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When reprise was first adopted into English in the 15th century, it referred to a deduction or charge made yearly out of a manor or estate (and was usually used in the plural form reprises). It probably won't surprise you, then, to learn that reprise comes from an Anglo-French word meaning "seizure, repossession, or expense." Eventually, reprise came to refer to any action that was repeated or resumed. A later sense, borrowed from modern French, applies to specific types of repetition in musical compositions. That sense was eventually generalized to describe any subsequent and identical performance. It's possible, for example, to have a reprise of a television program or a book.

A partial or abbreviated reprise is known as a petite reprise (/ptit rpriz/ p-TEET r-PREEZ, French: [p()tit piz]). In Baroque music this usually occurs at the very end of a piece, repeating the final phrase with added ornamentation.

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Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based.[citation needed] One example could be "Time", the fourth song from Pink Floyd's 1973 album The Dark Side of the Moon, which contains a reprise of "Breathe", the second song of the same album. Another example could be "Solo", the fifth song from Frank Ocean's 2016 album Blonde, and then "Solo (Reprise)", the tenth song of the same album. Be Here Now, the 1997 album by Oasis, features a reprise of "All Around the World", while Tally Hall's "A Lady", the 8th song from the 2011 album "Good & Evil", is a reprise of "&", the second song from the same album.

In musical theatre, reprises are any repetition of an earlier song or theme, usually with changed lyrics and shortened music to reflect the development of the story. Also, it is common for songs sung by the same character or regarding the same narrative motif to have similar tunes and lyrics, or incorporate similar tunes and lyrics. For example, in the stage version of Les Misrables, a song of the primary antagonist ("Javert's Suicide") is similar in lyrics and exactly the same in tune to a soliloquy of the protagonist when he was in a similar emotional state ("What Have I Done?"). At the end of the song, an instrumental portion is played from an earlier soliloquy of the antagonist, in which he was significantly more confident. Les Misrables in general reprises many musical themes.[citation needed].

Often the reprised version of a song has exactly the same tune and lyrics as the original, though frequently featuring different characters singing or including them with the original character in the reprised version. For example, in The Sound of Music, the reprise of the title song is sung by the Von Trapp children and their father, the Captain; whereas the original was sung by Maria. In "Edelweiss" (reprise), the entire Von Trapp family and Maria sing and are later joined by the audience, whereas the original features Liesl and the Captain.[citation needed].

Also, in the musical The Music Man, the love song "Goodnight My Someone" uses the same basic melody (though with a more ballad quality to it) as the rousing march and theme song "Seventy-Six Trombones"; in the reprised versions, Harold and Marian are heard singing a snatch of each other's songs.[citation needed] And in Jerome Kern and Oscar Hammerstein II's Show Boat, the song "Ol' Man River" is reprised three times after it is first sung, as if it were a commentary on the situation in the story.[citation needed] In some musicals, a reprise of an earlier song is sung by a different character from the one who originally sang it, with different lyrics.

In RENT, the song, "I'll Cover You" gets a reprise at Angel's funeral. It is sung primarily by Collins and is slower and more emotional to reflect Collins' emotional state. Nearing the end of the song, the rest of the company begins singing a slower version of the first verse of "Seasons of Love". In addition, the second half of "Goodbye Love" features the piano playing an instrumental which is a faster version of the instrumental in "Halloween".

In Hamilton, the song, "Best Of Wives, And Best Of Women" reprises the song "It's Quiet Uptown" with the same melody and similar lyrics, along with "The Story of Tonight" being reprised several times.

In musical competitions, it's named reprise or winner reprise to the winner's last performance, once its victory is proclaimed, and before the end of show. This tradition began in San Remo Festival (1951) and was adopted by several competitions, as Eurovision Song Contest.[3]

Reprise is an ability, that allows Colt to exert three attempts at life. Dying, while Reprise is active, allows the player (and Colt) to rewind a few meters back and try again. The rewind follows the route Colt has taken, spawning him in a location he's passed earlier. Each reprise takes Colt further back.

