Reddit Download Discography ((BETTER))

I was listening to some Minor Threat today, thinking about how short their discography is. Their entire body of work is only about 47 minutes long, yet they crystallized hardcore and have influenced thousands of bands. Their work is just one classic after the next.

pretty rare that i like an artists entire discography, even more rare that i love it enough to seek out every album on vinyl, but there are a few. for example i love kendrick and have TPAB but i'm not pressed to get every album on vinyl (though admittedly part of the reason is because its so abundant i can get copies any time). the few artists whose entire (living) discographies (official pressings, no bootlegs bc i don't collect those) i have are:

Reddit Download Discography

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Music fans seem to be of several minds when it comes to how an artist should be judged based on their discography. Some artists are considered 'good' even though their bad projects are agreed to equal or outnumber their good ones (e.g. Eminem, The Flaming Lips, Lil Wayne, Weezer, Violent Femmes, The Killers, Nas). However, others are unable to shake their bad reputation despite having releases that are widely praised (e.g. Discharge, Maroon 5, Def Leppard, Coldplay, Logic and (maybe) Korn).

Howdy! I've always wanted to, so I finally made myself a spreadsheet of NCT's entire discography with checked columns indicating which member is in which song. I ONLY included songs credited to NCT, NCT U, NCT 127, NCT DREAM, and WayV (AKA no solo songs credited to the member himself, and no SuperM) on Spotify.

NOTE: Due to the rules of this subreddit I did not include leaks in the graphs below, so do not go asking about / for them, thank you. Also if you find any errors please let me know

so, over the course of the past few weeks or so, off and on i've been gathering all of the unreleased music off of alex g (and other various artists) i could find on the internet. i've just given it to my other friends but lately i think i've found found all of the available albums, at least to my knowledge, and i've gathered some of the vinyl/live performances, such as "Live at Third Man Records" and "Live From Union Transfer" (btw thx for the people who put the rip to LFUT a few days ago in the subreddit)

Rihanna. Honestly, i could just leave it at that because the tone would already be set, but that would be kinda lazy, wouldn't it ? Business mogul, insta troll extraordinaire, and former pop music legend. Her R logo slaps too. Looking back on it, she absolutely RULED the world from 2008 to 2016 -- i already knew all of the hits i was too young to fully live through before i even heard them just because of their sheer iconicity, and when i actually started to form coherent and self-made thoughts there was no way in hell i was gonna be able to escape Diamonds or Wow. Pretty obviously, when i started wanting to get really into pop, her discography seemd to be a requirement: after all, she's part of the pantheon of modern pop princesses, if she hasn't actually risen above it (not to mention her hits being big fat bops). So that's what i did, and i went in that order: Loud>Good Girl Gone Bad: Reloaded>Music of the Sun>A Girl Like Me>Rated R>Talk That Talk>Unapologetic>ANTI>Good Girl Gone Bad: The Remixes>Rated R: Remixed. I was well-aware that she had a reputation of being a singles artist and that her album were supposedly full of filler, but in the end where these rumors unfounded or nah ? Well, i found the answer during the journey that ultimately culminated into what you're about to read very soon unless you close the tab right now but please don't do that. Let's go!

Thoughts: Ok so outside of the (iconic) lead & hit single Pon de Replay i was expecting this to be her weakest album by far, and wow i'm kinda surprised by the fact that i was kinda proven wrong...? I mean sure, it's not her magnum opus or some underrated gem among her discography, but it's honestly pretty good. I mean i do think from track 2 to track 7 it's extremely basic, kinda filler-ish and not really rememberable (if you held a gun to my head and asked me to sing literally anything from these tracks well you'd win a lot of time just shooting me straight up) though they do have a nice chill summer vibe, but then starting from Willing to Wait (that intro oh my god, those crystalline beats with the cosmic instrumental... oh my god, i melt) the quality suddenly shoots up and everything after that is actually pretty great and even sometimes downright amazing -- Now I Know for exemple is an absolutely stunning ballad that i did NOT expect to find on this album. I've seen people call Music of the Sun Rihanna's weakest project, and i mean yeah kinda (or not really since it's not last here lol), but i think if you took out Here I Go Again, If It's Lovin' that You Want, *You Don't Love Me (No, No, No), That La, La, La, and The Last Time, you'd be left with a pretty strong and varied though still cohesive 8 track album (EP ? dunno) that could hold a candle to like the next 2 albums on this list and that would be way more well-regarded by the critics. But in the end, the only music critic that matter to me is myself, and i do very like Music of the Sun so suck it up bitchfork

