"The Rain Song" is a ballad of over seven minutes in length. Guitarist Jimmy Page originally constructed the melody of this song at his home in Plumpton, England, where he had recently installed a studio mixing console. A new Vista model, it was partly made up from the Pye Mobile Studio which had been used to record the group's 1970 Royal Albert Hall performance and the Who's Live at Leeds album.[3]

With a working title of "Slush", a reference to its easy listening simulated orchestral arrangement,[3] Page was able to bring in a completed arrangement of the melody, for which singer Robert Plant wrote the words. Plant ranks his vocal performance on the track as one of his best.[4] The song also features a Mellotron played by John Paul Jones to add to the orchestral effect, while Page plays a Danelectro guitar.[3]


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The Rain Song is a novelty instrument that has a 1*1/100 (1%) chance of being dropped by Flying Fish, which spawn during rain. When used, the player strums a chord depending on how far the cursor is from the player.

Welcome to Rainy Mood, the internet's most popular rain experience.


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Megh Santoor has been conceptualized as a unique adaptation of the traditional Santoor (a well-known Indian musical instrument) and is designed to be played only when it rains. Deploying smart thinking and a clever arrangement of weights that fill up due to rainwater, it all comes together to musically bring to life the classical composition that celebrates the rainfall.

You would think a song as popular as "Singin' in the Rain" would have a precise history. Well, it really doesn't. What is known for sure is that the music was written by Nacio Herb Brown, and the lyrics by Arthur Freed. Both have been dead for quite some time. There seems to be a bit of folklore as to when, where and how the song was first used. There's a copyright for the song that dates to 1929, but that date is disputed by a one-time Ziegfeld girl.

Doris Eaton Travis is 96 years old, and though she says it's hard to remember everything that happened in her life more than 70 years ago, she can recall her performance in a music show called "The Hollywood Music Box Revue," a vaudeville-type show with music, comedy and dancing. She says she was the first person to ever perform the song on stage.

Even though the LA Times says the number was created for Eaton, there are other accounts that say it was written in 1929 for a new MGM musical called "The Hollywood Revue of 1929." There's so much speculation that even some who worked for MGM aren't too sure.

"I think that one of two scenarios occurred," says music historian Marilee Bradford. She co-produced the "Singin' in the Rain" soundtrack and acted as music supervisor for "That's Entertainment 3," the last of three videos celebrating MGM's musicals.

Nacio Herb Brown and Arthur Freed met in the early 1920s, but didn't become a songwriting team until they were both hired by MGM in late 1928. Brown grew up in New Mexico, learned piano from his mom. He later moved to Los Angeles and played piano for Vaudeville shows before heading to Louisiana for a bit to open up his own tailoring business. Brown once said composing was a hobby. Arthur Freed, as early as high school, knew he wanted to be a music composer. In the few years leading up to 1920, he worked as a piano demonstrator in Chicago. While there, he was approached by the mother of the Marx brothers, who asked if he'd like to write music material for her sons, who were putting together a Vaudeville act. So Freed spent a summer with them in New York. Brown and Freed's first project together at MGM was writing the music for what would become Hollywood's first all-talking, all-singing, all-dancing movie, "Broadway Melody," which premiered in the spring of 1929.

"Arthur Freed and Nacio Herb Brown were a very good pair of songwriters, and they were out to write hits," says Max Wilk, author of "They're Playing Our Song: Conversations With America's Classic Songwriters." Like 'Broadway Melody' and lots of other musicals of the time, 'Hollywood Revue' was plotless. It was what the title suggested: a musical revue. 'Singin' in the Rain' was the 16th number in the movie, sung by Cliff Edwards, aka Ukulele Ike, who later became the voice of Jiminy Cricket. Max Wilk says the scene was quite a spectacle.

Audiences and critics loved the movie. Film Daily called it `a smash and a wow, a movie that bears all the marks of a sure-fire box office panic.' The New York Times in its review said "Singin' in the Rain" was a song that was, quote, "pleasingly delivered and charmingly staged." Variety predicted the song would become a smash, and it did. It hit number one on the pop charts in 1929 and stayed there for three weeks. Not only did Cliff Edwards' version do well, sheet music sales were pretty good, too. So MGM didn't hesitate to bring it out again in 1932's "Speak Easily" with Jimmy Durante singing the tune, and again in 1940, when Judy Garland did a swinging version in

 "Little Nellie Kelly."

