Radio Sarajevo is a radio station and magazine that began airing 10 April 1945, four days after the liberation of Sarajevo, Bosnia and Herzegovina near the end of World War II. It was Bosnia and Herzegovina's first radio station. The first words spoken by announcer ore Luki were "This is Radio Sarajevo... Death to fascism, freedom to the people!"[2][3][4]

In the urban area of Sarajevo, the first local radio station was opened on 1 July 1971 under the name Radio Sarajevo 202 (or Sarajevo 202 (AM from frequency 202). Unlike other 24 local radio stations in BiH, 202 was designed to entertain, inform and create a new role of radio listeners.[7]


Radio Sarajevo


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Founded in 1975, correspondent network of the new national radio program Radio Sarajevo 2 (Drugi program) accounted more than 52 local radio stations with a coverage of about 80% of the population of BiH. Other local radio stations in Bosnia and Herzegovina were mainly funded by local governments and set up with the expertise of Radio Sarajevo, as part of the instruments of local governments, together with local newspapers and later TV stations. Radio stations jointly operated together with RTV Sarajevo national network and other members of the Yugoslav Radio Television media system.

MIVION (RADIO SARAJEVO) is a piece of documentary theatre about the siege of Sarajevo and a journalist that resisted it through the radio, written and created together by Slobodan Minic, Arza Suljic, Marc Soler, Carles Fernndez Giua and Eugenio Szwarcer. The talk hosted by HB Studio will feature Carles Fernndez Giua (director), Eugenio Szwarcer (set and video designer), and Arza Suljic (performer, co-creator of the show), pictured above. Moderated by HB Teaching Artist Maria Fontanals.

During the siege of his city (1992-1996), Minic resisted by doing what he knew best: radio and journalism. Finally, like thousands of other people, he fled through the tunnel excavated under Sarajevo and arrived into Spain, where he established himself together with his family in a little village on the coast of Catalonia, in Spain. There, he worked as a waiter and raised his two sons.

The referential framework for the play is the eclecticism, variety and dynamism of the radio, the 'natural environment' of the protagonist. A language in which interviews, moments of reflection and intimacy, musical interludes, even connections with correspondents operating in other spaces are alternated. The language of the radio offers many possibilities for the imagination.

On 27 September, two journalists of a prominent news portal, radiosarajevo.ba, were threatened by two individuals who objected to an article. In a hostage-like situation, journalists were forced to take down the article from the website, and to call other news portals and newspapers to ask them to remove the article as well. 17dc91bb1f

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