The role of digital technologies in the preservation, analysis, and dissemination of cultural and historical heritage has become increasingly central. Pattern recognition, machine learning, and computer vision now play a key role in this transformation, providing innovative methodologies to digitize, restore, interpret, and enhance artworks, documents, and cultural sites. The digital age has not only broadened access to heritage collections but has also enabled new forms of analysis, revealing patterns and relationships that were previously inaccessible.
At the same time, the convergence of technology and the humanities introduces new challenges and research questions. These range from the reliable digital reconstruction of artifacts and the interpretation of historical data using AI-driven methods, to issues of authorship, authenticity, and ethical considerations surrounding generative AI and cultural production.
This workshop aims to address these emerging challenges by providing a dedicated forum for researchers, professionals, and practitioners to present advances, share experiences, and discuss future directions at the intersection of pattern recognition and cultural heritage applications.
The workshop brings together, for the first time, two established and thematically convergent events promoted by the IAPR Technical Committee 19 (Computer Vision for Cultural Heritage Applications). Specifically, it unifies the International Workshop on Fine Art Pattern Extraction and Recognition (FAPER), which has already seen four successful editions at ICPR and ICIAP, and the International Workshop on Pattern Recognition for Cultural Heritage (PatReCH), which has been organized five times in conjunction with ICPR and ICIAP.
Topics of interest include, but are not limited to:
Computer vision and generative AI for art and cultural heritage
Automated analysis and transcription of historical manuscripts and documents
Digital acquisition, representation, and manipulation of cultural artifacts
Augmented and virtual reality for cultural heritage communication and education
Image processing, classification, retrieval, and similarity search in the art domain
Point cloud analysis and segmentation for heritage sites and objects
3D reconstruction of historical artifacts and architectural environments
Serious games, edutainment, and interactive storytelling for cultural heritage
Knowledge representation, ontology learning, and semantic modeling in cultural heritage
Robotic and autonomous systems for inspection, conservation, and preservation
Projects, prototypes, and digital tools for restoration, conservation, and heritage outreach
Guillaume Caron received the Ph.D. in Robotics and the Habilitation degree (HDR) from the University of Picardie Jules Verne (UPJV) in Amiens, France in 2010 and 2019, respectively. He has been an Associate Professor at UPJV since 2011 and has been on secondment to CNRS at the Joint Robotics Laboratory (JRL) CNRS-AIST, IRL, Japan, since 2019. He has served as Co-Director of JRL since 2022. He has been serving as Vice-Chair of the IAPR TC 19 on Computer Vision for Cultural Heritage Applications since 2025 after having been Chair from 2018 to 2022 (two terms). He also has been an Associate Editor of the IEEE Robotics and Automation Letters since 2023. His research focuses on computer vision for robotics, real-time visual tracking and visual servoing, and digital heritage.
Submissions will undergo double-blind peer review, with at least two reviewers per paper.
Accepted papers will be published in the ICPR 2026 Workshop Proceedings, published in the Lecture Notes in Computer Science (LNCS) series by Springer. Papers must follow the LNCS format and must not exceed 15 pages including references. Additional pages beyond 15 will incur an extra fee as per ICPR guidelines.
Only full papers (more than 6 pages) will be included in the LNCS proceedings.
Authors can submit their papers via the EasyChair submission system.
Paper submission deadline: May 16, 2026
Notification of acceptance: June 13, 2026
Camera-ready submission: June 20, 2026
Dario Allegra
University of Catania, Italy
Giovanna Castellano
University of Bari Aldo Moro, Italy
Alessandra Scotto di Freca
University of Cassino and Southern Lazio, Italy
Gennaro Vessio
University of Bari Aldo Moro, Italy
Sinem Aslan, University of Milan, Italy
Patrick Marais, University of Cape Town, South Africa
Ehsanollah Kabir, Tarbiat Modares University, Iran
Elisa Barney, Luleå Technical University, Sweden
Raffaele Scaringi, University of Bari Aldo Moro, Italy
Nicola Fanelli, University of Bari Aldo Moro, Italy
Fabio Bellavia, University of Palermo, Italy
Eva Cetinic, University of Zurich, Switzerland
...
The workshop is planned as a half-day, on-site event. More details will be announced in due course.
The workshop will take place on-site, in conjunction with ICPR. Venue and registration details will be announced according to the official ICPR program.