Which Side Are You On? marks DiFranco's first studio album in more than three years. The collection features 11 new songs alongside a radically reworked rendition of the classic title song, famously popularized by the one and only Pete Seeger nearly five decades ago, but no less relevant today. Backing DiFranco is a remarkably diverse line-up of stellar musicians, including members of her own crack touring band as well as such guest players as Ivan and Cyril Neville (of New Orleans' first family of funk and R&B, The Neville Brothers), avant-saxophonist Skerik (Pearl Jam, R.E.M., Bonnie Raitt, The Meters), acclaimed singer/songwriter and Righteous Babe Anas Mitchell, guitarist Adam Levy (Norah Jones, Tracy Chapman, Amos Lee), and a host of New Orleans-based horn players known for their work in such outfits as Galactic, Bonerama, and The Rebirth Brass Band.

What's more, Ani is joined on her stunning new version of "Which Side Are You On?" by the aforementioned Pete Seeger, whom she praises as "my elder, my forefather in folk music and political song." DiFranco was inspired to record the famed protest anthem after being invited to perform at Seeger's 90th birthday celebration at Madison Square Garden in May 2009. She contributed her own straight-from-the headlines verses to the song and has used it to close her own live shows ever since. The newly recorded version of " Which Side Are You On?" is a funk-fueled epic, incorporating not just Ani's band, but Seeger himself on banjo and vocals alongside The Rivertown Kids, a Hudson Valley-based children's chorus, and The Roots of Music Marching Crusaders, a brass band consisting of students from The Roots of Music, a music education program for at-risk middle-school students in New Orleans.

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DiFranco pauses as she considers the thin line between personal and private, and how far she wants to take this conversation over that line. Suddenly, the clatter of dishes from a neighboring table and the passing rumble of trucks that routinely jockey between nearby warehouses seem quite loud to me. After a moment, she continues:

Yet DiFranco also has a soft, romantic side, which she captures with simple elegance in "Hearse." She opens the track with the sound of lightly tinkling bells, which quickly segue to a dirge-like beat as DiFranco strums her guitar and sings in her clear, commanding voice, "I don't wanna strive for nothin' anymore / I just wanna lie here with you."

Her socially minded songs treat themes often associated with identity politics, including abortion, the environment, corporate control, war and feminism itself. The Buffalo-born singer has also critiqued music industry conglomerates, which she avoided by founding her own label at the start of her career.

This same depth is frequently lacking in her approach to social themes, which often feature lyrics best described as sloganeering and do little to explore their subject matter. On the current album, DiFranco openly embraces the Democratic Party, and brings with the embrace her weakest, most trite songwriting.

DiFranco has been playing a number of the new songs in her live show, and also a selection from across her entire catalog, which now includes 17 studio CDs, all released on her own label, Righteous Babe Records.

No one was even monitoring it. Yeah, so they decided it was something they wanted to pay more attention and care to, and it wasn't happening by having someone else do double duty. My job at the time was not recording related, but I was spending as much time as possible at the Truck Farm, which is how I got to know Andrew. He suggested me for the live recording, and they brought me on, and it's worked out.

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I had been an avid fan of what I called, the feminist-grunge movement that took off in the Nineties along with Kurt Cobain, and seemed to die out almost as quickly as his unfortunate demise. I identified, as many women in their twenties did, with the angst-ridden, forlorn, love-ridden (in the words of Fiona Apple), women who had been mistreated and lived to tell their tales. These types of artists gave me a sense of strength and hope because of the agony of which they sang, and I identified fully.

"After the first exercise you should be fired up and ready to train," he says. "That's because it's either going to be a heavy movement or a jump (on lower-body days), which will excite the nervous system."

Definitely my best experience ever in any type of dental office. If you have any anxiety this is the absolute best place to come and the surgeons are very skilled. My personal experience was with Dr. Josie DiFranco and she is a phenomenal surgeon with the best bed side manner I have ever experienced from a medical professional. The staff at the front desk and the assistants are extremely friendly, kind and professional as well. I don't think you could possibly find a better place to go for dental surgery.

DIFRANCO: Yeah. I mean, I was just thinking the other night about why I stopped dancing, and it was when I moved to New York. I was 18, and I had no money. I remember going to some dance studio that I loved. I can't remember the name of the choreographer or technique, but it was - all the music was made by the teachers. They would beat out or vocalize, and it was all weird time signatures. It was all in 9 or 11, the movements and the sequences, and I was really into it. I wanted to keep pursuing dance, but I couldn't afford to take classes. And so that made me consolidate to music, you know, which I could practice all on my own.

And other tracks from Kissing Party, Married in Berdichev!, Pee Pee and Drunk Bears only leave you wanting more, which is the primary reason for compilations. Mission accomplished, kids.|Ricardo Baca 589ccfa754

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