NARRATIVES OF SCHOLARSHIP, RESISTANCE, AND ACTIVISM BY WOMEN/WOMXN OF COLOR


But Some of Us Are Brave--an annual lecture series at the University of Puget Sound--provides a platform for women/womxn junior scholars of color in honor of Women's History Month. These lectures provide students, faculty, staff and the Tacoma community an opportunity to experience the outstanding intellectual production of women/womxn of color, and how that scholarship centers inclusivity and equity in academia and beyond.



Thursdays: February 22nd, March 8th, March 22nd, March 29th & April 5th

Time: 5:00pm- 6:00pm

Where: Smith Hall, Room 106

Please use South Entrance


Click here to read more about this lecture series


2018 Presenters:

FIRST LECTURE:

Thursday, February 22nd, 5:00pm

Smith Hall Room 106

Shawn Mendez, PhD

Assistant Professor, Department of Sociology and Anthropology, University of North Carolina, Asheville

Dr. Shawn N. Mendez is an Assistant Professor of Sociology and Women, Gender, & Sexuality Studies at the University of North Carolina Asheville. Her research and teaching focus on the ways that race, sexuality, gender, class and other social locations are interrelated, negotiated, and context dependent. Her previous work has focused on the experiences of LGBTQ people of color as they navigate the racialized contexts of their neighborhoods, and the ways that LGQ parents teach their teenagers about race and queer culture.

Lecture:

Contemporary Queerness: Why Queer Theory is for Everyone

What is queer? What is queer theory? Why and for whom does it matter? Academics, students, and "regular" people complain about the word queer, and about using queer theory in research and in the classroom. Many think it's too abstract to be useful or that it just doesn't apply to everyday life. But theory is an important way to understand events and experiences in the world and a great way to structure knowledge both in and outside of the classroom. I recently developed a new queer theoretical model that is useful across disciplines in academia and in "real life" because it: (1) considers gender, sexuality, family, race, ethnicity, class, ability, nationality, and time as related and essential to understanding the current social order; (2) helps us understand both privilege and oppression; and (3) accounts for individual, familial, relational, institutional, and historical change. In this interactive talk I share the model and explain why queer theory is useful for everyone, not just queer people themselves or folks working with gender and/or sexual minorities. I encourage anyone and everyone to attend – no background in gender, sexuality, or queer studies required!

Read more about Dr. Mendez' Scholarship >

Angela D LeBlanc-Ernest

Intersectional Black Panther Party History Project

Angela D. LeBlanc-Ernest is an independent scholar and filmmaker whose work has centered on American History post-1965, with an emphasis on the Modern Black Freedom Struggle. Her work on the history of the Black Panther Party includes the history of women and the impact of gender in the Party as well as the organization’s community Survival Programs. Her publications have appeared in anthologies, academic journals, blogs and encyclopedias as well as popular venues such as Colorlines, Vibe and the Black Youth Project. She is a graduate of Harvard University (BA in Afro-American Studies) and Stanford University (MA in American History) and was the founding director of the Black Panther Party Research Project at Stanford. Currently, she is a co-founder of the Intersectional Black Panther Party History Project, and is working on a documentary about the BPP’s Oakland Community School, one of their longest-lasting Survival Programs.

SECOND LECTURE:

Thursday March 8th, 5:00pm

Smith Hall Room 106

Lecture:

Love Liberation: A Conversation about Black Panther Party Women, Gender, Resistance and Intersectionality

Love Liberation is the defining motto of the Intersectional Black Panther Party History Project (IPHP), a collective of four African American women historians who are also scholar-activists and filmmakers, working both within and outside of academia. This motto stems from the group’s research on women and gender in the BPP, specifically, but also in the long activist tradition of resistance rooted in love for freedom from oppression of all forms. Women played a critical role in the organization’s 15-year history. The IPHP collective’s work addresses the need to center the lives of BPP women, an approach designed to intervene and disrupt the popular stereotype of the Black Panther Party as male and chauvinist, reactionary and short-lived. The conversation will center on women in the BPP and present-day implications for resistance strategies.

Additionally, the conversation will explore the implications of IPHP’s collective work as its own form of resistance, both within and outside academia. In addition to IPHP’s own multi-media social media platforms, its work appears in scholarly blogs and journals and popular venues, such as SOULS, Spectrum, Black Perspectives, Vibe, Black Youth Project, and Colorlines. Additionally, IPHP curates a BPP Resource list aimed at K-16 educators and the general public. The collective has presented at the Schomburg Research Center, the University of Chicago, Assata’s Daughters, and Hostos Community College. Upcoming projects include a reader on Women, Gender and the Black Panther Party, a workshop presentation at UC Berkeley as well as documentary projects and academic conference presentations.

Read more about Angela's Scholarship >

THIRD LECTURE:

Thursday March 22nd, 5:00pm

Smith Hall Room 106

Fumiko Sakashita, PhD

Associate Professor at Ritsumeikan University in Kyoto, Japan

Fumiko Sakashita is Associate Professor at Ritsumeikan University in Kyoto, Japan, and Secretary-General of the Japan Black Studies Association (est. 1954). She received her Ph.D. from Michigan State University in American Studies in 2012. Her research interests include African American history and culture, commemoration of racial violence, and the history of anti-lynching struggles. Sakashita has published several articles including “Remembering Muhammad Ali in the Genealogy of ‘Black Body in Pain’” (written in Japanese) in Rikkyo American Studies 39 (March 2017) and “Lynching across the Pacific: Japanese Views and African American Responses in the Wartime Antilynching Campaign” in William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (University of Virginia Press, 2013). She has also translated English essays by Hazel V. Carby, Nelson George and James B. Peterson into Japanese.