Losing a "life" is accompanied by an overlay animation, showing how much attempts are left. Dying a third time after spending 2 reprise attempts automatically ends the current loop: all of the non-infused weapons, trinkets or Slabs are removed from the inventory, along with all of the Residuum.

Reprise Records was started by Frank Sinatra in 1960 as a vehicle for his own recordings, and therecordings of his Las Vegas pals, Dean Martin and Sammy Davis Jr. Early album releases by FrankSinatra himself used the F-1000 series, while others were issued on the R-2000 and R-6000 series.

Sinatra sold Reprise to Warner Brothers in 1963. The combined Warner Brothers/Reprise labels keptseparate A&R divisions for a while with Jimmy Bowen heading A&R for Reprise.

The first reprise label was pink, gold and green with black printing. Above the center hole to the left wasa steamboat drawing, with "reprise" to the right. This label was used for the 6000 series from early 1961to mid 1968 approximately number 6280. This same label was used on the 2000 series into 1964,approximately number 2023. The 1000 Frank Sinatra series usually had a picture of Frank Sinatra onthe label instead of the steamboat drawing. Reprise also used some special labels. There was also a Pop Series label that was green, brown andpink (sometimes blue) that was used on albums in both the 2000 and 6000 series in the early 1960's.Above the Reprise logo was "POP SERIES", with a steamboat drawing to the left. There was also a JazzSeries label that was used that was yellow, red, and green with "JAZZ SERIES' above the Reprise logo,instead of a steamboat drawing there was a drawing of an angel playing an lyre. This label was used inthe early 1960's on jazz series releases in the 6000 series. The 5000 spoken word series used a green,brown and blue label with "SPOKEN WORD' above the Reprise logo, instead of the steamboat drawingwas an owl drawing to the left. The second label design was brown and orange with black print. Above the center hole to the left was asteamboat drawing with "REPRISE RECORDS" to the right. Above the name was the W7 logo and aReprise logo. This label was used from early 1968, approximately 6280 to late 1970, approximately6403. The third label was similar to the second but the W7 logo was removed and there is no mention ofWarner-7 Arts at the bottom of the label. This label was used from late 1970, approximately number6410 to late 1976, to the end of the 6000 series, number 6484. This label was also used on the 2000series on numbers above 2024 to approximately number 2230. The forth label was brown with black print. The steamboat logo was above the center hole to the left withthe Reprise logo to the right with REPRISE RECORDS" below it. This label was used from late 1976,approximately number 2240, and above.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail. Both Sides Now Publications is an informationweb page. We are not a catalog, nor can we provide the records listed below. We have no associationwith Reprise Records. Should you be interested in acquiring albums listed in this discography (all ofwhich are out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story anddiscography are copyright 2004 by Mike Callahan.

late 14c., "yearly deduction from charges upon a manor or estate," from Old French reprise "act of taking back" (13c.), fem. of repris, past participle of reprendre "take back," from Latin reprendere"pull back, hold back" (see reprehend). The meaning "resumption of an action" is attested from 1680s. The musical sense of "a repeated passage, act of repeating a passage" is by 1879.

early 15c., reprisen, "begin (an activity) again," from Old French repris, past participle of reprendre, from Latin reprehendere "to blame, censure, rebuke; seize, restrain," literally "pull back, hold back" (see reprehend). Obsolete in this sense; the modern meaning "repeat a (theatrical, musical, etc.) performance" is by 1965, perhaps a new formation from the verb. Related: Reprised; reprising.

1570s, reprive, "take back to prison," alteration (perhaps by influence of reprove) of Middle English repryen "to remand, detain" (late 15c.), probably from French repris, past participle of reprendre "take back" (see reprise). Meaning "to suspend an impending execution" is recorded from 1590s; this sense evolved probably because being sent back to prison was the alternative to execution. Spelling with -ie- is from 1640s, perhaps by analogy of achieve, etc. Related: Reprieved; reprieving. ff782bc1db