emotional and beautiful, showing how talented Holly is. It's sure to be a memorable part of her collection of songs.

When Adele broke out two years ago as one of the rising stars of English neo-soul, she separated herself by emphasizing her huge, booming pipes -- as opposed to a rocky personal life (see Amy Winehouse) or pin-up looks (see Duffy). Music has remained the primary focus, and Adele's honest, genuine songs about love and heartbreak helped her break through in the U.S. She even scored a 2009 Grammy for Best New Artist.

It helps that Adele has matured beyond the lovelorn persona behind her past hit songs, such as "Chasing Pavements." In "Rolling in the Deep," she vows revenge on an ex-lover: "Don't underestimate the things that I will do," she sings. To anyone thinking of breaking this soul singer's heart, consider it fair warning.

o The performance material must be a song in the musical theatre style from a published musical or an original work. We encourage students to use story driven material that shows off both acting and singing abilities equally. While the performance may include choreography, the emphasis of evaluation is on acting and singing.

o The submission must be a solo performance in which the performer performs a piece that is intended as a solo moment or individual song.

o The submission must not exceed 2 minutes.

Emmaline and Jackie have won best song at Five Continents International Film Festival, Christian Online Film Festival, Blue Sky Film and Music Festival, Golden Giraffe International Film Festival, and Cult Critic Awards in India for best original soundtrack. The film 12th Letter has won multiple awards for best film on the awards circuit so far with many more festivals to be announced in the coming weeks.

The lyrics perfectly describe the internal conflict between the desire to stand up to someone and the fear of confrontation. The bridge uses her soft vocals to bring great contrast and dynamic to the other more intense pieces of the song. 006ab0faaa