Leapwing Audio StageOne 1.2 Frymarta


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How to Enhance Your Stereo Mix with Leapwing Audio StageOne 1.2

If you are looking for a way to improve the soundstage of your stereo mix, you might want to check out Leapwing Audio StageOne 1.2, a plugin that offers unparalleled control over width, depth, and mono spread. Whether you want to widen stereo audio, add perceived depth, or even give mono signals a stereo image, StageOne can help you achieve your sonic goals without phase or mono-compatibility issues.

StageOne is based on a unique algorithm that extracts and processes the phantom center signal independently of the rest. This allows you to manipulate aspects of your stereo field that are usually difficult or impossible to control with conventional techniques. You can use StageOne on individual tracks, buses, or the master channel, depending on your needs and preferences.

StageOne has three main modules that can be enabled or disabled separately: Width, Depth, and Mono Spread. Let's take a look at each one and see how they can enhance your mix.

Width

The Width module lets you adjust the level of the off-center content in your stereo signal above a user-defined frequency threshold. This is not the same as boosting the sides signal, as it leaves the phantom center untouched. By doing this, you can create a wider and richer stereo panorama without hollowing out the mix or introducing unwanted artifacts.

The Width module has two controls: Width and Frequency. The Width slider determines how much off-center content is boosted or attenuated. The Frequency slider sets the crossover point between the center and off-center signals. You can use these controls to fine-tune the width of your mix according to the source material and your desired effect.

For example, if you want to widen a drum bus, you might want to set a low frequency threshold to preserve the punch and focus of the kick and snare in the center, while spreading out the cymbals and toms. If you want to widen a vocal track, you might want to set a higher frequency threshold to avoid affecting the clarity and presence of the voice in the center, while adding some air and space around it.

Depth

The Depth module adds early reflections that are directionally optimized to create an enhanced sense of depth in the sound field. This is not a conventional reverb, as it does not add any tail or decay to the signal. Instead, it adds subtle psycho-acoustic cues that make the listener perceive some elements of the mix as closer or farther away.

The Depth module has two controls: Depth and Color. The Depth slider determines how much early reflections are added or subtracted from the signal. The Color slider adjusts the frequency balance of the reflections, making them brighter or darker. You can use these controls to create a natural sense of ambience and draw attention to or from parts of your mix.

For example, if you want to add some depth to a guitar track, you might want to increase the Depth slider to make it sound more distant and spacious. If you want to add some depth to a vocal track, you might want to decrease the Depth slider to make it sound more intimate and upfront. You can also use the Color slider to match the tone of the reflections with the source material and the overall mix.

Mono Spread

The Mono Spread module creates a stereo panorama from a mono signal by using phase manipulation and spectral shaping. This can be useful for giving mono signals a stereo image so they fit better in the mix, or for balancing unbalanced stereo signals by shifting their apparent focal point.

The Mono Spread module has two controls: Mono Spread and Center Gravity. The Mono Spread slider determines how much stereo width is added or subtracted from the signal. The Center Gravity slider adjusts the position of the phantom center within the stereo field, making it lean more towards the left or right channel.

For example, if you want to give some stereo width to a mono synth track, you might want to increase the Mono Spread slider to make it sound more spacious and immersive. If you want to balance an unbalanced piano track that has more content on one channel than another, you might want to use the Center Gravity slider to move its phantom center towards the opposite channel.

Conclusion

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