There were also VHS tape and LaserDisc releases of the group discussing the ban. The album was briefly parodied on a skit of In Living Color in which Campbell, spoofed by David Alan Grier, is challenged to compose a children's song. Struggling to make a good song, he manages to come up with unoffensive composures until the last line where he must rhyme the word "tucked". The skit is cut off by a narrator saying "The following line is banned in the USA".

Fresh Kid Ice, Mr. Mixx, and Brother Marquis left Luke and Luke Records to go to Lil' Joe Records and released Shake a Lil' Somethin' (1996) without Luther Campbell. Shake a Lil' Somethin' is their seventh album. It was released on August 6, 1996, for Lil' Joe Records and was produced by Mr. Mixx. The album made it to No. 145 on the Billboard 200 and No. 33 on the Top R&B/Hip-Hop Albums and two singles "Shake a Lil' Somethin'", which peaked at No. 11 on the Hot Rap Singles chart and "Do the Damn Thing", which reached No. 24 on the same chart. It peaked at number 59 on the Top R&B/Hip-Hop and albums chart. At the time of this album, Fresh Kid Ice had left the New 2 Live Crew (which consisted of himself, Luke and Verb and Luke Records) to re-join original members Mr. Mixx and Brother Marquis. However, the reunion was short lived as Mr. Mixx left the group after this album.


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2 Live Crew's infamous -- record store clerks were actually arrested for selling the album -- and double platinum -- a great example of how being banned can increase sales -- As Nasty As They Wanna Be may be more talked about than listened to, but it's actually a thoroughly entertaining effort and as solid a album as the trashy party rap genre could have hoped for. In the first moments a sampled voice asks, "What do we get for ten dollars?." In a sleazy slow tone that might make Ron Jeremy blush, a hooker answers, "Everything you want" as the album begins to deliver on this street corner promise with the legendary "Me So Horny" ("me love you long time"). With a sample of Full Metal Jacket's Vietnamese hooker, a cheap drum machine, a fat bassline, and a simple set of rhymes that are filled with every cuss word, innuendo, and misogynist, knuckle-dragging reference to women imaginable, "Me So Horny" is the reason 2 Live Crew should exist. Nothing they or their leader Luke (Luther) Campbell recorded afterwards sounded as lean, as hook filled, and so instantly grabbing as the single. From the inner city strip clubs to the headphones of teenagers in the suburbs, the track was a massive guilty pleasure, one that could also fill the dancefloor in a second. The album that follows repeats and repeats this cheap and silly porno formula and miraculously stretches it as far as it can go. Divided into four sides -- one for each member, the only reason anyone remembers their names -- Nasty keeps it rolling with tracks that capture "Horny"'s energy, ("Put Her in the Buck"), its cleverness ("Dirty Nursery Rhymes"), and a whole bunch that are just as hooky. "The F**k Shop" is the best example of the latter with its easy to grasp chorus and wicked use of a loop from Van Halen's "Ain't Talkin' 'Bout Love." Other smart samples like Kraftwerk for "Dick Almighty" and Jimi Hendrix for "My Seven Bizzos" keep the album alive, while interludes lifted from Andrew Dice Clay, Rudy Ray Moore, Eddie Murphy, and Richard Pryor give away its true inspirations. A couple amusing left turns -- the 12-bar "2 Live Blues" and the dancehall party "Reggae Joint" -- round out the album, and suddenly the full-length that doesn't seem like it could ever suffer an injustice gets sold short by history, at least when it comes to remembering what a grand porno achievement Luke and his crew created.

"Face Down, Ass Up" is one of 2 Live Crew's most recognizable songs in their catalog and proves that the opposition from law enforcement and the judicial system had not made them faint of heart. They get their intentions across with the utmost transparency. "Bass 9-1-7" is an intermission cut that includes a few inspirational words from Luke, who lives up to his "Uncle" moniker with his encouragement of his fellow Floridians to strive for the better and seek prosperity. Then there's a dose of storytelling on Banned in the U.S.A. with "Mamolapenga," a track which features the crew on the prowl for some Latina lovelies.

The Chinese government exercises tight control of live performances, requiring artists to submit detailed lists of songs, casts and crew members before approval is given. Censors further tightened scrutiny after singer Bjork shouted "Tibet, Tibet" at the close of a song titled "Declare Independence" at a Shanghai performance in 2008. be457b7860

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