You may want to explore my footnotes/references on intellectual property (IP) rights, trademark, copyright, fair use, costumes, fandom, popular culture, cosplay and other media that influenced the writing of this blog entry. However, here are a few basic definitions described by the United States Patent and Trademark Office (www.uspto.gov). Trademarks protect brand names and are usually words, designs, or a combination that relates to logo, product appearance, colors, sound, etc. Copyright protects original artistic/literary work. These are both types of intellectual property (IP) which refers to something created by a person/company.
Andor goes beyond eye candy, it is more of a full on visual feast. Costume designer Michael Wilkinson was nominated for an Academy Award for Best Costume Design for American Hustle (a deep dive into style of the seventies is probably an excellent primer for star wars costume design.) This show is taking its costumes seriously. Which it announces up front in a scene in which we are introduced to the central antagonist.
Cosplayers Influenced The Costume Design In Star Wars Animated Shows
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Svetlana aka Kamui Cosplay is an internationally acclaimed content creator, teacherand costume designer from Germany. As a cosplay veteran, she creates costumes already since 2003 and even turned her hobby into a business. Over the years sheand her husband Benni published a long running series of popular instructional books, video tutorials and crafting patterns that influenced a whole generation ofcosplayers. Both love to share their knowledge and experience with the communityand always find new ways to inspire newcomers and cosplay veterans alike. Their positive and helpful attitude is one of the many reasons why they are already followed by 3.5 million fans from all over the world. Svetlana and Benni are hugely popular cosplay guests at conventions, enjoy to run highly entertaining workshops, Q&As and crafting panels. At the end of the day though, they just do what they always did, build stuff and help others.
Cosplay costumes vary greatly and can range from simple themed clothing to highly detailed costumes. It is generally considered different from Halloween and Mardi Gras costume wear, as the intention is to replicate a specific character, rather than to reflect the culture and symbolism of a holiday event. As such, when in costume, some cosplayers often seek to adopt the affect, mannerisms, and body language of the characters they portray (with "out of character" breaks). The characters chosen to be cosplayed may be sourced from any movie, TV series, book, comic book, video game, music band, anime, or manga. Some cosplayers even choose to cosplay an original character of their own design or a fusion of different genres (e.g., a steampunk version of a character), and it is a part of the ethos of cosplay that anybody can be anything, as with genderbending, crossplay, or drag, a cosplayer playing a character of another ethnicity, or a hijabi portraying Captain America.[46][47]
Cosplayers obtain their apparel through many different methods. Manufacturers produce and sell packaged outfits for use in cosplay, with varying levels of quality. These costumes are often sold online, but also can be purchased from dealers at conventions. Japanese manufacturers of cosplay costumes reported a profit of 35 billion yen in 2008.[48] A number of individuals also work on commission, creating custom costumes, props, or wigs designed and fitted to the individual. Other cosplayers, who prefer to create their own costumes, still provide a market for individual elements, and various raw materials, such as unstyled wigs, hair dye, cloth and sewing notions, liquid latex, body paint, costume jewelry, and prop weapons.
Many cosplayers create their own outfits, referencing images of the characters in the process. In the creation of the outfits, much time is given to detail and qualities, thus the skill of a cosplayer may be measured by how difficult the details of the outfit are and how well they have been replicated. Because of the difficulty of replicating some details and materials, cosplayers often educate themselves in crafting specialties such as textiles, sculpture, face paint, fiberglass, fashion design, woodworking, and other uses of materials in the effort to render the look and texture of a costume accurately.[55] Cosplayers often wear wigs in conjunction with their outfit to further improve the resemblance to the character. This is especially necessary for anime and manga or video-game characters who often have unnaturally colored and uniquely styled hair. Simpler outfits may be compensated for their lack of complexity by paying attention to material choice and overall high quality.
"Cosplay Is Not Consent", a movement started in 2013 by Rochelle Keyhan, Erin Filson, and Anna Kegler, brought to the mainstream, the issue of sexual harassment in the convention attending cosplay community.[77][78] Harassment of cosplayers include photography without permission, verbal abuse, touching, and groping. Harassment is not limited to women in provocative outfits as male cosplayers talked about being bullied for not fitting certain costume and characters.
Cosplayers in Japan used to refer to themselves as reiy (), pronounced "layer". Currently in Japan, cosplayers are more commonly called kosupure (), pronounced "ko-su-pray", as reiy is more often used to describe layers (i.e. hair, clothes, etc.).[94] Words like cute (kawaii ()) and cool (kakko ( )) were often used to describe these changes,[further explanation needed] expressions that were tied with notions of femininity and masculinity.[95] Those who photograph players are called cameko, short for camera koz or camera boy. Originally, the cameko gave prints of their photos to players as gifts. Increased interest in cosplay events, both on the part of photographers and cosplayers willing to model for them, has led to formalization of procedures at events such as Comiket. Photography takes place within a designated area removed from the exhibit hall. In Japan, costumes are generally not welcome outside of conventions or other designated areas.[5][6]
The increasing popularity of Japanese animation outside of Asia during the late 2000s led to an increase in American and other Western cosplayers who portray manga and anime characters. Anime conventions have become more numerous in the West in the previous decade, now competing with science fiction, comic book and historical conferences in attendance. At these gatherings, cosplayers, like their Japanese counterparts, meet to show off their work, be photographed, and compete in costume contests.[102] Convention attendees also just as often dress up as Western comic book or animated characters, or as characters from movies and video games.
Costume design is a crucial part in the creation of a character, especially when it comes to Star Wars. What makes a hero or villain so attractive and iconic to the audience is influenced by the incredible authenticity and detail that originates from the artistry of costume designers in collaboration with hair designers, props, and makeup artists that bring these characters to life from script to screen. The Mandalorian (and the Mandoverse as a whole) has been a testament to that, especially Season Three which blossomed with a myriad of new characters. Costume Designer Shawna Trpcic joined Tatooine Times to reflect on her journey working on the latest season of The Mandalorian, exploring the inspiration and technicality behind the fabrication of so many iconic costumes set in a galaxy far, far away.
Relive some of your favorite Saturday morning cartoon moments with a variety of cartoon and anime costumes. The 80s and 90s were undoubtedly packed with great animated shows, but you can find inspiration outside of those decades, too! Fight villains as Sailor Moon, unmask fake ghosts as Velma or Daphne, or instigate some drama as Louise Belcher. The possibilities are endless, and we hope that you walk away with all of the autographs! 589ccfa754
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