Lecture:

When and Where I Entered: Intellectual Autobiography of a Japanese African Americanist

Established in my hometown Kobe, Japan in 1954, the Japan Black Studies Association (JBSA), where I now serve as Secretary-General, continues to operate as a crucial knot for Japanese scholars who are working within and across African American studies, African studies, and Caribbean studies. Why do we engage in Black studies? What comes out of this concrete engagement, both as a scholar and a teacher? What does studying the life and history of African American people mean to me, as someone often considered “a woman of color” in the United States but still a privileged member of the dominant society in Japan?

In this talk I would like to share my personal accounts of how I entered into the field of African American studies as a third-generation JBSA member, as well as the challenges and unpredictable outcomes in my experiences of studying in the United States and Japan, that is, working across cultures and disciplines. My talk will show how, first in my freshman year in Japan, a famous TV documentary series on the Civil Rights Movement eventually changed my career path. I’ll share how a Japanese female professor, who specialized in Afrodiasporic women’s literature, guided me to enter the JBSA community. I will express how a semester of course taking at Laney College in Oakland, CA inspired my focus on African American studies and Black women’s history. Lastly I’ll illustrate how my graduate years at Michigan State University, my interaction with dear professors, colleagues and friends of all hues, politicized me and turned me into what I am today. These experiences guide my story of when and where I entered into African American Studies.


FOURTH LECTURE:

Thursday March 29th, 5:00pm

Smith Hall Room 106

Elisha Miranda, MFA

Assistant Professor, Eastern Washington University Film Studies

As a filmmaker, writer, educator and cultural activist, Elisha Miranda has powered through mainstream media barriers and stereotypes to explore answers to these questions, and hopefully to inspire the newest generation of artists to become no less than architects of authenticity through fearless imagination and activism. Miranda is a graduate of UC Berkeley, Columbia University, and MIT, a recipient of dozens of awards and is also the founder of three organizations, and a self taught entrepreneur. Born and raised between the Mission and Bay View Hunter Point districts in San Francisco, California but resided in New York City for 16 years and has lived in Spokane, Washington for the past three where she is a mom of three and an Assistant Professor of Film. But her crowning achievement? Choosing every day to teach, create and act from a place of audacious authenticity, reflection and social activism.

Lecture:

From Invisibility to Justice: Women of Color Changing the Face of the Television and Film Industry

What is it truly like to be a mixed raced Latina, A Puerto Rican raised in the borderlands of Mexico, Female, Left of Center, Bisexual, Feminist, Buddhist, a survivor of cancer and a cult, domestic violence and sexual abuse, all while living in the borderlands and to be considered subculture…in the United States of America? Join Dr. Miranda as she discusses how her work is reshaping the film and television industries through her most current projects, which include the Go Girl Chronicles, her webseries about an immigrant Dominican girl who is cartographic and discovering her powers as she comes of age in anti-dreamer world. She’s also developing an original television show called Sangria Street —an all Latinx ensemble comedy and a feature film – Baptism by Fire about a Latinx vigilante killer of U.S government officials who continue to colonize Puerto Rico.

Read more about Dr. Miranda's Scholarship >

FINAL LECTURE:

Thursday, April 5th, 5:00pm

Smith Hall Room 106

Linda Levier

Salish Native Elder, Community Scholar

As a Native elder my inspiration often comes through colors, shapes, and memories. My creations are the visual embodiment of stories from the memories whispered by the individual parts of each creation and stories of life seen through my eyes. As a Salish Native my creations tell stories of fishing, fishing rights, sovereignty and tribal life past and present. Every creation 'belongs' to someone. That 'someone' may be many individuals who 'see' the piece as a touchstone; the teller of stories and the singer of songs it is meant to be. Tribalism is universal each of us has a personal song we sing for ourselves. The song is who we are and how we weave joy, justice, and humanity into the fabric of life and community through family knowledge and personal integrity. Sometimes we share it with others or add another verse. My creations are hopefully the underlying melody for these songs and another chapter of a life story. Whatever the creation sees as the 'story' is the whispering of lifeblood that talks to an individual who will pass the story to others.


Lecture:

Cloud Sweeping

“Cloud Sweeping” is an interactive oral story telling experience about the contemporary history of Native America as told by Linda Levier, a Cowlitz Tribal member. This lecture will use the “Medicine Creek Treaty of 1954,” and the “Fish Wars,” Messages from Franks Landing by Charles Wilkinson, excerpts from Thirty-One Years on the Plains and in the Mountains by William F. Drannon (1832-1913), The Last Indian War by Janet McCloud and Robert Casey, “The Indian Reorganization Act of 1934,” contemporary indigenous history worldwide, analogies for understanding, and of course the stories told by the stones we will be weaving.

Throughout “Cloud Sweeping” you will engage with the following: Treaty Rights, governance, economics, Native self-determination, colonization, interactions of indigenous people worldwide and self-engagement as a participant and learner.

This is an interactive lecture that involves everyone so please come prepared to actively participate. Storytelling is a casual method of passing on history, critical thinking and assessment of information while engaging in a separate activity.


About the Co-Founders

LaToya T. Brackett, PhD

Dr. Brackett is a Visiting Assistant Professor of African American Studies and The Race and Pedagogy Institute at the University of Puget Sound.

What this series means to her:

  • I am because we are, and in the spirit of that I want to ensure that women/womxn of color are heard, seen and appreciated throughout my communities. When they shine, I shine, we all shine.
  • I consider myself one of the brave.
  • Be Brave!

Sarah M. West, PhD


Dr. West is a Visiting Instructor of Hispanic Studies at the University of Puget Sound.


What this series means to her:

  • Community! Together we are stronger. It's up to us to create opportunities for all of us!
  • Here, we demonstrate the importance of our narratives.
  • Be Brave!