"And I think that in the history of the movies, I don't think there will ever be a scene that is more familiar and historic than Gene Kelly with the umbrella singing and sloshing his way through the rain."

MTI is not currently offering rental materials for this show. Please email concerts@mtishows.com with any questions.'); jQuery('.show-concert-selections-trigger').parent().css('display','none');}}});//--> */ */ */ */ Singin' in the Rain Select a Show VersionSingin' in the RainJr. Concert SelectionsPrint ViewFollow Share Singin' in the RainU.S. National Tour Version (1986)Tap your toes and sing along in this splashy adaptation of the celebrated and beloved film.The "Greatest Movie Musical of All Time" is faithfully and lovingly adapted by Broadway legends, Betty Comden and Adolph Green, from their original award-winning screenplay in Singin' in the Rain. Each unforgettable scene, song and dance is accounted for, including the show-stopping title number, complete with an onstage rainstorm! Hilarious situations, snappy dialogue and a hit-parade score of Hollywood standards make Singin' in the Rain the perfect entertainment for any fan of the golden age of movie musicals.

'The Rain Song' is a love ballad of over seven minutes in length. Guitarist Jimmy Page originally constructed the melody of this song at his home in Plumpton, England, where he had recently installed a studio console. A new Vista model, it was partly made up from the Pye Mobile Studio which had been used to record the group's 1970 Royal Albert Hall performance.[1] Page played a Danelectro guitar.[2]

Page was able to bring in a completed arrangement of the melody, for which singer Robert Plant composed some lyrics. These lyrics are considered by Plant himself to be his best overall vocal performance. The song also features a string arrangement via a Mellotron Mk.II. played by John Paul Jones to add to the orchestral effect, and an EMS VCS3 was also used for special overdubs. The straight piano performance was recorded using a Steinway grand piano.

Sweatpants, a good book, your favorite warm drink and some music to mellow out to: These are the necessities for any given rainy day. While it may seem like a downer that the sun is M.I.A., gray clouds have taken over the sky and outdoor activities have become a thing of the past, take it as an opportunity to relax and reflect as the raindrops hit the pavement.

During writing music to both parts of the Risk of Rain you clearly was inspired by the Dream Theater and Daft Punk bands. What decided that you choose those artists, and what other kind of inspiration can be heard on both soundtracks?

The Indian classical music tradition features numerous references to meteorological events that dominate the seasonal rhythm of Indian society: the annual monsoons. The monsoon winds bring life-giving rain across India, blowing from the southwest in summer and the northeast in winter. Monsoons are dynamic weather events, showing variety in the whoosh of winds, cloud formations, and stormy and shiny periods.

Indian classical music has a basic set of 12 notes that correspond approximately to the European chromatic scale, including sharps and their respective flats. A raga is made up of at least five notes (swaras) selected from the set of 12. Like choosing a major or minor key in Western music, this selection creates a certain mood or atmosphere.

The villagers of Gokula used to have a huge, very expensive annual celebration in honor of Indra. Young Krishna asks his father Nanda why such celebrations are undertaken every year. Nanda says it is to appease the wrath of Indra, who could delay the rains or cause floods.

Thus assured, the villagers do not celebrate any festivity that year, making no offerings. This displeases Indra, who sends down torrential rains. But Krishna lifts the Govardhana Mountain and shelters all the villagers, their livestock, and, indeed, all creatures of Gokul for 14 days and nights. Indra accepts defeat. Bowing his head, he leaves, stopping the torrents.

Mian ki Malhar uses two positions of the note ga (E), both flat and sharp, consecutively in a swinging, heavy tone reminiscent of thunder. Higher notes, two positions of ni (B), flat and sharp, are used in the Malhar family of ragas to imitate human speech. Rhythmic tones played on the percussion instruments tabla or phakawaj provide counterpoint. Combined with descriptions in lyrical form, stratagems of words and rhythm are used to reproduce the effects of the monsoon rain, thunder, and lightning. A well-trained singer with a deep voice can suggest such weather effects by creatively using lower sharps and flats.

The chakora is a mythical, pheasant-like bird. According to fables, it survives just by eating moonbeams (Figure 1, left). The chaataka is another mythical bird that soars, waiting to catch raindrops to quench its thirst (Figure 2, right). 006ab0faaa

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