The results you are looking for with this plugin can be easily achieved thanks to the simple approach of the UI, and each one does exactly what you need it to quickly and efficiently. The panel is launched via a shortcut on the desktop for me, as I'm running Photoshop Beta, and provides very clear instructions. Once the image is selected, it's time to load your reference image, and that is it. If you are happy with the results at this stage, simply Save As, but in all honesty, how often does that happen?

The interface is uncluttered, which is a benefit, as you are simply looking to focus on the edited color grade instead of faffing around trying to get a finished result. The left-hand side of the window consists of four tools.

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At the top of the plugin window is the Blend option, ranging from 0-200 in terms of the adjustments you have made to the Luminance, Color, and Smoothing on the right panel. Each of these sliders will apply your chosen adjustment amount from the reference image to your image. Smoothing allows for a better transition between adjustments made. It's at this point, if you are happy with the final results, you can hit the Save As button. There is also a Save button beside this, which I never used due to the fact that I knew after a couple of days I would go back and adjust things slightly anyway.

Using the masking brush and eraser brush perform the tasks that you expect them to: apply a mask to a particular area and remove the mask from a particular area. Doing this allows you to edit each individual image to your own particular taste, or you can opt not to use them and simply apply your Color Match edit to the entire image.

This is another simple yet great feature that will allow you to add your adjustments via a LUT to all your sequences of images. If you prefer, you can take a still from one of your created videos, edit it in Color Match using perhaps a graded reference image from a film, save it as a LUT, and then apply it to your entire video in a matter of minutes. Doing this would also allow you to build a library of LUTs for yourself.

Within the LUT options window, there is a LUT manager which will open an online Library of LUTs for you to download and use, some of which are free and others at a low cost. You can save your own LUTs to a folder on your HDD as .cube files, and there's also the option to share your own LUTs for other users to download and use. I would definitely spend some time here browsing, as there are many more options here than I could show in the article. There may be the exact LUT here that you are after.

The Retouch 4 Me Color Match plugin is really easy to use. Simply open the plugin and load your image plus your reference image. Using AI to analyze the color scheme, it will then apply it to your working image, matching the colors. You can then fine-tune the results to your own preferences. It is as simple as that.

Retouch4Me has created a whole host of plugins for Photoshop, and you can watch a recent review of another one by Fstoppers' Lee Morris here. All of the plugins have a free trial, so you can give them a go to see if it's for you before spending your cash.

Color Match does exactly what you expect quickly and simply, and it's then just for you to fine-tune to get the final effect you are seeking. For the examples above, I used various screengrabs of movie stills as reference images and was surprised at how quickly I could fine-tune them to the desired look. Yes, they are not exact, as a whole host of variables, lighting, etc., and the professional skill set of the colorists come into play. And yet, if you want great results in a fraction of the time for your images and videos, I don't think you would go wrong with Color Match. It's not color grading per se, but it will allow you to match colors over a series of images or videos to create a particular look or mood.

Gary McIntyre is a landscape photographer and digital artist based on the west coast of Scotland. As well as running photography workshops in the Glencoe region, providing online editing workshops, Gary also teaches photography and image editing at Ayrshire college.

I rarely have the case that I get files that are already CMYK converted.

That is why I asked.

I don't know why most 3rd party plugins do not work in CMYK mode. But there are a few in PS as well that do not work in CMYK.

I used to but that greatly slowed down about five years ago. About 25 years ago I worked as photographer for a prepress house where they trained me on anything they had, including image setter first on film, then direct to plate. I did drum scanning, file preflight, laminated proofs, Iris, wide format... If photography was slow they had something for me and I loved to acquire all the knowledge. Clients would also send CMYK files for corrections and when the place closed, I went on my own and kept doing the image service for those clients. I actually like working in CMYK more than RGB. I've seen many times images scanned that were then turned to RGB, then cmyk, jpg... what ever they needed. Most people don't understand color space and profile so destruction would be really bad. I fixed a lot of those files when a manufacturer would supply them to my clients. I learned a lot of trick to give them a second life. Copying them to a new file in RGB color space or gray scale and crazy curves or else could often help revive them enough that I would then merge parts of those back into the life less and desperate working cmyk file and make a proof.

But for my files, I tune my raw files so they are neutral and will convert properly with my cmyk profiles. The idea is to not get rid of values that would affect the image when converted as these would no longer be available since cmyk's color space is tiny. Most clients have more limited use to cmyk today, but it is nowhere close to be gone. For "practical" reason, we will convert back to RGB and srgb. I'm not a fan of this but since most images will be used for the web and half the time on phones, we get some level for color consistency in the output. If needed, I can reprocess the RAW files for dedicated RGB use. Today, I mostly do image capture (photography), conversions, color corrections, silo, shadow for consistent income, and charge hourly for alterations. My work is very consistent and clients trust me with their last minutes shoots and requests. That's a win for both parties.

Retouch4me Color Match is a Photoshop, Lightroom or Capture One plugin that makes color grading simple. Not only can it match the colors of any reference image and apply them to another. It can also apply color look-up tables (LUTS) and create LUTS from your own images.

Using the power of artificial intelligence, Retouch4me has created an intelligent plug-in that can leverage the power of AI to accurately check the colors of a reference image and apply the same look and feel to another photo in your catalog.

In my initial tests, I used the latest version of Adobe Photoshop with Color Match to color grade a car. I wanted to give it more of a cool tone with a futuristic feel. By pressing the LUT Manager button within the plug-in interface, I was quickly able to find a LUT that matched perfectly to the look I was trying to create. The cloud-based library gives you a really good selection of choices to help you find exactly what you are looking for.

Next, I tried the Color Match function on the same car to compare. I selected an image that most closely matched what I was looking for. I found a cityscape with some cool blue tones and loaded it as the reference image. You need only point the plug-in to the reference image. It does not need to be loaded into Photoshop or be a layer of the image you are working on. The plug-in quickly analyzed the reference image and did a great job at replicating the feel of that image.

The plugin interface offers some basic controls that allows the user to change the blending of the effect that is being rendered as well as the luminosity, color and a smoothing control. Some basic masking functions are also present, allowing you to paint in or erase the effect from certain areas of your target image.

Overall, the Color Match plugin was very easy to use, and the interface is the same as other Retouch4me plugins. This simplifies the learning curve when using one of their other plugins. It also does not have a recurring fee to use, which is refreshing in this day and age. This plugin is a good investment for anyone looking to simplify color grading their images.

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Joseph Nuzzo is a professional photographer and educator specializing in real estate, wedding, & family photography in the Lakewood Ranch area of Florida. Joe began his journey working in a camera store part-time while helping pay his way through college. Honestly, it was that or not eat and food won that battle. However, the fun of picking up a camera just never seemed to get old. For more educational content check out his YouTube channel or his website.

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According to the company, the new software (which can be run as a plugin or as a standalone application) analyzes the color scheme of a reference image (or images) and then converts a desired working image to match the color scheme. Users can also export the result as a LUT to use both for photo and video.

During the search for a reference image, the plugin also allows an editor to scroll through other images that exist in the same folder to see if other reference image color palettes are better suited for the photo being worked on. 152ee80cbc

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