The game is the fifth main installment in the Prince of Persia series, and the sequel to 2003's Prince of Persia: The Sands of Time. Set seven years after its predecessor, the story follows the Prince as he searches for a way to stop an entity called the Dahaka that is relentlessly pursuing him as punishment for his meddling with the Sands of Time. He travels to the mysterious Island of Time, where he attempts to prevent the Empress of Time from creating the Sands in the first place, hoping this act will appease the Dahaka.
Gameplay in Warrior Within builds upon that of The Sands of Time, adding new features, specifically, options in combat. The Prince has the ability to wield two weapons at a time as well as the ability to steal his enemies' weapons and throw them. The Prince's repertoire of combat moves has been expanded into varying strings that allow players to attack enemies with more complexity than was possible in the previous game. Warrior Within has a darker tone than its predecessor adding in the ability for the Prince to dispatch his enemies with various gory finishing moves. In addition to the rewind, slow-down, and speed-up powers from Sands of Time, the Prince also has a new sand power: a circular "wave" of sand that knocks down all surrounding enemies as well as damaging them.
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Much as its predecessor, Warrior Within is a 3D platformer centered on exploration and melee combat. The level design revolves around navigating treacherous environments with parkour and freerunning-styled moves. Unlike Sands of Time, the game world is highly nonlinear; the player would often return to already visited locations several times from various directions, often traversing time portals to visit the same places in the present and the past in order to find ways around obstacles which would be impassable in either time alone. Secret areas can be found and explored to gain additional health points and unique weapons, which culminates in discovering a weapon capable of inflicting damage on the Dahaka, unlocking the game's canonical ending. In addition to normal platforming, the game also features episodes where the Prince is chased by the Dahaka and must quickly navigate trap-ridden hallways to reach safety. The game's atmosphere has a distinctive darker and grittier theme, in contrast to the colorful palette of the previous game.
The game's combat system preserves aspects of the prior game's dual wield melee combat, while introducing new ones. While Sands of Time designates a sword as the Prince's primary weapon and the Dagger of Time as his secondary weapon, Warrior Within makes the sword his mandatory primary weapon, while requiring him to obtain and find a secondary weapon from fallen enemies or weapon racks in order to use one. With this added feature, this new combat system emphasizes a free-flow fighting style. The idea is to use the environment, fifty eight secondary weapons and the Prince's own acrobatic abilities to dispatch enemies with ease and aggression, complete with graphic violence effects that can be toggled in the in-game options menu. Two-hand fighting introduces numerous additional acrobatic combos to dispatch enemies with greater efficiency and brutality. Off-hand weapons have varying bonuses and penalties applied to the player's damage and hit points; they can be thrown at enemies to allow a limited form of ranged combat. Most also have limited durability and break after a number of hits, or after they are thrown as projectiles. Aside from bosses, the enemies are sand creatures of varying sizes. Unlike the Sands of Time, where rounds of heavy combat are interspersed with rounds of exploration, enemies can be encountered anywhere along the way, alone and in packs; some common enemies would respawn as the player revisits locations.
As in Sands of Time, the Prince possesses limited control of time with his Medallion of Time; the Sands can be used for more efficient combat as well as to slow down and even rewind time, allowing the Prince to retry ill-timed jumps or escape Dahaka's clutches; later on, he can unlock more devastating Sand Powers that can inflict area of effect damage. All sand powers now draw from a simplified and unified pool of sand tanks (unlike how Sands of Time used a separate, special sand tank supply for its three offensive sand powers) with the more powerful abilities costing multiple full tanks to use.
Seven years after the events of The Sands of Time, following the reversal of his devastating release of the Sands in the palace of Azad, the Prince is hunted by a being called the Dahaka as the Prince was destined to die after releasing the Sands. Seeking advice from a wise man, the Prince learns the Sands were created on a distant island by the Empress of Time. Despite the wise man's warnings about changing fate, the Prince resolves to travel to the island and prevent the Sands' creation. The Prince's ship is attacked by Shahdee, servant of the Empress, but he survives and washes up on the island. He chases Shahdee into the ruins and follows her through a time portal into the past, killing her in combat after finding her attacking another woman Kaileena. Despite believing the Prince's efforts are futile, Kaileena helps him gain access to the Empress's throne room. During his efforts he is stalked by a being called the Sand Wraith, which is captured and killed by the Dahaka. Before confronting the Empress, the Prince offers to take Kaileena to Babylon, but she reluctantly refuses.