Thoughts: Good Girl Gone Bad... the album where Robyn started to become that Rihanna -- or at least was well on her way to do so, from the absolutely iconic and edgier hairstyle to even the more pop sound. The only taste i had gotten of that one was all these hours i spent dancing my ass off to Disturbia as a child before the """""too smart for dumb popular music ew""""" devil took ahold of me (a devil that was eventually slain by Gaga, thanks for that boo xx), so i was expecting to like it. However, it was clearly not the straightforward electro / dance-pop album i thought it would be, i kinda wanna say it was, like... messy ?? That sounds mean. I guess it is. But i mean, Good Girl Gone Bad clearly isn't the most cohesive album ever -- you got the clearly pop bops Don't Stop the Music, Push Up on Me, Shut Up and Drive and Disturbia (*Breakin' Dishes also kinda fits here though it's more of an angry banger), but also the weirder (and by that i mean these tracks all sound wildly different from one another and anything else on the album really) songs like Lemme Get That, Sell Me Candy, Say It or even Question Existing, a whole existential crisis packed into one song, thanks Riri ! Of course, i have to mention the monstruous hit that was Umbrella (that song makes my heart flutter in a way very few things do). To close the circle, the guitar-y but badass title track is here, and then there's also two bonus tracks (Haunted and Cry) that are honestly kinda light years ahead of most of the songs here in term of quality. But if there's one thing that ties this colorful merry o' crew together, it's the production -- i don't wanna be mean but it sounds REALLY dated... like i don't know, you can just tell these songs are old-ish. There's just something about them. Something that feels like orange juice you left out on the table for too long, and it's still comestible, and still tastes good too, but now it got a weird funky bitter-ish taste that somehow doesn't reach the bonus tracks. I'd say this taste is more often found in the non-singles, so honestly i wouldn't be surprised if they really worked on the singles and did little to no efforts to make the deep cuts timeless, but oh well. I love it when album aren't too cohesive and i reject the belief that music can age badly outside of lyrics, so all that only makes Good Girl Gone bad even better to me ! It's really a super fine (like in a fine wine way) album that i revisit a ton because it got the bops and more, so even if it kinda gets bodied by the higher albums here, it can produly stand on its own. Though i do think the "good girl gone bad ??" attitude isn't really there in the music, but maybe it was more something that had to do with the era itself, which i did not really experience first-hand, and also i guess the sound switch from A Girl Like Me to this is kinda brutal. Anyways uh to close off this section i'll just leave you with this tragic tale of pepsi, Take a Bow and carpeted floor that i told on reddit some time ago

Thoughts: In the land of Good Girl Gone Bad and Unapologetic, ANTI proudly stands as a total UFO in Riri's discography. The name is justififed because Same Ol' Mistakes and pretty much the whole tracklist feels completely alien coming from her, and interestingly enough this is the first album where she had full creative control, a writing credit on every track (aside from the Tame Impala cover), no one to mess with her vision and also a burning desire to make an artistic statement after being seen as a puppet conveying someone else's pop-heavy songs for so long. First of all, i wanna say: there's no bangers here. Nope. Aucun. Zero. Nada. Look at miss ANTI already edging herself out of the traditional Fenty family. The only one i can think of that could kinda hold that title is Kiss It Better, and that's only because of those roaring guitars in the chorus. That may sound like a negative point (especially since i just ranted about Unapologetic not having enough bangers in my opinion lol oops), but it works incredibly well in the context of the album. I think that "no bop" quality comes from the fact that this album is like, incredibly chill, or rather cool in it's vibes (it's currently my go-to album when i just wanna lay down, unwind and rest). Even on angrier tracks like Woo or Needed Me, you can feel the emotion in her voice, but Rihanna still keeps a cool and collected allure (i'd say the one where's she's the least "cool" is Pose and for some reason the pure, unfiltered gleefulness in her voice when she says "And I ain't never liked a broke bitch :D !!!" is sending meeeeeee). In turn, that cool quality comes from the production, which is absolutely amazing by the way; it's all composed of super slick, modern, virtual and almost futuristic beats, and there's never not enough or too much of them -- it's always exactly just the right amount, the right mixing, the right everything to achieve what the songs wanna achieve. Yeah, this album is almost surgically-produced, it's as if you asked the most powerful computer in the world to make the "perfect" album, without any traces of impurities or superfluous things. If it was an apartment, it would have its walls entirely painted in white with an almost sparse but optimal amount of moderner than modern furniture, like one of those super trendy magazine covers. I know another one of Rihanna's goals with ANTI was to make "timeless music" and she definitely hit the highest score here, i don't think any of the songs here will ever age. Also, something i noticed about ANTI is that it really feels like a single entity as a whole...? . If most other albums are toy boxes from which you can pick out anything anytime to play with if you feel like it, this one is a whole block of concrete that cannot be altered one way or another if you wanna use it. It's like the tracks can't be separated from one another, and i know that when i listen to just one, i have to play the entire album unshuffled next or it doesn't feel right. If her intent with that album was to break away from her reputation of singles artist (which was unfounded by the way, pretty much every Rihanna album has stellar deep cuts), then she definitely succeeded. It's not my favorite favorite but ANTI definitely objectively is Rihanna's magnum opus. e24fc04721