In the throne room, Kaileena reveals herself as the Empress, attacking the Prince in an attempt to change her fate of death at his hands. The Prince fights and kills her and returns to the present, but the Dahaka still pursues him; it was the Empress's death in the past that created the Sands of Time. Briefly losing hope, the Prince finds a carving from the army which first recovered the Sands, detailing an artefact called the Mask of the Wraith that allows the wearer to change their fate. He plans to use a time portal to bring Kaileena into the present, allowing the Sands to be created while negating their discovery and transportation to Azad, freeing him from the Dahaka. The Mask transforms the Prince into the same Sand Wraith which stalked him before, and he sees Kaileena's efforts to change her fate despite Shahdee's pessimism, and that she was fighting with a rebellious Shahdee when the Prince appeared. As the Sand Wraith, the Prince succeeds in getting his other self taken by the Dahaka instead, taking his place in the timeline and freeing him of the Mask. The Prince continues to the throne room and, despite his pleas to Kaileena that they can change fate, she attacks him as before.
The ending changes depending on whether the Prince acquired a special weapon called the Water Sword. Without the Water Sword, the Prince kills Kaileena in the present as planned and the Dahaka absorbs her and all remnants of the Sands' power before vanishing. With the Water Sword, the Prince defends Kaileena from the Dahaka's attack and uses the Water Sword to kill it; the two build a boat and leave the island, sleeping together during the voyage. In both endings, Babylon is shown in flames and under attack from an invading army, with Farah (from Sands of Time) being held prisoner, narrated by the wise man saying "you cannot change your fate".
Pre-production on Warrior Within began within Ubisoft Montreal during the final stages of production on The Sands of Time in 2003.[7] Due to commitments writing the script for a Sands of Time movie adaptation, series creator Jordan Mechner was not involved in the production of Warrior Within.[8] During early brainstorming sessions, the team decided to create a darker follow-up to The Sands of Time building on the existing gameplay.[7] Production lasted roughly one year, with sixty new staff being brought on board to help production and using feedback from The Sands of Time for their work.[7][9] Lead producer Bertrand Hlias described the production as having multiple highs and lows.[10] The game used Jade, the same engine as The Sands of Time. The team were told by a Sony representative that they had hit the technical limits of the PlayStation 2, but the team found ways of adjusting the engine and getting more performance and larger environments. They also aimed for a similar push in graphical quality for the Xbox platform.[11][9] The game was set to run at 30 frames per second, allowing more computing power to make other areas of the world work.[11]
Senior producer Yannis Mallat found The Sands of Time short, so the sequel would be three times longer, while being more fleshed out regarding level design and combat. For considering the powers of the Sands of Time were not so essential to the gameplay of the first game and thus were hardly used by players, the gameplay of Warrior Within would integrate them further with moments that required "specific actions to be done". The world would be more open-ended to give a higher degree of freedom, and the different time periods would allow for level design changes.[12] The team also incorporated some concepts and enemies that had to be cut from the previous game.[7] The Prince's ability to slide down drapes using his swords was taken from a suggestion from fans in the Ubisoft forums.[13] The free-form combat system, which allowed for both weapon switching and using the environment during combat, was born from the Prince's new persona as a hardened and skilled fighter.[14] An early plan was for the Prince to not have a main weapon, with an option to fight bare handed, but this was dropped. The attack animations also drew inspiration from the fight scenes of Jackie Chan.[8] Time-based powers were retained due to their central place in The Sands of Time, adding in further gameplay elements related to the Sands.[15] Considering complaints on the final boss of The Sands of Time, focus would be given on finishing with a proper climactic battle.[12] The team also included more actual boss fights, again due to feedback.[16] The expanded gameplay capacities of the Prince necessitated a redesign of the enemy AI and environments to both accommodate it and continue presenting a challenge to players.[10] 152ee80cbc